Policemen Ali Sokhela and Brian Epkeen investigate the brutal murder of a young white woman, apparently provoked by the availability of a new illegal drug and somehow connected to the disappearance of black street children.
Operation Market Garden, September 1944: The Allies attempt to capture several strategically important bridges in the Netherlands in the hope of breaking the German lines. However, mismanagement and poor planning result in its failure.
Two Lieutenants, Chard of Engineers and Bromhead find that their 140 man contingent in Natal has been isolated by the destruction of the main British Army column and that 4,000 Zulu warriors will descend on them in hours. Each has a different military background in tactics and they are immediatly in conflict on how to prepare for the attack. Nearly a third of the men are in the infirmary, as the welsh company tries to somehow survive with no help in sight. Based on a true story.
Joe Powell's role was much bigger but he became ill during the period when his scenes were to be shot. See more »
In the film it is said that the Zulus brought rifles captured at Isandlwana. While the Zulu force at Rorke's Drift did have a small number of old muskets, no captured British weapons from Isandlwana were used, as this force did not fight at Isandlwana, rather, was the reserve or "loins" force. No Zulus having fought at Isandlwana could have travelled as far as Rorke's Drift in time for the second battle. The muskets used at Rorke's Drift had no effect on the battle. See more »
At the end of the opening credits 'and Introducing Michael Caine' is shown, this would suggest that this was his first film. In fact MC had previously had five credited film roles, numerous TV appearances and several uncredited film roles before appearing in Zulu. See more »
It`s shameful no-one makes films like ZULU anymore. In these PC dominated times there are those who may view this film as being racist dealing with a heroic battle between white foreign troops against native black Africans during Victorian times. Nothing could be further from the truth. The zulus are rightly presented as being fearless and disciplined warriors ready to willingly die than show cowardice.
The only other criticism a modern day audience can level at the film is the fact that the battle scenes are slightly ungory compared to the likes of SAVING PRIVATE RYAN and PLATOON. But so what ? How many other films compete with the excitement and tension of scenes like the soldiers fighting off the hordes of zulus in the hospital building ? Would graphic disembowelment and decapitation improve these scenes ? of course not.
I could go on all day as to what`s brilliant about ZULU , but I wont. But I will say that for me the greatest aspect of the film is John Barry`s score. The fact that he never won an oscar for it just goes to show there`s no justice in the world.
Without doubt the greatest British film of the 1960`s , probably the greatest British picture ever , and possibly the greatest film ever. Let`s hope Hollywood never decides to remake it
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