Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it ... See full summary »
Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a ... See full summary »
Photographer Greg Nolan meets Bernice, and loses both his job and his apartment. However, Bernice manages to get him a new apartment, but it is so expensive that he has to get two full-time... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser. Perhaps some singing will help. Written by
Jeremy Perkins <email@example.com>
Surprisingly, according to Variety, "Viva Las Vegas" earned more in distributors rentals than "A Hard Day's Night" despite both films being released in 1964 at the height of Beatlemania. "Viva Las Vegas" grossed $9,442,967 compared to $6,165,000 for the Beatles' debut feature. See more »
The Count's (very expensive) Ferrari 250 GT suddenly transforms into a Daimler 250 SP Dart right before it crashes. See more »
Although my own personal favorite Elvis film is "Tickle Me" (1965), "Viva Las Vegas" is the last remotely classy film he made and his best musical in years. The Las Vegas locale enabled M-G-M to put in some rock songs--and Ann-Margret (a cross between Marilyn and Madonna) whose image is similar to Elvis's, was a definite plus. The film was even more successful than "Blue Hawaii" (1961)--Presley's biggest hit to date. They took their time shooting it, the songs are well showcased and Elvis and the sexy Ann-Margret form the most attractive twosome in years. It's even quite possible that the challenging Miss Margret briefly lifts him from the doldrums he's been in; most certainly when they double (as in the very catchy "C'mon Everybody" sequence) the fireworks explode loud and bright. Both performers are sinuous and sensual and assured, and between them they manage to lift a routine movie far above what it would otherwise be. But it also has the bonus of director George Sidney ("Bye Bye Birdie")--and it's the last Elvis film that will be so blessed.
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