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What a Way to Go! (1964)

 -  Comedy | Romance  -  12 May 1964 (USA)
7.0
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Ratings: 7.0/10 from 2,498 users  
Reviews: 62 user | 5 critic

A four-time widow discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

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(story), (screenplay), 1 more credit »
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Title: What a Way to Go! (1964)

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Nominated for 2 Oscars. Another 1 win & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
Louisa May Foster
...
...
Rod Anderson, Jr.
...
Leonard 'Lennie' Crawley
...
Pinky Benson
...
Dr. Victor Stephanson (as Bob Cummings)
...
Edgar Hopper
Reginald Gardiner ...
Painter
...
Mrs. Foster
Lou Nova ...
Trentino
Fifi D'Orsay ...
Baroness
Maurice Marsac ...
Rene
Wally Vernon ...
Agent
Jane Wald ...
Polly
Lenny Kent ...
Hollywood Lawyer
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Storyline

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Taglines:

What A Cast!... What A Past!... What A Show!...

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

12 May 1964 (USA)  »

Also Known As:

I Love Louisa  »

Box Office

Budget:

$20,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Early in the film, Shirley MacLaine has a line involving money where she says, "It's like exorcising an evil spirit". MacLaine later appeared in the supernatural film "The Possession of Joel Delaney" and was William Peter Blatty's original choice for the role of Chris in "The Exorcist". See more »

Goofs

Near the end of the movie Shirley MacLaine and Bob Cummings are on a couch which rises high into the air. In a medium shot there is a white lampshade in the background that is below his shoulder. In a following medium shot the bottom of the shade is bout 8 inches above his shoulder. In the next long shot the top of the shade is at least a foot below the bottom of the couch, a difference of about 4 feet between shots. See more »

Quotes

Rod Anderson, Jr.: What are you doing after the orgy?
See more »

Crazy Credits

Opening Fox Fanfare is in the colour PINK. See more »

Connections

Referenced in Postcards from the Edge (1990) See more »

Soundtracks

Musical Extravaganza
Lyrics by Betty Comden and Adolph Green
Music by Jule Styne
Performed by Gene Kelly, Shirley MacLaine and dancers.
See more »

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User Reviews

 
All she wants is love, all she gets is money!
2 August 2002 | by (United States) – See all my reviews

This is a great film. Some have said it epitomizes the 1960s glamour comedies but what it cleverly does is parody them, and other film genres, through its movie dream sequences and the ridiculous and gorgeous costumes Shirley wears. It has a great cast and everyone is in top tongue in cheek form. Dick Van Dyke plays his usual neo-Marx brothers physical comedy schtick (with Margaret DuMont, no less!) at the height of his powers. Paul Newman is great playing against type as a tortured artist, a perfect sendup of Kirk Douglas' portrayal of Van Gough in *Lust for Life* (he even wears the same beard). Mitchum is suave and cool as a kind of Cash McCall gone wrong, but far more slick then Jim Garner ever was. To top it off, Gene Kelley does an incredible spot on parody of himself in the Holywood story, with iconic images taken straight from his greatest triumph *Singing in the Rain,* turned on their head and twisted into a grotesque commentary on the evils of Hollywood as opposed to its dreams and glamour. The scene where he is trampled to death by his fans holds up a hilarious mirror to the similar scene in *Singing in the Rain* where he has his clothes torn off by them. This film elevated parody to a high art form before anybody had even heard the term "post modernism!" And those gowns she wears! The best one is the one which is just a string of pearls down Shirley's sexy back (she faces away from the camera for the shole scene because she is obviously topless). They must have cost a fortune! this is obviously a film with a very Lush Bugett!


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