The young art student Eddie wants to live a life without troubles or responsibilities. He meets Pam and they fall in love. But happy-go-lucky Eddie declares that he won't marry her. Soon ... See full summary »

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Cast

Credited cast:
...
Eddie Slocum
Sharon Hugueny ...
Pam Burns
Nick Adams ...
Tarragoo
...
Debbie
...
Mrs. Burns
...
Prof. Schwartz
...
Prof. Reese
Nancy Rennick ...
Mary Reese
...
Dr. Shoemaker
Jennifer Billingsley ...
Karen
Rest of cast listed alphabetically:
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Storyline

The young art student Eddie wants to live a life without troubles or responsibilities. He meets Pam and they fall in love. But happy-go-lucky Eddie declares that he won't marry her. Soon Pam is pregnant, and Eddie must face up to the problem... Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

A story of love before marriage.

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Drama

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Details

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Release Date:

29 January 1965 (Finland)  »

Also Known As:

Die Saat der Liebe  »

Company Credits

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Technical Specs

Runtime:

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(Westrex Recording System)
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Did You Know?

Trivia

Final US studio film of Nick Adams. See more »

Goofs

The stalled automobile coasts out of control with a completely flat rear tire, and then ends up in a lake with the same tire now properly inflated. See more »

Connections

References Gone with the Wind (1939) See more »

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User Reviews

 
Curious, downbeat youth melodrama
15 April 2006 | by (las vegas, nv) – See all my reviews

Thin script from Julian Haley's novel about a college senior who struggles to stay with the curriculum after falling in love with an attractive co-ed. Peter Fonda, pre-"Easy Rider", amusingly enters the film on a motorbike, but never manages to find an appropriate acting style and seems distinctly miscast; either he's smiling too much or talking too slowly, his heavy-lidded eyes fixated on the ground. It's a bad match between actor and material, however Nick Adams is very enjoyable as a goof-off who gets drafted. Sharon Hugueny is a rather bland beauty, and all the adult characters are stereotypically rigid and humorless, but the film's cinematography (by Joe Biroc and Ellsworth Fredericks) is beautifully expressive. Overall, a fairly rote youth flick, but one with a curiously downbeat, foreboding tone. ** from ****


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