While returning to the ranch with a horse he just purchased,Heath becomes side tracked and ends up taking home a baby after the mother dies.The father,an outlaw,eventually heads for the Barkley's to ...
Bret and Bart Maverick (and in later seasons, their English cousin, Beau) are well dressed gamblers who migrate from town to town always looking for a good game. Poker (five-card draw) is ... See full summary »
Stories of the journeys of a wagon train as it leaves post-Civil War Missouri on its way to California through the plains, deserts and Rocky Mountains. The first treks were led by gruff, ... See full summary »
The Shiloh Ranch in Wyoming Territory of the 1890s is owned in sequence by Judge Garth, the Grainger brothers, and Col. MacKenzie. It is the setting for a variety of stories, many more ... See full summary »
The Cannon family runs the High Chaparral Ranch in the Arizona Territory in 1870s. Big John wants to establish his cattle empire despite Indian hostility. He's aided by brother Buck and son... See full summary »
Victoria Barkley heads her adult brood on the Barkley Ranch in California's San Joaquin Valley, near Stockton, in the 1870s. Heath is the illegitimate son of Victoria's husband, Tom (who is dead at the time of the series). Bank robbers, horse thieves, revolutionaries, and land grabbers keep the Barkleys hopping. Written by
Ed Stephan <firstname.lastname@example.org>
I was not a big fan of Westerns, but this one really stands out. I liked it back in the 1970s, and then again lately with its run on the Hallmark Channel.
If this show was not an authentic Western, who cares? The show had enough chutzpah and special qualities to make it so likeable. One episode, "Miranda," which aired 15 January 1968, had one scene that made me take notice. The title character, a Mexican revolutionary played by Barbara Luna, asked Napoleon Whiting, who played the African-American servant Silas, if slavery had been outlawed. The exchange between those two characters was a sort of icebreak, because of the stereotypical roles African-Americans had played in the movies and television for so long. At last, this concept is being questioned! This is the same year that "Julia" (1968) debuted.
The cast is fun. I liked Barbara Stanwyck, and I remember seeing Richard Long in 1970's "Nanny and the Professor." He is definitely missed. Peter Breck is also great, and I also like seeing Lee Majors in this role instead of "The Six Million Dollar Man." It is too bad that the series lasted only four years. It was such a fascinating series!
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