IMDb > Une Femme Mariée (1964)
Une femme mariée: Suite de fragments d'un film tourné en 1964
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Une Femme Mariée (1964) More at IMDbPro »Une femme mariée: Suite de fragments d'un film tourné en 1964 (original title)


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7.4/10   1,868 votes »
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Popularity: ?
Down 35% in popularity this week. See why on IMDbPro.
View company contact information for Une Femme Mariée on IMDbPro.
Release Date:
4 December 1964 (France) See more »
Charlotte is young and modern, not a hair out of place, superficial, cool; she reads fashion magazines - does she have the perfect bust... See more » | Add synopsis »
1 nomination See more »
(46 articles)
Daily | Lang, Chabrol, Pennebaker
 (From Keyframe. 5 December 2015, 7:59 AM, PST)

NYC Weekend Watch: ‘Sunset Boulevard,’ ‘Foreign Correspondent,’ ‘A Married Woman’ & More
 (From The Film Stage. 4 December 2015, 7:41 AM, PST)

Daily | Godard @ 85
 (From Keyframe. 3 December 2015, 3:52 AM, PST)

User Reviews:
A study of an individual, a medium, but moreover commodification in modern society. See more (9 total) »


  (in credits order)
Bernard Noël ... Robert, the Lover
Macha Méril ... Charlotte
Philippe Leroy ... Pierre, the Husband
Christophe Bourseiller ... Nicolas (as Chris Tophe)
Roger Leenhardt ... Himself
Margaret Le Van ... Girl in Swimming Pool (as Margaret Le-Van)
Véronique Duval ... Girl in Swimming Pool
Rita Maiden ... Madame Celine
Georges Liron ... The Physician
rest of cast listed alphabetically:

Jean-Luc Godard ... The Narrator (uncredited)

Directed by
Jean-Luc Godard 
Writing credits
(in alphabetical order)
Jean-Luc Godard 

Cinematography by
Raoul Coutard 
Film Editing by
Andrée Choty 
Françoise Collin 
Agnès Guillemot 
Gérard Pollicand 
Production Design by
Henri Nogaret 
Production Management
Philippe Dussart .... production manager
Jeanne Marie Olivier .... assistant production manager
Maurice Urbain .... production manager
Second Unit Director or Assistant Director
Hélène Kalougine .... assistant director
Jean-Pierre Léaud .... assistant director
Claude Othnin-Girard .... assistant director
Art Department
Joseph Gerhard .... set designer
Sound Department
Antoine Bonfanti .... sound
Robert Cambourakis .... sound assistant
René Levert .... sound
Jacques Maumont .... sound
Camera and Electrical Department
Bernard Largemain .... key grip
Georges Liron .... camera operator
Marilù Parolini .... still photographer (as Marie-Lou Parolini)
Georges Pierre .... still photographer
Costume and Wardrobe Department
Laurence Clairval .... costumer
Music Department
Ludwig van Beethoven .... composer: stock music
Other crew
Christine Brierre .... press attache
Catherine Savignac .... script supervisor
Suzanne Schiffman .... script supervisor

Production CompaniesDistributors

Additional Details

Also Known As:
"Une femme mariée: Suite de fragments d'un film tourné en 1964" - France (original title)
"A Married Woman" - USA (informal literal title)
"The Married Woman" - USA (poster title)
See more »
Argentina:96 min | USA:94 min | France:95 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Movie Connections:
Three to Get ReadySee more »


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15 out of 16 people found the following review useful.
A study of an individual, a medium, but moreover commodification in modern society., 24 November 2004
Author: Matthew Charlton ( from London, England

'Une femme mariée' records 24 hours in the life of Charlotte, the eponymous married woman, a morning and the morning after with her lover, actor Robert, the evening spent with Pierre, her pilot husband. This structure, of a double life almost, is in line with a theme of distinction or division set up from the opening titles: 'UN FILM […] EN NOIR ET BLANC', and extended filmically by the use of interviews filmed in the documentary style interposed between action, and likewise with detail shots of newspaper headlines edited into the narrative; there is later use of negative. The film is characteristically self-referential: Charlotte comments on her seating position in the car as being 'la position ideal du spectator du cinéma' as the extreme long shot captures on one plane the back of her and her lover's heads, as if they were in the row in front of us in a cinema audience, with a classic Parisian scene in the background. Genre clichés are employed: Charlotte's changing of taxis, and meeting her lover in the back row of the cinema taken from countless detective movies.

This litany (I apologise) amounts to an unconventional film: Godard does not provide his audience with the popular conventions that they rely on: it opens with a blank white screen for a start, and hardly goes on to having any driving narrative. 'Une femme mariée' is rather a study of an individual and a medium.

More than this though, it questions commodification in modern society, as succinctly described in the below post; in this it is wholly successful, and relevant.

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