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The World of Henry Orient (1964)

Approved | | Comedy, Drama | 18 June 1964 (UK)
A mischievous, adventuresome fourteen-year-old girl and her best friend begin following an eccentric concert pianist around New York City after she develops a crush on him.

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Writers:

(screenplay), (screenplay) | 1 more credit »
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Nominated for 1 Golden Globe. Another 1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Stella Dunnworthy
...
Isabel Boyd
...
Frank Boyd
...
Mrs. Avis Gilbert
Bibi Osterwald ...
Erica 'Boothy' Booth
...
Marian 'Gil' Gilbert
Tippy Walker ...
Valarie 'Val' Campbell Boyd
...
Sidney
...
Store Owner
Peter Duchin ...
Joe Daniels
...
Doctor
Philippa Bevans ...
Emma Hambler
Jerry Jarrett ...
(as Jerry Jerrett)
Jane Buchanan ...
Lillian Kafritz
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Storyline

Henry Orient is a madly egocentric and overly amorous avant-garde concert pianist who is hilariously pursued all around New York City by two 14-year-old fans. The girls, Val and Gil chase a harassed Henry all over the city, thwarting his afternoon liaisons with a married woman and leaving utter chaos behind them - until Val's sexually promiscuous mother appears on the scene to put a stop to the girls' shenanigans. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

When two junior size misses meet one king-size nut. It's fun, fresh, welcome as Springtime See more »

Genres:

Comedy | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 June 1964 (UK)  »

Also Known As:

Deux copines, un séducteur  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Peter Sellers accent changes from a generic European accent to a New York/Brooklyn accent. His New York accent was an imitation of Stanley Kubrick's voice. Kubrick had directed Sellers in Lolita and Dr. Strangelove. See more »

Goofs

When Peter Sellers is rifling through the phone book looking for an airline he comes down to flipping single pages then suddenly flips a bunch of pages and immediately finds the number. See more »

Quotes

Erica 'Boothy' Booth: I know, I went through the same thing with John Barrymore.
Marian Gilbert: Who?
Erica 'Boothy' Booth: What did you say?
Marian Gilbert: This guy you went through it with.
Erica 'Boothy' Booth: You mean you've never heard of John Barrymore?
Marian Gilbert: Nope
Erica 'Boothy' Booth: You've never even heard his name?
Marian Gilbert: Nope
Erica 'Boothy' Booth: Excuse me, it's later than I think.
See more »

Crazy Credits

introducing MERRIE SPAETH as "Gil" TIPPY WALKER as "Val" See more »

Connections

Featured in New York at the Movies (2002) See more »

Soundtracks

Henry Orient Concerto
Music by Ken Lauber (as Kenneth Lauber)
Conducted and orchestrated by Ken Lauber (uncredited)
See more »

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User Reviews

An unexpectedly pleasurable gem!
23 April 2003 | by (Portland, Oregon) – See all my reviews

I wasn't quite prepared for how much I enjoyed this sophisticated (but certainly not too much so) romp when I caught it during its first-run release. I thought it so well-executed in every department that I was delighted to note that it's now available in a DVD edition with its Panavision widescreen ratio restored. But unfortunately the audio element is so bad (requiring turning the volume way up to even begin to hear the dialogue, and a music score that's mangled beyond belief) that I had to return the disc for a refund. Fortunately Turner Classic Movies recently showed it and the soundtrack was not a problem, making possible a fairly decent high-fidelity VHS recording.

The two young actresses who played the very natural but entirely madcap duo who precipitate most of the plot's ins-'n-outs are completely charming and they are supported by an extraordinarily well-chosen cast of top-notch professionals. Angela Lansbury, never an actress to shrink from the somewhat less savory aspects of a character she's playing, strikes just the right note as a socialite whose maternal instincts are close to non-existent. I do remember wishing that Paula Prentiss had been given more to do, but I suppose getting mistaken for Jayne Mansfield (in one of the film's funnier sequences) wasn't something to be sneezed at. As the film's title character, Peter Sellers wasn't permitted by director George Roy Hill to unbalance the proceedings. And it certainly seems that scenarist Nora Johnson had inherited more than a modicum of her father Nunnally's professional good taste. This one is a treat for all but the dyspeptic and the excessively demanding.


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