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A Shot in the Dark (1964)

 -  Comedy | Mystery  -  23 June 1964 (USA)
7.6
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Ratings: 7.6/10 from 16,153 users  
Reviews: 103 user | 42 critic

As murder follows murder, beautiful Maria is the obvious suspect; bumbling Inspector Clouseau drives his boss mad by seeing her as plainly innocent.

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(screenplay), (screenplay), 2 more credits »
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Title: A Shot in the Dark (1964)

A Shot in the Dark (1964) on IMDb 7.6/10

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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
...
Dominique Ballon
Graham Stark ...
Moira Redmond ...
Simone
Vanda Godsell ...
Madame LaFarge
Maurice Kaufmann ...
Pierre
Ann Lynn ...
Dudu
David Lodge ...
Georges
André Maranne ...
Martin Benson ...
Maurice
...
Reginald Beckwith ...
Receptionist
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Storyline

When rich M. Ballon's spanish driver is found shot dead, Inspector Jacques Clouseau is the first official on the scene. All evidence suggests Maria Gambrelli, the maid, to be the murderer. But Clouseau, being attracted to the beautiful girl, is convinced that she is hiding something. So, he has her released from jail and tries to follow her secretly. Things do not work out the way the inspector wanted and people keep being murdered, and each time innocent Maria seems to be the killer. But with someone important wanting Clouseau and nobody else to cover this case, his tolerance-challenged boss Charles Dreyfuss is close to losing his mind when casualties keep turning up. And Clouseau keeps on causing trouble without knowing it... Written by Julian Reischl <julianreischl@mac.com>

Plot Summary | Plot Synopsis

Taglines:

... The Picture That Gets Away With Murder! See more »

Genres:

Comedy | Mystery

Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

23 June 1964 (USA)  »

Also Known As:

A Shot in the Dark  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

None of the characters in the Harry Kurnitz stage play appear in the film since after Blake Edwards was brought in to replace the original director, he and William Peter Blatty rewrote the entire script. See more »

Goofs

The saxophonist at the nudist camp is wearing boxer shorts. See more »

Quotes

Maria Gambrelli: [as Clouseau's coat is burning] Your coat, Monsieur!
Clouseau: Yes, it is my coat.
See more »

Crazy Credits

The credits are presented in a cartoon sequence with wording appearing on pieces of paper held by the cartoon characters, and so on. See more »

Connections

Featured in The Pink Panther Story (2003) See more »

Soundtracks

Shadows of Paris
Music by Henry Mancini
Lyrics by Robert Wells
Performed by Fran Jeffries
See more »

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User Reviews

Sequel? Prequel? Hard to tell, but it has some laughs
11 January 2005 | by (Cincinnati, OH) – See all my reviews

The germination of the "Pink Panther" series of comedic mystery films is a complicated one. The first film in the series, "The Pink Panther", was actually the second one to be filmed! This film, "A Shot in the Dark", was originally intended to be the adaptation of a stage play, but director Edwards and actor Sellers refit the main character to accommodate the persona of Inspector Clouseu, which they were developing for "The Pink Panther". However, when the film was completed, it wasn't released and was deemed unfunny. Then when "The Pink Panther" was a hit, the studio released "A Shot in the Dark" as a sequel and a series was born. This explains why elements from the first film are absent from the second (Mrs. Clouseu anyone?) and why the second (actually first!) set the tone for the following films more than the first (actually the second! Confused yet?) Here, Sellers is front and center as the hapless and ever-clumsy Inspector. Freed from sharing screen time with a higher billed co-star (David Niven in the previous film) and without a particularly coherent plot to follow, he is allowed to engage in pratfall after pratfall and scenario after goofy scenario. Today's audiences may not completely go for the subtle, meticulously timed method of comedy shown here with emphasis on set up and repetitiveness, but patient and observant audience members should still find the film funny. By now, so much of the material has been cribbed or expanded upon, some of the edge is lost, but enough of the humor and situational gags are amusing enough to make the film worthwhile. Sellers insists upon the innocence of curvy stunner Sommer, a maid who has been found in a locked room with a dead body and a smoking gun in her hand. Time after time, he lets her out of prison and the body count increases. His thorough incompetence drives his superior (Lom) to insanity. Sommer's employer Sanders, a man of great wealth and taste, is also appalled by the bumbling Sellers, never more so than when he manages to practically trash a billiard room during a friendly game. One famous sequence has Sellers tracking Sommer down in a nudist colony. The modest Inspector navigates the idyllic hideaway using any available object to cover himself as the campers frolic behind shrubs and other props. Reed glams it up, but gets little to do as Sanders' bitchy wife. Another memorable sequence has Sellers and Sommer on a date with victim after victim falling prey to an assassin that's after Sellers. It's all a farcical enterprise that one must be in the mood for to fully enjoy. Otherwise, it becomes a little tiresome, but fans of physical comedy ought to lap it up. The remaining sequels were all sort of hybrids of "The Pink Panther" mixed with "A Shot in the Dark" and had fair success until the death of Sellers made it difficult to continue (but continue they did, using outtakes and other footage of the man! Anything to make a buck!) Henry Mancini provided some nice music, notably over the animated title sequence.


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