Oliver's tax refund check motivates the farmers of Hooterville to request their refunds, too. Not understanding that you have to actually pay taxes first, they write in and state their losses for the...
Fred Ziffel objects to Arnold's love affair with shifty Mr. Haney's basset hound Cynthia. Realizing that their relationship can never work, Arnold breaks off their relationship. When Cynthia performs...
Mister Ed is a horse who is owned by Wilbur Post. Mister Ed is not just any horse, he talks to Wilbur! But this gets Wilbur in all kinds of trouble because Mister Ed won't talk to anyone ... See full summary »
Widower Steve Douglas raises three sons with the help of his father-in-law, and is later aided by the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.
Widower Sheriff Andy and his son Opie live with Andy's Aunt Bee in Mayberry NC. With virtually no crimes to solve, most of Andy's time is spent philosophizing and calming down his cousin Deputy Barney.
Manhattan lawyer Douglas drags his protesting socialite wife and her finery to the rural backwash of a rundown farm outside Hooterville. They attempt to get the farm fixed up. Farmer Fred Ziffel's pig Arnold watches TV and is in many ways smarter than the Hootervillians. Written by
Ed Stephan <email@example.com>
This programme was traditionally thought of as just another of the cornpone country comedies that CBS used to be noted for, like "Petticoat Junction" or "The Beverly Hillbillies". But with its button-down straight man, Eddie Albert, surrounded by a wild assortment of extraordinary oddballs, "Green Acres" looks both backwards to the screwball comedies of the '30s and ahead to the Bob Newhart series of shows which followed a similar premise.
I am a fan of the British absurdist tradition, as exemplified both by university humour, like "Monty Python" and "Fawlty Towers", with its basis in the antics of the Goons (and Alfred Jarry), and by John Lennon's disassociated imagery, with its basis, probably, in Edward Lear (and Hilaire Belloc), but I personally happen to believe that this particular show belongs to a distinct comedy continuum, one that's entirely American. But I do agree completely that where these two styles are concerned, fans of one are bound to appreciate the other.
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