What a Way to Go! (1964)

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her ... See full summary »

Director:

J. Lee Thompson

Writers:

Gwen Davis (story), Betty Comden (screenplay),

Stars:

Shirley MacLaine, Paul Newman, Robert Mitchum

Nominated for 2 Oscars. Another 1 win & 5 nominations.

Cast

Complete credited cast:
Shirley MacLaine	...	Louisa May Foster
Paul Newman	...	Larry Flint
Robert Mitchum	...	Rod Anderson, Jr.
Dean Martin	...	Leonard 'Lennie' Crawley
Gene Kelly	...	Pinky Benson
Robert Cummings	...	Dr. Victor Stephanson (as Bob Cummings)
Dick Van Dyke	...	Edgar Hopper
Reginald Gardiner	...	Painter
Margaret Dumont	...	Mrs. Foster
Lou Nova	...	Trentino
Fifi D'Orsay	...	Baroness
Maurice Marsac	...	Rene
Wally Vernon	...	Agent
Jane Wald	...	Polly
Lenny Kent	...	Hollywood Lawyer

Storyline

This black comedy opens with Louisa Foster donating a multimillion dollar check to the IRS. The tax department thinks she's crazy and sends her to a psychiatrist. She then discusses her four marriages, in which all of her husbands became incredibly rich and died prematurely because of their drive to be rich.

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Plot Keywords:

psychiatrist | black comedy | marriage | check | rowboat | 

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Taglines:

What A Cast!... What A Past!... What A Show!...

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Genres:

Comedy | Romance | Musical

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Certificate:

Approved

Details

Country:

USA

Language:

English French

Release Date:

12 May 1964 (USA)

Also Known As:

I Love Louisa

Filming Locations:

Stage 9, 20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Box Office

Budget:

$20,000,000 (estimated)

Company Credits

Production Co:

Apjac-Orchard Productions

Technical Specs

Runtime:

111 min

Sound Mix:

Mono (Westrex Recording System)

Color:

Black and White Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

There is a running gag that Paul Newman's character is a starving painter. In every scene he is eating something.

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Goofs

When Louisa joins Rod Anderson on the flight deck of the airplane, it obviously is not one of a 707, as the exterior shots establish. There is no flight engineer position, and the control yokes appear to be from a Douglas airplane. In addition, there are a number of instruments behind the pilot's position.

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Quotes

Larry Flint: The Louvre - It's the garbage pail of the arts.

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Connections

Referenced in What's My Line?: Episode dated 23 August 1964 (1964)

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Soundtracks

"I Think that You and I Should Get Acquainted"
Lyrics by Betty Comden and Adolph Green
Music by Jule Styne
Performed by Gene Kelly

User Reviews

Fun, Froth, and What Will She Wear Next?

To describe WHAT A WAY TO GO as an ultra-light 1960s confection would be an understatement: frothy, foolish, and seeking no more than to be mildly entertaining, it is a classic of its kind and of its era.

The plot is episodic. When multi-millionaire Louisa May Foster tries to give away her money she finds herself slapped onto a psychiatrist's couch--where she details the story of a little girl from the wrong side of the tracks who was only interested in marrying for love. But as fate would have it, every husband she touched turned to gold, and their successes spelled finish to the marriage in no uncertain terms, with each widowhood leaving Louisa even more fabulously wealthy than before. What's a poor little rich girl to do? The charm here is in the cast and the production values. Although she offered considerably more in her most celebrated films, Shirley MacLaine had a remarkable way with light comedy, and she pulls out all the stops as the eternal widow, at times sassy, at times silly, but never less than completely watchable. Her unlikely co-stars--Dean Martin, Dick Van Dyke, Paul Newman, Robert Mitchum, Gene Kelly, Robert Cummings and (in her final film) the amazing Margaret Dumont--are also up to the task.

The humor is both obvious and sly, lampooning various rags-to-riches (or in one case riches-to-riches) stereotypes with a wink, a nod, and now and then an unexpectedly sophisticated bit of wit. The film works best when it gently mocks both itself and the more obvious cinematic conventions of its day, as when Louisa recalls each of her marriages with the words "it was like one of those movies where..." Everything from silent film to musicals gets a poke, and over-budgeted romantic blockbusters suddenly become considerably more comic than you'd ever imagine.

The production values are first rate, and to say there is always something to look at on the screen would be an understatement: they are deliberately and often deliciously over the top--and often as amusing as the performances. (The "Lush Budget" sequence, in which MacLaine changes gowns every few seconds, is particularly witty.) True, the movie is a no-brainer, but it is a fun one. Only a sour-puss could resist! Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer