| Kim Stanley | ... | Myra Savage | |
| Margaret Lacey | ... | Woman at First Seance | |
| Marie Burke | ... | Woman at First Seance | |
| Maria Kazan | ... | Woman at First Seance | |
| Lionel Gamlin | ... | Man at Seances | |
| Marian Spencer | ... | Mrs. Wintry | |
| Richard Attenborough | ... | Billy Savage | |
| Godfrey James | ... | Mrs. Clayton's Chauffeur | |
| Judith Donner | ... | Amanda Clayton | |
| Ronald Hines | ... | Policeman Outside Clayton's | |
| Hajni Biro | ... | Maid at Clayton's | |
| Mark Eden | ... | Charles Clayton | |
| Nanette Newman | ... | Mrs. Clayton | |
| Diana Lambert | ... | Sheila - Mr. Clayton's Secretary | |
| Frank Singuineau | ... | Bus Conductor | |
| Gerald Sim | ... | Detective Sergeant Beedle | |
| Stanley Morgan | ... | Man in Trilby | |
| Maggie Rennie | ... | Woman at Second Seance (as Margaret McGrath) | |
| Michael Lees | ... | Plain Clothes Policeman | |
| Patrick Magee | ... | Superintendent Walsh | |
| rest of cast listed alphabetically: | |||
| Arnold Bell | ... | Mr. Weaver (uncredited) | |
Directed by | |||
| Bryan Forbes | |||
Writing credits(in alphabetical order) | ||
| Bryan Forbes | screenplay | |
| Mark McShane | novel | |
Produced by | |||
| Richard Attenborough | .... | producer | |
| Jack Rix | .... | associate producer | |
| Bryan Forbes | .... | producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Gerry Turpin | (photographed by) | ||
Film Editing by | |||
| Derek York | |||
Art Direction by | |||
| Ray Simm | |||
Makeup Department | |||
| Stuart Freeborn | .... | makeup artist | |
| Barbara Ritchie | .... | hairdresser | |
Second Unit Director or Assistant Director | |||
| Christopher Dryhurst | .... | assistant director | |
| Simon Relph | .... | first assistant director (uncredited) | |
Art Department | |||
| Peter James | .... | set dresser | |
| Jock Lyall | .... | construction manager | |
| Alan Roderick-Jones | .... | set designer (uncredited) | |
Sound Department | |||
| Bill Daniels | .... | sound recordist | |
| George Fisher | .... | dubbing editor | |
| Gus Lloyd | .... | sound assistant | |
Camera and Electrical Department | |||
| Gerry Anstiss | .... | camera assistant | |
| David Harcourt | .... | camera operator | |
| Ted Lockhart | .... | camera grip | |
| George Courtney Ward | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Laurel Staffell | .... | wardrobe supervisor (as Laurel Staffel) | |
Music Department | |||
| John Barry | .... | conductor | |
| John Barry | .... | music arranger | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Penny Daniels | .... | continuity | |
| Diana Hawkins | .... | publicist (uncredited) | |
| Ann Skinner | .... | production secretary (uncredited) | |
Thanks | |||
| Ernest Lough | .... | acknowledgment: permission for using "Hear my Prayer" | |
| George Thalben-Ball | .... | acknowledgment: permission for using "Hear my Prayer" (as Dr. Thalben Ball) | |
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| The Collector | Julia | Children of Men | Intermission | Bronson |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
The first hour is one of the most riveting pieces of film ever to hit the screen. The pace, the mood, Attenborough and, of course, Kim Stanley! Then, something happens on the second half, it feels rushed, at least, that's what it felt to me. Once that aside, what a treat! Bryan Forbes signed some startling British movies of that period but you hardly hear his name mentioned. I mean, "Whistle Down The Wind", "The Wrong Box", "The L Shapped Room", "King Rat". Here he touches some kind of zenith. I heard that originally, Forbes and producer Richard Attenborough, had toyed with the idea of making the couple a "queer" one. Alec Guinness and Tom Courtenay. As fun as the idea may sound I'm glad they didn't go ahead with that. It would have deprive us of Kim Stanley and of Richard Attenborough in what could be, arguably, his best performance. He made of Billy's weakness a separate entity. Painful, creepy. Stanley is, goes without saying, sublime. Another superlative characterization in her far too brief film gallery. We can actually see what she's feeling and what she's feeling is so all consuming so strong and so fragile that we feel she's about to fall at any moment and we will too, with her. For those of us who love great acting - This is unmissable.