Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it ... See full summary »
Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a ... See full summary »
Photographer Greg Nolan meets Bernice, and loses both his job and his apartment. However, Bernice manages to get him a new apartment, but it is so expensive that he has to get two full-time... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser. Perhaps some singing will help. Written by
Jeremy Perkins <firstname.lastname@example.org>
Surprisingly, according to Variety, "Viva Las Vegas" earned more in distributors rentals than "A Hard Day's Night" despite both films being released in 1964 at the height of Beatlemania. "Viva Las Vegas" grossed $9,442,967 compared to $6,165,000 for the Beatles' debut feature. See more »
At the end of the race the counts car runs off the track and then back on wherein the cockpit gets pulverized by a yellow car. This would definitely have killed the driver, or at least put the "count' into a full body cast. Yet later he appears at Rusty and Lucky's wedding, very healthy. See more »
The first time I saw this movie was in the Army before it hit the movie theaters for the general public, and as all ye guys know, if a movie goes over in the Army - well, it's gotta become a big smash it, and with Elvis Presley wooing Ann Margaret, well - Ann Margaret was all the service guys had to see. The Hell with the rest of the show! The guys whistled, cheered, and that night probably dreamed that they were Lucky with Rusty! Anyone who doesn't like this movie is an old Grumpy! All right gang, so it's predictable and we've seen it many a-time in the movies. Guy sees girl, girl hates guy, guy still chases girl, and like Irving Berling wrote: "A Man Chases A Girl Until She Catches Him!" In the old Fred Astaire-Ginger Rodgers movies, Ginger always hated Fred until they had their first dance together and then the love affair started, and if you'll notice, the same thing happens here in Viva Las Vegas. Rusty doesn't like Lucky until they sing their first song together and then the love affair starts. This was the formula in those days. Funny thing: There was this story that went that in the Astaire-Rogers movies, Fred gave Ginger class and Ginger gave Fred sex! Well, not exactly, but you know what I mean. Astaire was not really the most sexiest looking of men, so he had to have the sexy lookin' gals around him to make the teaming work, but in Elvis and Ann-Margarets pairing, who was giving who sex? Song are great, dances numbers great, cast is very good, and it IS probably the best musical film that Presley ever made! He and Ann-Margaret was very wise never to appear again in a film. This was as far as I'm concerned a one time deal. Same thing as Sylvester Stallone and Dolly Partin in Rhinestone. It was a one time deal and the paring for one film was great and should not be repeated, but - sometimes I wonder what Barbra Striesand's "A Star Is Born" would have turned out like if she could have got her first choice for the film - Elvis Presley. What a dynamite of a movie that would have been, but - it was never to be!
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