A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A small-time con-man with passport problems gets mixed up with a gang of world-class jewelry thieves plotting to rob the Topkapi museum in Istanbul. Turkish intelligence, suspecting arms smuggling, gets involved, and under pressure the con-man rises to heights he'd never dreamed of. Written by
David Carroll <email@example.com>
Six weeks after the release of Topkapi, a similar, real-life heist took place at a New York City museum. Although 22 gems were stolen, they were recovered within 48 hours. See more »
When the agent (in glasses) is marking a photograph with red texter, several extra lines appear on the photograph without him having drawn them. See more »
It can be done! That's the way it can be done! Aaah... oh, excuse me; I've just had a great idea - something I've been looking for a long time... a very long time.
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At the beginning, the title and the technical credits are shown, but no credit is given to the actors or to the producer-director. However, at the end, [spoiler] we suddenly see the words "There they go again!", and all of the leading actors appear in a snowbound setting, together with their names. Then the names of all of the other actors, together with the name of the producer-director, appear on the screen. [/spoiler] See more »
Geez, I can't get over all the sour comments about this film on this site. Long? Boring? These must be the feelings of MTV kids who can't focus on an image for longer than thirty seconds... For the rest of you looking for the perfect caper film, look no farther. Exotic locale... great cast... memorable score... Topkapi has it all. In my opinion, this is a far superior film to Jules Dassin's earlier Riffifi. Topkapi is glamorous, funny, exciting -- but above all, fun.
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