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The Last Man on Earth (1964)

 -  Horror | Sci-Fi  -  8 March 1964 (USA)
7.0
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Ratings: 7.0/10 from 11,224 users  
Reviews: 158 user | 118 critic

When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.

Directors:

(as Ubaldo B. Ragona) , (uncredited)

Writers:

(screenplay), (screenplay) (as Logan Swanson) , 3 more credits »
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Cast

Complete credited cast:
...
Franca Bettoia ...
Emma Danieli ...
Giacomo Rossi-Stuart ...
Ben Cortman
Umberto Raho ...
Dr. Mercer (as Umberto Rau)
Christi Courtland ...
Kathy Morgan
Antonio Corevi ...
Governor (as Tony Corevi)
Ettore Ribotta ...
TV Reporter (as Hector Ribotta)
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Storyline

When a plague devastated life on Earth, the population died or became a sort of zombie living in the dark. Dr. Robert Morgan is the unique healthy survivor on the planet, having a routine life for his own survival: he kills the night creatures along the day and maintains the safety of his house, to be protected along the night. He misses his beloved wife and daughter, consumed by the outbreak, and he fights against his loneliness to maintain mentally sane. When Dr. Morgan finds the contaminated Ruth Collins, he uses his blood to heal her and he becomes the last hope on Earth to help the other contaminated survivors. But the order of this new society is scary. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

By night they leave their graves, crawling, shambling, through empty streets, whimpering, pleading, begging for his blood! See more »

Genres:

Horror | Sci-Fi

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

8 March 1964 (USA)  »

Also Known As:

The Damned Walk at Midnight  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Has been said to be the inspiration for George Romero's "Night of the Living Dead." See more »

Goofs

When Morgan returns home at night and is fighting the vampires he opens his unlocked front door and enters. The marauding vampires should have been able to enter the home, before his arrival, with the door unlocked. See more »

Quotes

[first lines]
Robert Morgan: Another day to live through. Better get started.
See more »

Connections

Featured in Stir of Echoes (1999) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
An under-appreciated classic
6 September 2002 | by (nashville, tn) – See all my reviews

This one seems to be less well known than others in Vincent Price's filmography -- possibly because the title makes it sound more like a romantic comedy.

In this first filmed version of Richard Matheson's superb short novel "I Am Legend", though, Price really shines in one of the best performances of his career. Far superior to its 1971 remake "The Omega Man" -- as if we needed yet another "Charlton Heston vs. the subhuman hordes" outing after "Khartoum" and "55 Days In Peking" -- the script follows Matheson's book almost scene-for-scene, but then, I think the author always wrote with one eye on the movie or TV rights.

Morgan (Vincent Price) is the only survivor of a worldwide plague that kills its victims, only to resurrect them as zombie vampires. (His own immunity was conferred by the bite of a vampire bat infected with a weaker version of the virus, when he was doing research in South America.) By day, he systematically searches out the plague victims and destroys them in the traditional Van Helsing manner, retreating to his fortified house when darkness falls and the vampires come out to play. Worst of all, his best friend Ben -- now a vampire -- is part of the crowd that nightly besieges his house, thirsting for his blood.

Unlike "The Omega Man", very little of this film is devoted to Morgan's one-man war against the vampires, who as others have noted have a kind of "Night Of The Living Dead" ambiance, minus the gore. Instead it focuses on his utter isolation, both physical and spiritual, his mission as an exterminating angel the only purpose now left to his life.

A large part of the movie is taken up by a flashback to three years previous, to the beginning of the plague, as his friend Ben arrives at a birthday party for Morgan's daughter bearing an armful of presents. Against the background of the children's shouts and laughter the adults worriedly discuss the appearance of a new virus. The world then proceeds to fall apart in a quietly terrifying re-enactment of the Black Death, complete with National Guard "bring out your dead" units and a 24/7 immolation pit for the anonymous, canvas-wrapped corpses. Morgan's wife and daughter succumb to the virus in a sequence that is quite stunning in its low-key, almost clinical lack of the standard histrionics.

The black-and-white cinematography is as stark and minimalistic as the story (and, admittedly, the budget). The exterior scenes set in a deserted Los Angeles -- well, actually Rome, shot in the early morning -- are often quite effective in mirroring his internal desolation. Cast and crew alike do an excellent job with the material, despite the monetary constraints. Unlike so many in our current "bash you over the head" school of film-making, the real horror of the situation is allowed to speak eloquently for itself.

If you're expecting the high camp of one of Price's Roger Corman flicks, you'll probably be bored stiff by this movie. If instead you're looking for a surprisingly good adaptation of a great story, you can't do much better than "Last Man On Earth".


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