Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is late in the day and as he has missed the last bus back to ... See full summary »
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Mute Hee-Jin is working as a clerk in a fishing resort in the Korean wilderness; selling baits, food and occasionally her body to the fishing tourists. One day she falls in love to ... See full summary »
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is late in the day and as he has missed the last bus back to the city, some of the local villagers suggest that he spend the night there, they offering to find him a place to stay. That place is the home of a young woman, whose house is located at the bottom of a sand pit accessible only by ladder. He later learns that the woman's husband and child died in a sandstorm, their undiscovered bodies buried somewhere near the house. The next morning as he tries to leave, he finds that the ladder is gone - he realizing that the ladder he climbed down was a rope ladder which is anchored above the pit - meaning that he is trapped with the young woman as the walls of the pit are sand with no grip. He also realizes that this entrapment was the villagers and the young woman's plan for him to stay there permanently to be her helper in the never-ending task of digging out ... Written by
Kyôko Kishida and director Hiroshi Teshigahara had a number of artistic differences in the film, ranging from Kishida's character's manner of dress to her symbolic importance. Kishida wanted to portray her character as a universal "every-woman" while Teshigahara insisted that her character was uniquely Japanese. Teshigahara's vision eventually won out. See more »
It's like building a house in the water when ships exist. Why insist on a house?
You want to go home too.
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After watching this movie, my idea of what a good movie, had changed. The imagery is utterly beautiful, and the emotion of the relationship is intense. While other movies rely on acting, or emotion to capture the audience this movie is very special because how the director, and the screenwriter(kobe abe, also wrote a book by the same title), let the viewers develop their own ideas and perspectives. Having seen this movie with other people and looking at different comment about the movie, each person had a different opinion of the movie. In a complex world full of vice, and danger, it is sometimes the simplest things that can make a man beg for mercy. The everlasting sand, can bring you to love, or to destruction...
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