| Photos (See all 27 | slideshow) |
| Peter Sellers | ... | Jacques Clouseau | |
| Elke Sommer | ... | Maria Gambrelli | |
| George Sanders | ... | Benjamin Ballon | |
| Herbert Lom | ... | Charles Dreyfus | |
| Tracy Reed | ... | Dominique Ballon | |
| Graham Stark | ... | Hercule LaJoy | |
| Moira Redmond | ... | Simone | |
| Vanda Godsell | ... | Madame LaFarge | |
| Maurice Kaufmann | ... | Pierre | |
| Ann Lynn | ... | Dudu | |
| David Lodge | ... | Georges | |
| André Maranne | ... | Francois | |
| Martin Benson | ... | Maurice | |
| Burt Kwouk | ... | Kato | |
| Reginald Beckwith | ... | Receptionist | |
| Douglas Wilmer | ... | Henri LaFarge | |
| Bryan Forbes | ... | Camp Attendant (as Turk Thrust) | |
| Andre Charisse | ... | Game Warden (as André Charise) | |
| Howard Greene | ... | Gendarme | |
| John Herrington | ... | The Doctor | |
| Jack Melford | ... | The Psycho-Analyst | |
| Victor Baring | ... | Taxi Driver | |
| Victor Beaumont | ... | Gendarme | |
| Tutte Lemkow | ... | Kazak Dancer | |
| Hurtado de Córdoba | ... | Flamenco Dancers & Guitarist (as Hurtado De Cordoba Ballet) | |
| Fred Hugh | ... | Balding Customer | |
| Rose Hill | ... | Soprano | |
| Tahitian Dance Group | ... | Tahitian Dance Group | |
| rest of cast listed alphabetically: | |||
| Jack Lambert | ... | Man (uncredited) | |
| Nosher Powell | ... | Man (uncredited) | |
Directed by | |||
| Blake Edwards | |||
Writing credits | ||
| Blake Edwards | (screenplay) and | |
| William Peter Blatty | (screenplay) | |
| Harry Kurnitz | (based upon the stage play by) | |
| Marcel Achard | (from the play by) | |
Produced by | |||
| Blake Edwards | .... | producer | |
| Cecil F. Ford | .... | associate producer | |
| Walter Mirisch | .... | executive producer (uncredited) | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Christopher Challis | (director of photography) | ||
Film Editing by | |||
| Bert Bates | |||
| Ralph E. Winters | |||
Production Design by | |||
| Michael Stringer | |||
Costume Design by | |||
| Margaret Furse | |||
Production Management | |||
| Denis Johnson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Terence Churcher | .... | second assistant director (uncredited) | |
Art Department | |||
| Charles Bishop | .... | draughtsman (uncredited) | |
| Norman Dorme | .... | assistant art director (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
| Teddy Mason | .... | sound editor | |
| J.B. Smith | .... | sound recordist | |
Camera and Electrical Department | |||
| Austin Dempster | .... | camera operator | |
| Dennis Fraser | .... | grip (uncredited) | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
| John Jordan | .... | focus puller (uncredited) | |
| Skeets Kelly | .... | director of photography: second unit (uncredited) | |
Animation Department | |||
| George Dunning | .... | animation director (uncredited) | |
Editorial Department | |||
| Peter Elliot | .... | first assistant editor (uncredited) | |
| Martyn K.E. Green | .... | assistant editor (uncredited) | |
Music Department | |||
| Henry Mancini | .... | conductor | |
| Douglas Gamley | .... | orchestrator (uncredited) | |
| Richard Nash | .... | musician: trombone soloist (uncredited) | |
Transportation Department | |||
| Eddie Frewin | .... | transportation chief (uncredited) | |
Other crew | |||
| Leland Hayward | .... | stage producer | |
| Constance Willis | .... | continuity (as Connie Willis) | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
| Maurice Landsberger | .... | assistant production accountant (uncredited) | |
| Golda Offenheim | .... | production secretary (uncredited) | |
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| Revenge of the Pink Panther | The Pink Panther Strikes Again | The Pink Panther 2 | The Return of the Pink Panther | The Pink Panther |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
"A Shot in the Dark", apparently, was intended to be a screen adaptation of a murder mystery stage play. Somehow, after the character of Inspector Clouseau caught on with audiences in "The Pink Panther", he got thrown into the mix here. The result is a movie that established the very essence of the Pink Panther movie series: murder mysteries where the "brilliant" detective just happened to be a complete klutz with barely enough brain cells to mesh two clues together.
Peter Sellers once again assumes the role of that complete klutz, with even more hilarious results than in "The Pink Panther." The film starts with a murder in the home of a French socialite, with so many shady characters creeping from room to room with lights coming on and off in true Pink Panther style that the audience isn't exactly sure who killed who. Through a bureaucratic mistake, the bumbling Inspector Clouseau is sent in. He meets the most obvious suspect, the beautiful, busty, blonde Elke Sommers, who shares top billing with Sellers. Trusting his hormones rather than the evidence, Clouseau launches a hilarious one-man campaign to prove the blonde's innocence.
A cast of supporting players that would become Pink Panther regulars is established here. Herbert Lom is Clouseau's twisted boss Commissioner Dreyfus. Burt Kwouk is Clouseau's Korean butler who engages in frequent training exercises with his master. Graham Stark, a close friend of Sellers, plays Clouseau's straight-laced side kick. The character wouldn't appear again until "Trail of the Pink Panther", although the actor would go on the play multiple roles throughout the rest of the series.
Henry Mancini scores again, but since Pink Panther wasn't intended to be the name of the franchise at the time, the famous theme music is gone. The new theme, however, is just as catchy and definitely could only be created by Mancini. The animated Pink Panther lurking around during the opening credits is also missing, though a new cast of animated characters takes his place.
Based on a mystery play, the movie is able to lampoon the conventions of murder mysteries pretty well, down to the drawing room conclusion. While the solution to the mystery is scattered, confusing, and almost non-existent, that's not really the point. Pink Panther films are about the comic misadventures of Peter Sellers' character, never about the plot.
With Clouseau finally portrayed as the hero rather than the film's antagonist, "A Shot in the Dark" sets the tone for the rest of the Pink Panther series better than "The Pink Panther" does, though the funniest sequels were still to come.