The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to ... See full summary »
An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
A group of lonely Viking women build a ship and set off across the sea to locate their missing menfolk, only to fall into the clutches of the barbarians that also hold their men captive. ... See full summary »
Christy runs a rock and roll nightclub on a carnival pier with his righ-hand-man Benny. Christy has a crush on the club's star, Natalie Cook, but she has eyes for Stanley, a local business ... See full summary »
Brian G. Hutton,
David J. Stewart
After six years in jail Steve returns to claim a ranch left him in a will. The town is in the middle of a rough election masterminded by saloon owner Marie. Steve is soon on the side of the... See full summary »
The Nazis imprison an Italian general who was planning to switch sides and turn over his army to the Allied side. Allied headquarters sends a small, somewhat misfit group of soldiers to spring the general from prison and carry out his plans. Written by
Producer Roger Corman once described how this film came about: ". . . Bob Campbell [R. Wright Campbell], who had just done [The Young Racers (1963)] for me, had finished a script titled 'The Dubious Patriots'. Once again, the theme was one I liked very much: bad men sent to do good as a way to redeem themselves and win their freedom. In New York--on the way back from Racers--I gave Picker [David V. Picker] the script on a Friday and he said, 'We'll look at it. But we're backed up with scripts and it might be a few weeks before I can get to it.'" Picker rang Corman on Monday and the picture was given the go-ahead. Corman was surprised because his experience with the major studios was not always positive. Corman added: "It went that fast. Right place at the right time. The title was changed to "The Secret Invasion", which was believed to be more commercial. UA budgeted the production at $600,000, which was double my bigger Poe [Edgar Allan Poe] pictures. The film was shot in the summer of 1963." See more »
At c.25 minutes there is a short close-up of the baby breast-feeding. However the mother's shirt is a different colour and design from the other shots. See more »
Cheapie director Roger Corman brings us this low-budget, high-octane thriller. THE SECRET INVASION was shot in Yugoslavia and released by United Artists in 1964.
In 1943, British intelligence sends five convicted criminals into Yugoslavia to rescue an Italian General and convince him to turn his troops against the occupying Nazi forces. This story was essentially copied a few years later by director Richard Conte in OPERATION CROSS EAGLES, which has a similar look and feel but doesn't hold a candle to this film's characters or action scenes.
Corman's ensemble cast is made up of several familiar veteran actors. Raf Vallone is the leading criminal, who actually wants to earn his amnesty. Mickey Rooney (AMBUSH BAY) is great fun as an Irish demolition expert who can blow up just about anything. The ever-annoying Edd Byrnes doesn't give too hoots about the mission and even attempts to escape to a German PT boat almost immediately, but has come to his senses near the end. Master of disguise William Campbell doesn't trust silent killer Henry Silva (PROBABILITY ZERO), who he thinks is trying to botch the mission. An older Peter Coe (TOBURK) also appears as the Partisan leader, Marko.
Working with a low budget, Corman is surprisingly able to create a high number of suspense scenes and well-done action sequences. One plot aspect has the team keeping time by snapping their fingers when their enemy captors lift their watches. This allows them to time escapes perfectly, springing surprises on the Nazis. During the final battle, the old cliché of killers disguised as hooded monks comes up but is defied as one rips off his disguise; and Granger leads a pack of German attack dogs astray by ripping off his own bandage and allowing them to track his blood as he bleeds to death. The action scenes are excellently filmed, too, making great use of location photography to heighten the suspense. One long, drawn out sequence set in the hills of Dubrovnik involves hundreds of extras, lots of very loud gunfire, excellent explosions and some fine quick cutting. All of this makes the action even more nail-biting, as you never know who will live to the end and who won't.
The film boasts a great Hugo Friedhofer score which adds the perfect mournful touch to a scene involving a dead baby; and just the right rousing action theme for the combat portions. Cinematography is top-notch, with fine camera angles capturing emotions and action perfectly. Even on the small screen, the film has been pan-and-scanned with utmost care so you don't lose as much as you usually do.
I saw this movie on the Encore! Network. It has been excellently cared for, with accurate flesh tones, sharp images all around (Vallone's eyes are a clear blue even from far away). MGM has done a good job recently, digitally remastering a number of their old films (perhaps for future DVD releases?) such as ATTACK ON THE IRON COAST.
This is one of those rare war films which packs the most material possible into its' low budget. The characters are strong, the action spectacular and the suspense truly nail-biting. Corman's unorthodox twists make the far-fetched plot a little more acceptable. This is a 2-hour, no-intelligence-required action fest you'll not want to miss.
15 of 17 people found this review helpful.
Was this review helpful to you?