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What a Way to Go! (1964)

Approved | | Comedy, Romance | 2 July 1964 (UK)
A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

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Writers:

(story), (screenplay) | 1 more credit »
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Nominated for 2 Oscars. Another 1 win & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
Louisa May Foster
...
...
Rod Anderson, Jr.
...
Leonard 'Lennie' Crawley
...
Pinky Benson
...
Dr. Victor Stephanson (as Bob Cummings)
...
Edgar Hopper
...
Painter
...
Mrs. Foster
Lou Nova ...
Trentino
...
Baroness
Maurice Marsac ...
Rene
Wally Vernon ...
Agent
Jane Wald ...
Polly
Lenny Kent ...
Hollywood Lawyer
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Storyline

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

What A Cast!... What A Past!... What A Show!...

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

2 July 1964 (UK)  »

Also Known As:

I Love Louisa  »

Box Office

Budget:

$20,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The set used as Luisa and Pinky Benson's Hollywood mansion was originally used as the home for the characters played by Marilyn Monroe and Dean Martin characters in the unfinished film "Something's Got To Give". See more »

Goofs

The position of Louisa's hands and her facial reactions as Larry's artist friend shoots at the balloons tied to her canvas. See more »

Quotes

Larry Flint: The Louvre - It's the garbage pail of the arts.
See more »

Crazy Credits

Opening Fox Fanfare is in the colour PINK. See more »

Connections

Spoofs Cleopatra (1963) See more »

Soundtracks

Spring Song
(uncredited)
Music by Felix Mendelssohn-Bartholdy
See more »

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User Reviews

 
Fun, Froth, and What Will She Wear Next?
29 May 2005 | by (Biloxi, Mississippi) – See all my reviews

To describe WHAT A WAY TO GO as an ultra-light 1960s confection would be an understatement: frothy, foolish, and seeking no more than to be mildly entertaining, it is a classic of its kind and of its era.

The plot is episodic. When multi-millionaire Louisa May Foster tries to give away her money she finds herself slapped onto a psychiatrist's couch--where she details the story of a little girl from the wrong side of the tracks who was only interested in marrying for love. But as fate would have it, every husband she touched turned to gold, and their successes spelled finish to the marriage in no uncertain terms, with each widowhood leaving Louisa even more fabulously wealthy than before. What's a poor little rich girl to do? The charm here is in the cast and the production values. Although she offered considerably more in her most celebrated films, Shirley MacLaine had a remarkable way with light comedy, and she pulls out all the stops as the eternal widow, at times sassy, at times silly, but never less than completely watchable. Her unlikely co-stars--Dean Martin, Dick Van Dyke, Paul Newman, Robert Mitchum, Gene Kelly, Robert Cummings and (in her final film) the amazing Margaret Dumont--are also up to the task.

The humor is both obvious and sly, lampooning various rags-to-riches (or in one case riches-to-riches) stereotypes with a wink, a nod, and now and then an unexpectedly sophisticated bit of wit. The film works best when it gently mocks both itself and the more obvious cinematic conventions of its day, as when Louisa recalls each of her marriages with the words "it was like one of those movies where..." Everything from silent film to musicals gets a poke, and over-budgeted romantic blockbusters suddenly become considerably more comic than you'd ever imagine.

The production values are first rate, and to say there is always something to look at on the screen would be an understatement: they are deliberately and often deliciously over the top--and often as amusing as the performances. (The "Lush Budget" sequence, in which MacLaine changes gowns every few seconds, is particularly witty.) True, the movie is a no-brainer, but it is a fun one. Only a sour-puss could resist! Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer


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