| Sergio Corrieri | ... | Alberto | |
| Salvador Wood | |||
| José Gallardo | ... | Pedro | |
| Raúl García | ... | Enrique | |
| Luz María Collazo | ... | Maria / Betty | |
| Jean Bouise | ... | Jim (in Cuban version) (as Jean Bouisse) | |
| Alberto Morgan | |||
| Celia Rodriguez | ... | Gloria (in Cuban version) (as Zilia Rodríguez) | |
| Fausto Mirabal | |||
| Roberto García York | ... | American activist | |
| María de las Mercedes Díez | |||
| Bárbara Domínguez | |||
| Jesús del Monte | (as Isis del Monte) | ||
| Luisa María Jiménez | ... | Teresa | |
| Mario González Broche | ... | Pablo (in Cuban version) (as Mario González) | |
| Tony López | |||
| Héctor Castañeda | |||
| Rosendo Lamadriz | |||
| Roberto Villar | |||
| Roberto Cabrera | |||
| Alfredo Ávila | |||
| José Espinosa | |||
| Rafael Díaz | |||
| Isabel Moreno | |||
| Manuel J. Mora | (as Manuel Mora) | ||
| Raquel Revuelta | ... | The voice of Cuba | |
| Nina Nikitina | ... | Russian text reader (Russian version) (as N. Nikitina) | |
| Georgi Yepifantsev | ... | Russian Text Reader (Russian version) (as G. Yepifantsev) | |
| rest of cast listed alphabetically: | |||
| Aramís Delgado | ... | (uncredited) | |
| El Duo Los Diablos | ... | Themselves (uncredited) | |
| Pepe Ramírez | ... | (uncredited) | |
Directed by | |||
| Mikhail Kalatozov | (Cuban version) (as Mijail Kalatozov) | ||
Writing credits | ||
| Enrique Pineda Barnet | (written by) & | |
| Yevgeni Yevtushenko | (written by) (as Evgueny Evtushenko) | |
Original Music by | |||
| Carlos Fariñas | |||
Cinematography by | |||
| Sergei Urusevsky | (Cuban version) (as Serguey Urusevsky) | ||
Film Editing by | |||
| Nina Glagoleva | (as N. Glagoleva) | ||
Production Design by | |||
| Yevgeni Svidetelev | (Cuban version) (as Evgueny Svidietelev) | ||
Costume Design by | |||
| René Portocarrero | |||
Makeup Department | |||
| Luz M. Cáceres | .... | makeup artist | |
| Vera Rudina | .... | makeup artist | |
Production Management | |||
| Bela Fridman | .... | production manager | |
| Maryakhin Simyon | .... | production manager (Cuban version) (as S. Maryakhin: Russian version) (as Semión Mariajin) | |
| Miguel Mendoza | .... | production manager (Russian version) (as M. Mendoza) | |
Second Unit Director or Assistant Director | |||
| Harry Tanner | .... | assistant director (also as G. Tanner: Russian version) | |
| Marina Volovich | .... | assistant director (Russian version) (as M. Volovich) | |
| Oleg Zernov | .... | assistant director (Russian version) (as O. Zernov) | |
Art Department | |||
| Luis Carrillo | .... | construction chief (Russian version) (as L. Carrillo) | |
| José Cruz | .... | construction chief | |
| Carmelina García | .... | props (Russian version) (as K. García) | |
| Francisco Labrador | .... | props (Russian version) (as F. Labrador) | |
| Elsa Mustelier | .... | props (Russian version) (as E. Mustelier) | |
| Mário Noa | .... | props (Russian version) (as M. Noa) | |
| Luis Obregón | .... | construction chief (Russian version) (as L. Obregon) | |
| René Portocarrero | .... | artistic consultant | |
| Milagros Trabas | .... | props (Russian version) (as M. Trabas) | |
| Juan Varona | .... | construction chief (Russian version) (as H. Varona) | |
Sound Department | |||
| Rodolfo Plaza | .... | sound assistant (Russian version: as R. Plaza) | |
| Vladlen Sharun | .... | sound (Russian version: as V. Sharun) | |
Special Effects by | |||
| Boris Travkin | .... | special effects (as B. Travkin) | |
| A. Vinokurov | .... | special effects | |
Camera and Electrical Department | |||
| Boris Brozhovsky | .... | camera operator (Russian version) (as Boris Broshovsky: Cuban version) (as B. Brozhovsky) | |
| Alexander Calzatti | .... | camera operator (Russian version) (as Alexandr Kalzaty: Cuban version) (as A. Kaltsatyj) | |
| Guido Cantero | .... | lighting technician (Russian version) (as G. Kantero) | |
| Rolando Dovo | .... | still photographer (Russian verison) (as R. Dovo) | |
| Viktor Mikhajlov | .... | lighting technician (Cuban version) (as Víctor Mijaylov) | |
| Manuel Oropesa | .... | assistant camera (Russian version) (as M. Oropesa) | |
| Manuel A. Ramírez | .... | assistant camera (Russian version) (as M.A. Ramirez) | |
| Konstantin Shipov | .... | assistant camera (Russian version) (as K. Shipov) | |
Costume and Wardrobe Department | |||
| Carmelina García | .... | wardrobe (Russian version) (as K. García) | |
| Francisco Labrador | .... | wardrobe (Russian version) (as F. Labrador) | |
| Elsa Mustelier | .... | wardrobe (Russian version) (as E. Mustelier) | |
| Mário Noa | .... | wardrobe (Russian version) (as M. Noa) | |
| Milagros Trabas | .... | wardrobe (Russian version) (as M. Trabas) | |
Editorial Department | |||
| Lidia Tyurina | .... | assistant editor (Russian version) (as L. Tyurina) | |
| Lidia Tyurina | .... | assistant editor (Cuban version) (as Lidia Tyurina) | |
Music Department | |||
| M. Duchesne | .... | orchestra director (uncredited in the Cuban version) | |
| Emin Khachaturyan | .... | conductor (Russian version) (uncredited in the Cuban version) (as E. Khachaturyan) | |
Other crew | |||
| Rolando Bruguez | .... | assistant to director (Russian version) (as R. Bruguez) | |
| Regino Fariñas | .... | advisor (Russian version) (as Teniente Regino Fariñas: Cuban version) (as R. Farinas) | |
| Arquímedes Fonseca | .... | military advisor (Russian version) (as A. Fonseca) | |
| Arquímedes Fonseca | .... | military advisor (Cuban version) (as Capitán Arquímedes Fonseca) | |
| Laura García | .... | assistant to director (Russian version) (as L. Garcia) | |
| Pavel Grushko | .... | executive in charge of translations | |
| Saturnino Miguel | .... | assistant to director (Russian version) (as M. Saturnino) | |
| Manuel J. Mora | .... | production administrator (Russian version) (as M. Mora) | |
| Rubén Negrín | .... | production administrator (Russian version) (as R. Negrin) | |
| Roberto Romay | .... | production administrator (Russian version) (as R. Romay) | |
| Jorge Rouco | .... | production assistant | |
| Konstantin Stenkin | .... | production assistant (Russian version) (as Konstantin Steñkin: Cuban version) (as K. Stenkin) | |
| Armando Suez | .... | choreographer (Russian version) (as A. Sues) | |
| Eduardo Valdés Rivero | .... | production administrator | |
| Eduardo Valdés Rivero | .... | production assistant | |
| T. Vargina | .... | production assistant | |
| Ávila | .... | title designer (uncredited in Russian version) | |
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| 1900 | Blood Diamond | The Best of Youth | Persepolis | The Battle of Algiers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Cuba section |
In talking about Cuba, people often forget about how things were under Fulgencio Batista. The Cuban-Soviet co-production "I Am Cuba" shows how things were. Throughout four vignettes, we see a Havana prostitute struggling to make ends meet, a humble farmer whose livelihood is destroyed by landowners, students fighting against the repressive police, and finally, people joining up with the revolutionary army.
The whole thing is really socialist realism: the heroic peasants rising up against the oppressive bourgeoisie and getting martyred. But, we have to admit that what "I Am Cuba" portrays is accurate. I don't know for sure whether or not things got much better after the revolution, but most Cubans certainly prefer things as they are today over how things were under Batista. Either way, the movie can also be interpreted through its camera work, showing Cuba's landscape and employing some interesting dollies.
Yes, it's propaganda, but as far as I know, conditions have improved in Cuba ever since they abolished the ladyfinger system and prosecuted Batista's thugs. This movie reminds of things in the same way that "Schindler's List" does.