Nicky and his friends find that their youth club is in danger of being flattened to make way for a new office block unless they can come up with £1500 to pay the new owner, the ruthless ... See full summary »
A fabulous 60s Musical - 4 London Bus mechanics strike up a deal with London Transport. They do up a double decker London Bus, drive it around Europe as a hotel and if they make it they ... See full summary »
Merchant banker Tim, excited to hear he's to go to New York, is sent to Birmingham instead to pressure a small struggling restaurant. But he turns this into a positive by falling in love ... See full summary »
Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house. Despite Bert's protestation that he really is only interested in playing bongos, Johnny ... See full summary »
A federal agent whose daughter dies of a heroin overdose is determined to destroy the drug ring that supplied her. He recruits various people whose lives have been torn apart by the drug ... See full summary »
Sidney J. Furie
Billy Dee Williams,
Howard Phillips, a vicar who's new in the town of Bellington, wants to reach out to youth. The previous vicar's daughter, Hester Peters, who fears being a spinster, wants to be his wife. He... See full summary »
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
A group of (literally) drifting popsters find themselves involved in a grim sand-and-sandals desert movie. They reckon a few song-and-dance numbers would liven things up. Written by
Jeremy Perkins <firstname.lastname@example.org>
At the end of the "Home" sequence, Johnny, Jerry and Edward sit on the back of the boat and have to pretend their falling backwards off the stern. Moments before they are supposed to fall, the hands of two or three members of the crew can be seen raising into shot ready to catch them. See more »
'Wonderful Life' has its moments. Moments when you feel you can close your gaping mouth and swallow. The rest of the time you are just blown away by the arrogance of the people who thought this qualified as entertainment in any way shape or form, by the stupidity of the people who put up the money - which looks to have been an awful lot - and by the tragedy of how this pile of undercooked nostalgia was the best the mainstream British film industry could be bothered to come up with at the time. Oh, and never mind the complete ego trip of Cliff, comparing himself to every mainstream film icon from Chaplin to Sean Connery - there's even a creepy bit where he is smooching Susan Hampshire in a bikini (pre-nose job, much nicer) and his hand wanders down to her lap, then his fly...no, it's a tiny gun on his key fob! Eee-Yeww! An honourable mention for Una Stubbs looking older than she does now and baring more midriff than Madonna, and the rest of it is rubbish songs ('On The Beach' is the best of a woeful bunch), bizarre choreography, school play acting, weedy singing, useless dubbing, faulty colour grading, you get the idea - presumably this was part of Cliff's plan to 'crack' the US market, but to me it's a rival to 'Take Me High' as something you want erased from your memory as soon a possible. And TMH was funny. NOT so bad it's good. So bad it's infuriating.
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