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Strange Bedfellows (1965)

 -  Comedy  -  10 February 1965 (USA)
6.0
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In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly ... See full summary »

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Title: Strange Bedfellows (1965)

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Cast

Cast overview, first billed only:
...
Carter Harrison
...
Toni Vincente
...
Richard Bramwell
Edward Judd ...
Harry Jones
Howard St. John ...
Julius L. Stevens
Dave King ...
Toni's Taxi Driver
Peggy Rea ...
Mavis Masters
...
Petracini
...
Aggressive Woman
Lucy Landau ...
Jolly Woman
...
Policeman
Edith Atwater ...
Mrs. Stevens
James McCallion ...
Old Man
Hedley Mattingly ...
Bagshott
John Orchard ...
Radio Dispatcher
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Storyline

In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he's married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement? Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

Plot Keywords:

london england

Taglines:

It's Rock's Most Riotous Love Bout! See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

10 February 1965 (USA)  »

Also Known As:

Marido a medias  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Connections

Referenced in What's My Line?: Episode dated 14 June 1964 (1964) See more »

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User Reviews

 
Enjoy the First Ten Minutes, The Comedy Stops After It
15 July 2010 | by (Orlando, United States) – See all my reviews

This film will make you appreciate how well written and well directed the Rock Hudson/Doris Day romantic comedies were.

Hudson has a tendency to be stiff, but here it is worse than I've ever seen it. Gina Lollobrigida was 38 and possibly because her character is supposed to be a political activist, she doesn't wear much make-up. She looks rather plain and not glamorous, so it is a mystery why Hudson falls for her. If you're expecting the Italian sex symbol, Gina Lollobrigida, this is not the film. Gig Young plays the Tony Randal sidekick part to Hudson. Young is a good actor, but really is too handsome for the sidekick role.

There is no reason I can think of to watch this film, except for perhaps a short scene where Rock Hudson wakes up in bed with another man. Hudson is quite calm about it. Lollobrigida explains that he had no other place to sleep, so she put him in bed with Hudson. She asks Hudson if he minds. He answers that he doesn't mind. It is only because of what we know now about Hudson's sexuality that the scene is funny and sticks out. I an pretty sure that this is the only film where Hudson is in bed with another man.

The movie's 1950's puritanical tone destroys the sex comedy aspect. Since this was made in 1965, when censorship was ending, it is unfortunate that the producers didn't seek to take advantage of the new freedom. For example. Gina is a member of a group that supposedly supports artist's freedom of expression. The group has Gina ride nude on a horse like Lady Godiva to protest an artist's censorship. However Gina doesn't really go nude, but wears a flesh colored body stocking. This destroys the whole point of the protest and destroys any hope of the viewer seeing Gina looking sexy.

So, in summation, if you want to see Rock Hudson's dullest performance, Gina Lollobrigida's least sexy performance, and Gig Young as a bumbling sidekick, this is the movie for you.


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