Gruff, hard-nosed new boss Stanton takes over a scientific research company upon the death of his benevolent father. Scientists Manning, Gordon and White, who are very close to a ... See full summary »
A crack space pilot returns to earth to find the planet has been devastated by some unknown forces. There are a few survivors, so he organizes them in a plan to ward off control by a group ... See full summary »
In 1964, a team of scientists are trying to develop a view screen into the future. What they in fact get is a portal and they soon find themselves on the other side, 127 years into the future when the portal collapses. The Earth of the future is barren and they are soon attacked by mutated humans but rescued by a group of scientists who are building a spaceship to take them to a new planet. They learn that much of Earth was destroyed as the result of a nuclear war. When it's determined that the visitors from the past cannot be included in the planned voyage, they work furiously to rebuild the portal and return to their own time before departure day. Meanwhile, always under the threat of attack from the mutants , friendships are formed and they learn of life in the future including the use of robots for menial tasks. Written by
Peter Strudwick personally contacted Ib Melchior about possibly playing the role of a monster in this film. After visiting Melchior at his house, Melchior wrote the part of The Mutant for Strudwick to specifically portray. See more »
When the four 1960 earthlings return to their lab to find themselves frozen in time, the supposedly frozen Steve Franken blinks his left eye. See more »
An hour ago we were in my laboratory on our Earth, and now...
You are still on your own world, Dr. von Steiner - Earth. The year is 2071, and our world is dying.
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Danish filmmaker Ib Melchior is a good example of a man's determination to entertain audiences with stories that played with his vision of things to come (in the early 1960s), but the quality of his k only moderately justifies the effort. He was a counter-intelligence volunteer for the Americans during II World War, relocated to the United States, and at the peak of his career wrote for television series and science-fiction films (including a couple of contributions to the "red menace" trend, and "Death Race 2000", "Reptilicus" and "Robinson Crusoe on Mars") and directed two features. Considering the poor results of "The Angry Red Planet" that he made in 1959, "The Time Travelers" is his greatest achievement: the film has a lot of admirers, but it is quite telling of his capacity as director. Compare it with Edgar G. Ulmer's "Beyond the Time Barrier", a drama with a similar plot, made four years before with half the budget of "Travelers", and one can perceive the difference between an inspired filmmaker as Ulmer and a less gifted director as Melchior. More akin to "Queen of the Outer Space" (1958) without the campiness, "The Time Travelers" is also visually strident (cinematographer Vilmos Zsigmond was still years away from the mastery he demonstrated in a long list of classics, including "McCabe & Mrs. Miller", "Close Encounters of the Third Kind" and "Deliverance"), the rhythm is pompous and slow, and leading man Philip Carey is as good an actor as Zsa Zsa Gabor. His character of a scientist (or the way he plays it, I really cannot tell) is too much of a ruffian, and he does not have much support from Steve Franken's comic relief interventions, Delores Wells' "Playmate of the Month" attitude, or Dennis Patrick's expressions to convey a dogmatic soldier. Merry Anders and Preston Foster are wasted, and only John Hoyt and Joan Woodbury maintain the impassivity and good judgment that their parts as regents demand. The script is one of those that give too many explanations while telling something far from original and, although it has occasional "intelligent" sparkles here and there (as the ending) to please the science-fiction audience, it does not prevent the film from being an average product.
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