Families, friends, enemies and lovers experience life-changing events in the large upstate New York city of Port Charles, which has a busy hospital, upscale hotel, cozy diner and dangerous waterfront frequented by the criminal underworld.
One Life to Live premiered in 1968, centering on the lives of the citizens of the fictional town of Llanview, PA. Concentrating on the wealthy Lord family, and the middle-class Woleks and ... See full summary »
The continuing story of life in the Midwestern town of Bay City, and the love, loss, trials, and triumph of its residents, who come from different backgrounds and social circles. Those who ... See full summary »
Guiding Light takes place in the fictional Midwestern town of Springfield. In its early years the stories centered on the middle class Bauer family, but later the wealthy Spauldings, ... See full summary »
The kingdom of Nan Zhao is brainwashed by the chief of a moon-worshiping cult (Elvis Tsui) who forces the King (Chi-yin Wong) to sentence his Queen (Sun Li) to death, claiming that she is a... See full summary »
Having discovered her fiancé Tim Truman kissing another woman, Meg Cummings leaves her home in Kansas on their wedding day to start a new life in Sunset Beach, California. Her goal is to ... See full summary »
"Like sands through the hourglass... so are the Days of Our Lives." These words, spoken by late cast member Macdonald Carey, open every episode of this daytime drama, chronicaling the trials and tribulations of the citizens of the fictional city of Salem. Written by
Kevin Ackley <email@example.com>
John Shrum designed the pilot's stage sets, salvaging set elements from the former "soap" designed by Spencer Davies. Shrum integrated stair, door, window, fireplace mantle units. Building the Horton House set, the living room was spread open like a book, the central arch in front of the main house door, a "y" hallway leading to the rest of the house. John selected a neutral color pallet of "putty" grays for all the scenery. This color scheme was a common pattern in color television set design. Early transmission electronic signals had problems with backgrounds with intense hues, as reds, yellows, oranges, because these background colors reflective color values affected actors' skin tones. Blue hues were the most compatible, and for this reason, the hospital's corridors, nurse stations and lounges, rooms, were established in the pale blue color. After the pilot sold as a series in 1965, John Shrum continued as Art Director, acting as supervising Art Director, allowing novice Assistants to helm the art direction duties. Hub Braden Art Directed the summer of 1968. Ed Flesh, from NBC-NY, replaced Hub and was Art Director from 1968 through 1974. During this period, Studio 9 was built to move the series to it's own stage, freeing up the main NBC Stages 2, 4, 1 & 3 for Specials and for host-variety series (Andy Williams, Phyllis Diller, Bob Hope, Johnny Carson). In mid 1969, Gloria Monte developed a new day-time series "Bright Promise" with Hub Braden as Production Designer. This program moved in and was set-up on the other half of Stage 9. This combination of shows utilized the stage facility full time. "Return to Peyton Place" replaced "B.P." in 1971-1973, until the show was canceled. Milt Altman, NBC-Art Department Director, moved Ed Flesh from the "Days" show responsibilities assigned to work on game show pilots. Hub Braden took over "Days" from 1973-1975. Milt Altman then assigned Braden to the new game show series, "Wheel of Fortune" (pilot set designed by Ed Flesh), NBC practice was to use one person as the art director, expected to decorate the sets. Replacing Hub, Milt Altman assigned Scott Rittenhour as Art Director to "Days" production staff. Scott demanded an assistant art director. Milt assigned (a newly hired) Mary Ann Biddle as Scott's assistant, who was expected to decorate the sets. See more »
What are you doing here? Don't you have some rock you can climb under?
That's not a very nice thing to say, Mimi.
I don't have any reason to be nice to you. All this fighting tonight is your fault. You're the reason that Rex got mad at me, and you're the reason that Philip found out about Belle and Shawn being up on the roof together.
Actually, you have no one to blame but yourself. If you hadn't gotten caught in all your lies, none of this would have happened.
Oh, funny, you accusing me ...
[...] See more »
As a mother who has lost a child, I think DOOL's portrayal of Hope's and Bo's grief and anger was very realistic. I've been a fan of Days since the late 70's. Some story lines and actors are better than others but on the whole is is engaging and often deals with current issues. Frequently though, the story lines drag and are plots are repeated. There could be less of the cutesy early 20 somethings, and more middle-aged characters. I don't think there's one ugly man on the show and the women are all gorgeous. Bringing back Steve and Kayla is really fascinating to me and a great idea. Steve Johnson and his love Kayla were like the "Beauty and the Beast"; it was one of the best love stories on daytime TV. May Hope be carrying Bo's baby...although I don't know how old she is supposed to be. May Sami get what's coming to her...LUCAS. May Jack live forever!
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