The young art student Eddie wants to live a life without troubles or responsibilities. He meets Pam and they fall in love. But happy-go-lucky Eddie declares that he won't marry her. Soon ... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser', his best pal. When they both botch their attempt to retrieve ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ... See full summary »
Raymond St. Jacques,
Peter De Anda
When Mrs. Call's heart condition acts up, Tammy tags along in the trip to Los Angeles when the old lady is getting her surgery. Since there are no guest quarters in the hospital, Tammy gets... See full summary »
Harry Collings returns home to his farm after drifting with his friend, Arch. His wife, who had given up on him, reluctantly allows him to stay, and soon believes that all will be well ... See full summary »
Lilith is a about a mysterious young woman in an elite sanitarium in New England, who seems to weave a magical spell all around her. A restless, but sincere young man with an equally ... See full summary »
The young art student Eddie wants to live a life without troubles or responsibilities. He meets Pam and they fall in love. But happy-go-lucky Eddie declares that he won't marry her. Soon Pam is pregnant, and Eddie must face up to the problem... Written by
Previous reviews have explicated this film; therefore, I will not repeat their efforts. This film is disappointing because its leads are so badly cast. Peter Fonda delivers a performance that is best characterized as amateurish. Unfortunately, his leading lady is not strong enough to carry him. This film only comes alive during the scenes that include Nick Adams. In his early 30's when this film was made, Adams is clearly too old to be a college sophomore as the dialogue suggests he is. Moreover, the age difference between him and the delightful Deborah Walley strains credulity. Yet Hollywood has never found such pairings problematic: men are often cast against women far too young for them. Hollywood has always been a man's world. But I digress. To return to the film: the most interesting, entertaining and strongest scenes in this film are those with Adams and Walley. They display more chemistry and humor than either of the leads. It is clear to me from dialogue contained within the film itself and production stills found elsewhere that the two secondary leads had some of their scenes deleted. That is a shame. Credit for the best parts of this film belong to the supporting players and it would likely have been a better movie if their efforts had not been left on the cutting room floor. In his autobiography, Peter Fonda (understandably) has little to say about The Young Lovers. He mentioned he wanted Katherine Ross for his leading lady but was overruled. He also stated he learned the hard way what happens when you make a movie with too little money and rehearsal time. Clearly he was referring to himself; the pros on the picture (Adams, Walley, Throne, & Campanella) did good work. Unfortunately, Fonda and Hugueny are just dead weight.
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