Three actresses prepare to go on the road in a theater production of Lysistrata, Aristophanes' classic comic play about women and war. As they re-assess and deal with the problems in their ... See full summary »
In Sweden, the upper-class pianist Bengt Vyldeke suffers an accident in the military drill and becomes blind. He returns to the house of his aunt Beatrice Schröder and is initially ... See full summary »
After graduating from high school 19 year old Göran goes to his uncle Anders's farm in the countryside for recreation. It's summer and a lot of work to do at the farm, but he, the city ... See full summary »
It's late nineteenth century Sweden. Middle aged lawyer Fredrik Egerman and his nineteen year old current wife Anne Egerman's two-year marriage has not yet been consummated. Fredrik wants ... See full summary »
In 1890, Pontus, the starving writer, wanders the streets of Christiania, in search of love and a chance to get his work published. All he meets is defeat and suffering while his sense of ... See full summary »
About the Swedish author Agnes Von Krusenstjerna (1894-1940), during her turbulent marriage with David Sprengel. In a hallucination Agnes is brought to a mental hospital in Venice, carrying her fictitious autobiography.
Stockholm, 1915. Three women, Agda, Adele and Angela are about to give birth in a clinic. All three recall their past, especially the circumstances that led them to this hospital room. Agda, a housemaid made pregnant by a young middle-class man, has just married a homosexual artist. Adele, married to a farmer, suffers from frigidity, and is expecting a baby which is practically the product of a rape by her husband. As for Angela, a young woman from aristocratic background, she is waiting to give life to an illegitimate child after throwing herself into the arms of fifty-year-old Casanova. In these conditions will the three children to be born be happy? Written by
Both in the ambiance and in its women's themes in this movie you can see unequivocally Bergman's influences. In particular It recalls Bergman's SECRETS OF WOMEN (1952)for the cast ( It's almost the same!)and for its episodic structure. The psychological search on women universe is another important link.
Anyway, although Mai Zetterling had abused it in her movies, I think that the flashback use is very interesting in this movie. It becomes, with the editing help, a concrete tragic matter and not only a way to tell the story. I give it a 6.
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