Two girls escape from an open borstal for two very different reasons; Annetta to attempt to visit her baby daughter, who is being raised in a convent; and Carol, who hopes to be recaptured ... See full summary »
In desperation brought on by near-starvation, Helge Roos kills his master's ox and feeds it to his wife and baby daughter. No-one suspects anything until the meat is finished and Helge ... See full summary »
Albert is an inn owner who vowed never to drink again if he and his wife survived the war. They did, and the reformed alcoholic keeps his vow. But times have changed and soon after the war,... See full summary »
The first in Stefan Jarl's Mods Trilogy, the film documents the life of two teenagers, Kenta and Stoffe. With interviews from the two boys and their friends about their hedonistic lifestyle... See full summary »
Kenneth 'Kenta' Gustafsson,
Gustav 'Stoffe' Svensson,
It might be the 21st Century, but studly Les Chic struts and preens for the ladies like it's the 1970s. Unfortunately poor Les has been in a rut in the "hot female action" department, and ... See full summary »
Stockholm, 1915. Three women, Agda, Adele and Angela are about to give birth in a clinic. All three recall their past, especially the circumstances that led them to this hospital room. Agda, a housemaid made pregnant by a young middle-class man, has just married a homosexual artist. Adele, married to a farmer, suffers from frigidity, and is expecting a baby which is practically the product of a rape by her husband. As for Angela, a young woman from aristocratic background, she is waiting to give life to an illegitimate child after throwing herself into the arms of fifty-year-old Casanova. In these conditions will the three children to be born be happy? Written by
The story of three women from different, but related, backgrounds about to give birth in a hospital in Sweden around the start of World War I.
Via inter-cut flashbacks we are shown how they ended up in their situation.
Often beautiful Sven Nykvist photo and many great directorial flourishes from director Mai Zetterling makes this a treat.
The parallels with Bergman are many. For instance, apart from Mr. Nykvist, many of the actors have appeared in various Bergman productions, the themes dealt with here are very similar to various Bergman films, and so on. Dissimilar enough to be interesting though.
Has some very interesting scenes that I would imagine were very controversial at the time, such as two gay men frolicking and getting mock-married in a church, a graphic shot of a baby's birth, some female nudity, a lesbian kiss, etc..
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