The Gospel According to St. Matthew (1964)
"Il vangelo secondo Matteo" (original title)

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The life of Jesus Christ according to the Gospel of Matthew. Pasolini shows Christ as a marxist avant-la-lettre and therefore uses half of the text of Matthew.

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Nominated for 3 Oscars. Another 7 wins & 5 nominations. See more awards »



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Cast overview, first billed only:
Enrique Irazoqui ...
Margherita Caruso ...
Susanna Pasolini ...
Marcello Morante ...
Mario Socrate ...
Settimio Di Porto ...
Alfonso Gatto ...
Luigi Barbini ...
Giacomo Morante ...
Giorgio Agamben ...
Guido Cerretani ...
Rosario Migale ...
Ferruccio Nuzzo ...
Marcello Galdini ...
Elio Spaziani ...


Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. He comes to bring a sword, not peace, he says. He's in a hurry, moving from place to place near the Sea of Galilee, sometimes attracting a multitude, sometimes being driven away. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers. After he dies, he appears to his disciples and gives them final instructions. Written by <>

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Release Date:

2 October 1964 (Italy)  »

Also Known As:

The Gospel According to St. Matthew  »

Filming Locations:


Company Credits

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Technical Specs


| (edited)

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?


Shot in the style of Italian Neo-Realism. See more »


When they are taking Christ down from the cross, in the distance you can see a car driving around a corner. See more »


Christ: Many are called, but few are chosen.
See more »


Referenced in Pasolini a Barcelona (2015) See more »


Fuga (Ricercata) a 6, Nr. 2
Written by Johann Sebastian Bach (arr. Anton von Webern)
from "Das Musikalische Opfer", BWV 1079
See more »

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User Reviews

A Film worth dying for!
10 May 2001 | by (Manchester, England) – See all my reviews

Okay, so maybe not quite, but this is still an excellent film, by far the best depiction of the last days of Jesus's life. By taking the view that Jesus was a revolutionary rather than emphasising the religious aspects the film succeeds in presenting a unique view of the life, and death, of Jesus and the reactions of his followers. There are no mystical halos descending from heaven, no "angelic music" and none of the other cliches that Hollywood's attempts at presenting the story usually contain. Instead the humanity of those who lived the story comes through, and by doing this the film takes on emotional, even religious intensity totally lacking in other, larger budget depictions of Christ. Possibly the most moving part of all is the moment Peter realises he has disowned Jesus three times. This isn't portrayed as some great epic biblical act, the denial of the Messiah, but rather as the actions of a man, scared for himself, who, when he realises that he has betrayed his friend runs away in shame sobbing uncontrollably. the scene is given even more dramatic impact through the music, taken from Bach's St Matthews Passion, which perfectly fits the mood of the moment. Overall this is a brilliant film and anyone remotely interested in either good film making, the relationships between human beings under pressure, or the final days of Christ should see it.

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