The Caped Crusader and his young ward battle evildoers in Gotham City in a bombastic 1960s colorized and updated versions of the 1940's black and white television show based on the comic book hero's exploits.
Widower Steve Douglas raises three sons with the help of his father-in-law, and is later aided by the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.
Maxwell Smart is a bumbling secret agent, assigned by his "Chief" to foil KAOS' latest plans for taking over the world. Invariably, Smart's bumbling detective style lands him in hot water. Lucky for him, his faithful assistant "99" is there to bail him out. Written by
Murray Chapman <email@example.com>
Its writers/creators included Mel Brooks and Buck Henry.
But, since IMDb won't let me get away with saying just that, I'll just have to write more.
How can you go wrong with something by Mel Brooks and Buck Henry? It's obvious that the actors are thoroughly enjoying themselves in this show, and this enthusiasm was infectious. I was a very little girl in 1965, and I used to sit up with my father to watch TV after dinner and the nightly installment of whatever book he was reading to us. We sat together and watched Get Smart, Hogan's Heroes, McHale's Navy, among others, all of which are now considered classics. Why? Because, while the shows themselves were very topical (Get Smart was about the Cold War - as is Bullwinkle -- and Hogan and McHale fought in WWII which had ended barely 20 years earlier), the humor itself did not rely on specific current events. They were just out-and-out funny.
They still are.
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