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The World of Henry Orient (1964)

 -  Comedy | Drama  -  18 June 1964 (UK)
6.8
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Ratings: 6.8/10 from 2,215 users  
Reviews: 51 user | 15 critic

A mischievous, adventuresome fourteen-year-old girl and her best friend begin following an eccentric concert pianist around New York City after she develops a crush on him.

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(screenplay), (screenplay), 1 more credit »
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Nominated for 1 Golden Globe. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stella Dunnworthy
...
Isabel Boyd
...
Frank Boyd
...
Mrs. Avis Gilbert
Bibi Osterwald ...
Erica 'Boothy' Booth
...
Marian 'Gil' Gilbert
Tippy Walker ...
Valarie 'Val' Campbell Boyd
...
Sidney
...
Store Owner
Peter Duchin ...
Joe Daniels
Fred Stewart ...
Doctor
Philippa Bevans ...
Emma Hambler
Jerry Jarrett ...
(as Jerry Jerrett)
Jane Buchanan ...
Lillian Kafritz
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Storyline

Henry Orient is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two 14-year-old fans. The girls, Val and Gil chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother appears on the scene to put a stop to the girls' shenanigans. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Step into the world of Henry Orient...and meet two junior-size misses and one king-size nut!

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 June 1964 (UK)  »

Also Known As:

Deux copines, un séducteur  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The first time Elmer Bernstein scored a comedy. See more »

Goofs

During his concert, Henry's hair changes back and forth from neat to messed up. See more »

Quotes

Erica 'Boothy' Booth: I know, I went through the same thing with John Barrymore.
Marian Gilbert: Who?
Erica 'Boothy' Booth: What did you say?
Marian Gilbert: This guy you went through it with.
Erica 'Boothy' Booth: You mean you've never heard of John Barrymore?
Marian Gilbert: Nope
Erica 'Boothy' Booth: You've never even heard his name?
Marian Gilbert: Nope
Erica 'Boothy' Booth: Excuse me, it's later than I think.
See more »

Crazy Credits

introducing MERRIE SPAETH as "Gil" TIPPY WALKER as "Val" See more »

Connections

Featured in New York at the Movies (2002) See more »

Soundtracks

Piano Concerto No. 2 in C minor, Op. 18
By Sergei Rachmaninoff
See more »

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User Reviews

 
It's always more fun when people you like get themselves into trouble
25 August 1999 | by (Memphis, TN) – See all my reviews

The theme of this movie is that adolescence can make girls behave obsessively about an older man and that parents shouldn't be too concerned or interfere too much. They'll grow out of it. But thank goodness Nora Johnson spent her efforts creating and developing the characters. The viewer is too interested in following these two teenage girls to consider the plot may have a point. Both new to an exclusive New York City girls school Val and Gil's friendship grows partly out of needs lacking in their homelife and partly out of their contrasting and complimenting personalities. Gil lives with her Mother and her mother's friend Boothie, both post divorce, strong, middle class values type women. Her Father lives Florida with his new family. Val's parent are wealthy, travel and occasionally drop by New York and see their daughter. Val we are told by another classmate has an extremely high "intelligent quota" and sees a shrink. Val is also a prankster who brings Gil into her high energy and overly dramatic make believe world.

Early on, director George Roy Hill pulls together scenes of one afternoon in Central Park spent pretending to be chased by a band of evil cuthroats, leaping over every possible object and their first encounter with Henry Orient. The afternoon ends with Gil explaining how she misses her father particularly at dusk. Val verbalizes her feelings perfectly as she spins a fantasy about Gil's father showing up one evening to return to her mother as his one true love. This is one of several scenes that draw you in and before you know it the emotions have gone from energetic to sentimental seamlessly. That is the strength of this movie that it is so personal and true to life without sacrificing the tension of the plot keeping up interest. It is also a very funny movie, with only a couple of occasions where the humor is not appropriate to the emotion of the situation.

Val develops a crush on Henry Orient, a concert pianist who hides his Brooklyn roots behind a fake accent and hides his mediocre talent behind avant-guarde music. Val and Gil secretly follow him around town unwittingly spoiling his attempts to seduce a certain married woman. The situations are certainly geared towards adults but never condescending to the girls. I'm not surprised the movie was not as successful as other Peter Sellers movies of the time. It doesn't appear to be the type of movie that fans of The Pink Panther would flock to see. Yet it can be appreciated by a wide audience because the makers didn't assume the viewer would understand or sympathize with a couple of crazy teenage girls or their less than perfect parents. They took the time to make them real, and funny. That's why the zaniness and sentiment in the plot works. And Sellers is given plenty of time to make his character the complete buffoon that he his. Plenty of physical stuff. I can't think of anyone who would fail to enjoy this movie.


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