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The Last Man on Earth (1964)

 -  Horror | Sci-Fi  -  8 March 1964 (USA)
7.0
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Ratings: 7.0/10 from 10,917 users  
Reviews: 157 user | 119 critic

When a disease turns all of humanity into the living dead, the last man on earth becomes a reluctant vampire hunter.

Directors:

(as Ubaldo B. Ragona) , (uncredited)

Writers:

(screenplay), (screenplay), 3 more credits »
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Cast

Complete credited cast:
...
Franca Bettoia ...
Emma Danieli ...
Giacomo Rossi-Stuart ...
Ben Cortman
Umberto Raho ...
Dr. Mercer (as Umberto Rau)
Christi Courtland ...
Kathy Morgan
Antonio Corevi ...
Governor (as Tony Corevi)
Ettore Ribotta ...
TV Reporter (as Hector Ribotta)
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Storyline

When a plague devastated life on Earth, the population died or became a sort of zombie living in the dark. Dr. Robert Morgan is the unique healthy survivor on the planet, having a routine life for his own survival: he kills the night creatures along the day and maintains the safety of his house, to be protected along the night. He misses his beloved wife and daughter, consumed by the outbreak, and he fights against his loneliness to maintain mentally sane. When Dr. Morgan finds the contaminated Ruth Collins, he uses his blood to heal her and he becomes the last hope on Earth to help the other contaminated survivors. But the order of this new society is scary. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

Alive among the lifeless... alone among the crawling creatures of evil that make the night hideous with their inhuman craving! See more »

Genres:

Horror | Sci-Fi

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

8 March 1964 (USA)  »

Also Known As:

The Damned Walk at Midnight  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film is set in 1968. See more »

Goofs

Just over 1 minute into the film, in one of the first shots of the deserted city a man can be seen walking backwards and forwards behind a fence. See more »

Quotes

[first lines]
Robert Morgan: Another day to live through. Better get started.
See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.171 (2009) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Seems like a great film ...but for all the wrong reasons?
5 September 2004 | by (United States) – See all my reviews

I like this film, and definitely associate it with my childhood, via the inside cover of an old issue of Famous Monsters that pictured a vampire arm groping around the door for Vincent Price. I gazed at that photo as the magazine wore out, for years before I actually got to see the film.

Vincent Price is always good to see. But as he is not a terribly physical actor, he looks awkward doing some of the things he is called on to do here, like dragging a body to the edge of a pit and heaving it in, pounding a stake into a vampire heart, or hurling a mirror across the room in disgust and despair. Not standing about with cocktail in hand, dressed to the nines and oozing wicked sophistication, he looks about as out of place as Cary Grant would setting a trash can out at the curb.

I ask, in the title of this review, if we like this film "for all the wrong reasons" because, inescapably, I find it pitched at a sort of self-pity, tapping into the allure of images of yourself alone at the center of the human universe, of satisfied contemplation of the stupid folly of Man the Scientist, the Politician, the Warrior, that will bring the end of his own species. --In a word, it seems to inhabit a place that is the near-exclusive province of the truly isolated, disaffected and fantasy-prone adolescent.

Being aware of this demographic skew doesn't invalidate the real and strong emotional place the film creates and enables anybody else to inhabit. But I do wonder about the effusive, near-idolatrous over-analysis this film has been known to elicit. I think it would be a pity if, through the growing cult of this film, we come to be less moved by horror --the whole precept on which Matheson's novel and the film are based-- than seduced by the film's image of post-apocalyptic solitude, which can lapse into full-blown gloating misanthropy with just a slight nudge.

I find Last Man oppressively tragic and sobering and depressing-- and always, always utterly absorbing. Even tenth time watched, it feels like you are watching your own funeral, listening to nothing less than taps being sounded for your own species. This is, not to be too glib, the films greatest strength AND weakness.


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