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Strange Bedfellows (1965)

In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly ... See full summary »

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Cast

Cast overview, first billed only:
...
Carter Harrison
...
Toni Vincente
...
Richard Bramwell
Edward Judd ...
Harry Jones
Howard St. John ...
Julius L. Stevens
Dave King ...
Toni's Taxi Driver
...
Mavis Masters
...
Petracini
...
Aggressive Woman
Lucy Landau ...
Jolly Woman
...
Policeman
...
Mrs. Stevens
James McCallion ...
Old Man
Hedley Mattingly ...
Bagshott
...
Radio Dispatcher
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Storyline

In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement? Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Plot Keywords:

london england | See All (1) »

Taglines:

They love to fight... but not at night! See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1965 (USA)  »

Also Known As:

Marido a medias  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Richard Bramwell: Well you know the mentality of that Board, they're hooked on the idea of corporate image; solid American gentry, family respectability. For their top executives there are not Ten Commandments, only one: thou shalt be married - happily and respectably married...
Carter Harrison: ...Whether you like it or not
Richard Bramwell: That's right!
Carter Harrison: Well I've done just fine, these past seven years, happily and respectably, separated. And I've loved every minute of it
Richard Bramwell: Yeah, well, that's all gonna change. From now on you're going to have a ...
[...]
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Referenced in iZombie: Abra Cadaver (2015) See more »

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User Reviews

Poor Repairing Of Hudson And Lollobrigida
27 May 2003 | by (Montreal, Canada) – See all my reviews

In 1961 Universal had a popular success, Golden Globe winner I believe, with pairing Rock Hudson and Gina Lollobrigida in the comedy "Come September". In 1965 they attempted to recreate the magic with "Strange Bedfellows". Unfortunately this failure just goes to prove that scripts and characters are just as important as actors. Rock Hudson plays a conservative oil executive who impetuously weds bohemian artist Gina Lollabrigida. Given their incompatible natures they separate after a short marriage. Seven years later Lollobrigida wants a divorce to wed newspaper editor Edward Judd while public relations man Gig Young encourages Hudson to portray himself as a happily married man in order to get a big promotion. Hudson proceeds to re-kindle the flame with Lollobrigida, while Judd tries to disrupt the relationship by encouraging Lollobrigida's bohemian causes and thus embarrassing Hudson. The outcome of all this is Lollobrigida riding through London as Lady Godiva as a protest for one of her causes. The movie fails for a variety of reasons. Hudson's scene in bed with Judd might have some "camp" value but, although ungallant of me to say so, I've seen Lollobrigida look better. The character development is limited, with fundamentally incompatible pair coming together apparently without any change in character. None of the supporting players has any personality in the script. Gig Young does many scenes solo, supposedly on the telephone to Hudson's character, and could probably been written out of the entire movie. Judd's acting is unfortunately limited to putting a pipe in and out of his mouth. The producers obviously recognized these problems and brought in British character comedians (i.e. undertaker Terry Thomas and several taxi drivers) for cameos. Much of the Lady Godiva scene requires physical comedy which is not Hudson's and Lollobrigida's forte. As commented on by others the Hollywood backlog substituted for London is cheesy. By way of comparison I would note that Come September had strong support from old pro Walter Slezak, energy from a young Bobby Darin and Sandra Dee, beautiful Italian scenery and a coherent plot. Suffice it to say that "Strange Bedfellows" at 98 minutes seemed dreadfully long while "Come September" at 112 minutes whizzed by.


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