Howard Thorne is a rapist in Los Angeles: he meets women at work and at parties or he sees them walking down the street, and he follows them, terrifies them, and assaults them. He also ... See full summary »
A proud black man does time in jail where he is subjected to heinous experiments. Once released, he goes about extracting vengeance on those who put him in prison. This includes both ... See full summary »
In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home. Written by
D.A. Kellough <email@example.com>
The studio where the bulk of the film was shot was not equipped with air conditioning, only fans. With temperatures in the triple digits outside, the crew were all uncomfortable, but none more than Lon Chaney Jr., who was often dripping with sweat by the end of his takes. A bucket of ice water was brought in so Chaney could be mopped down with a cold, wet towel after each take. See more »
Shortly after Peter and Emily Howe arrive at the mansion, a cast member and camera are reflected in the car window as Peter rolls up the side window of the convertible. See more »
The film opens with one of the most horrific murders ever shown on film; the rest of the movie is never again quite this frightening or startling, but is enjoyable nonetheless as a horror-comedy of the same ilk as "House on Haunted Hill" or "Bucket of Blood." The story concerns a family of inbred Southern degenerates who were once proud and powerful but whom years of inbreeding have reduced not only to childlike idiocy but savagery; some distant relatives out for money decide to meddle with dire, predictable results. The movie, complete with a loyal retainer, cute but deadly kids, and some even deadlier aunties and uncles kept tucked away in the cellar is essentially an extended version of an Addams family episode (the drawn out dinner scene is a bit too sitcomish). However, there are enough funny-scary moments to keep things moving along: the more memorable of these being when bitchy ice queen Emily succumbs to brother Ralph's caveman charms and when sister Virginia, the spider baby of the title, gives her long dead father a good night kissa scene with a weirdly poetic quality like something out of Poe. Perhaps the best part of the movie is Lon Chaney Jr. in his touching portrayal of Bruno, the kindly chauffeur who is genuinely devoted to his savage and hopeless surrogate family.
A cult film that deserves its status.
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