An entomologist searching for insects by the seaside is trapped by local villagers into living with a widow whose life task is digging up sand for them. He eventually develops strong feelings for her as his hope for escape dims.
Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan's most powerful warlord, ... See full summary »
An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
Jumpei Niki, a Tokyo based entomologist and educator, is in a poor seaside village collecting specimens of sand insects. As it is late in the day and as he has missed the last bus back to the city, some of the local villagers suggest that he spend the night there, they offering to find him a place to stay. That place is the home of a young woman, whose house is located at the bottom of a sand pit accessible only by ladder. He later learns that the woman's husband and child died in a sandstorm, their undiscovered bodies buried somewhere near the house. The next morning as he tries to leave, he finds that the ladder is gone - he realizing that the ladder he climbed down was a rope ladder which is anchored above the pit - meaning that he is trapped with the young woman as the walls of the pit are sand with no grip. He also realizes that this entrapment was the villagers and the young woman's plan for him to stay there permanently to be her helper in the never-ending task of digging out ... Written by
At one point, the entomologist collects an antlion. This insect is from the family Myrmeleontidae. The larval stage is often called a "doodlebug" in the United States. The insect ensnares its prey by digging out a pit in loose sand. When the prey falls into the pit, it is unable to get out and becomes food for the antlion. This is symbolic of the situation the entomologist himself encounters when he is trapped in the sand pit. See more »
Entomologist Niki Jumpei:
The certificates we use to make certain of one another: contracts, licenses, ID cards, permits, deeds, certifications, registrations, carry permits, union cards, testimonials, bills, IOUs, temporary permits, letters of consent, income statements, certificates of custody, even proof of pedigree. Is that all of them? Have I forgotten any? Men and women are slaves to their fear of being cheated. In turn they dream up new certificates to prove their innocence.
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An extraordinary movie that you won't EVER forget!
'Woman In The Dunes' is a superb film adaptation of a fascinating novel by Kobo Abe. Abe was heavily influenced by Kafka and wrote several very strange and unforgettable books, but this was his masterpiece. He scripted the movie himself, and the director Hiroshi Teshigahara obviously "got" the material, so the film is also a masterpiece. It includes some of the most striking visual imagery I've ever seen, and I would have to say this movie is among the very best I've watched. Yes, it's THAT good. The two leads (Eija Okada and Kyoko Kishida) both give superb performances and there are some genuinely erotic (though not explicit) scenes between them. Okada plays an insect collector on holiday who finds himself stranded overnight in the country. Kishida is a local woman who agrees to lodge him for the night. However she lives in most unusual circumstances - in a shack surrounded by sand dunes which continually invade her home. To say anything more about what happens would be to spoil the extraordinary movie that follows. You can read it as an allegory or take it as a filmed nightmare, it's up to you, but believe me you won't EVER forget 'Woman In The Dunes'!
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