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IMDb > Seance on a Wet Afternoon (1964)
Seance on a Wet Afternoon
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Seance on a Wet Afternoon (1964) More at IMDbPro »

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Overview

User Rating:
8.4/10   2,068 votes
MOVIEmeter: ?
Up 14% in popularity this week. See rank & trends on IMDbPro.
Director:
Bryan Forbes
Writers:
Bryan Forbes (screenplay)
Mark McShane (novel)
Contact:
View company contact information for Seance on a Wet Afternoon on IMDbPro.
Release Date:
5 November 1964 (USA) more
Plot:
Myra, a self-styled psychic in London, concocts a scheme to gain celebrity. She convinces Billy, her weak-willed husband... more | add synopsis
Plot Keywords:
more
Awards:
Nominated for Oscar. Another 7 wins & 3 nominations more
NewsDesk:
Bus Stop Actress Dies
 (From WENN. 22 August 2001)

User Comments:
One of the Academy Awards Most Baffling Choices more

Cast

  (Cast overview, first billed only)

Kim Stanley ... Myra Savage
Margaret Lacey ... Woman at first Seance
Marie Burke ... Woman at first Seance
Maria Kazan ... Woman at first Seance
Lionel Gamlin ... Man at Seances
Marian Spencer ... Mrs. Wintry

Richard Attenborough ... Billy Savage
Godfrey James ... Mrs. Clayton's Chauffeur
Judith Donner ... Amanda Clayton
Ronald Hines ... Policeman outside Clayton's
Hajni Biro ... Maid at Clayton's
Mark Eden ... Charles Clayton
Nanette Newman ... Mrs. Clayton
Diana Lambert ... Sheila - Mr. Clayton's Secretary
Frank Singuineau ... Bus Conductor
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Additional Details

Also Known As:
Séance on a Wet Afternoon
more
Runtime:
USA:115 min | UK:121 min
Country:
UK
Language:
English
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Certification:
UK:A (original rating) | UK:PG (video rating) | Australia:M | Finland:K-16 | Sweden:15
Company:
Beaver Films more

Fun Stuff

Trivia:
During filming, Richard Attenborough developed kidney stones and was unable to work for an entire day. Since filming was on such a tight schedule, director Bryan Forbes got into costume played his role for some shots. more
Goofs:
Revealing mistakes: As Myra looks outwards through the rain spattered window of a child's nursery, the rain falls unnaturally onto the panes - in two bursts - as though it were sprays from a hose or watering can. more
Quotes:
Myra Savage: You know what I sometimes wish? I sometimes wish I *were*... ordinary. Like you. Dead ordinary. Ordinary and *dead* like all the others. more
Movie Connections:
References The Running Man (1963) more
Soundtrack:
Hear my Prayer more

FAQ

This FAQ is empty. Add the first question.
44 out of 53 people found the following comment useful:-
One of the Academy Awards Most Baffling Choices, 10 December 2004
10/10
Author: dglink from Alexandria, VA

Over the years, the Oscars have often gone to performers and films that seemed to make little sense at the time and subsequently failed to stand the test of time. While Julie Andrews was certainly marked for stardom, her singing nanny did not hold a candle to Kim Stanley's tour-de-force as Myra in "Seance on a Wet Afternoon," either in 1964 or in 2004. One wonders in retrospect if any of the voters actually saw this brilliant, minor masterwork. If they had, how did Richard Attenborough's performance get overlooked? His subtle underplaying as the passive husband is in perfect sync to Stanley's showy turn as the medium and deserved Academy recognition as much as and perhaps more than his direction of "Gandhi." The taut screenplay and direction by Bryan Forbes, the fine black and white cinematography by Gerry Turpin, and John Barry's music also deserved recognition. Unfortunately, Hollywood was into big musicals in 1964, and the Academy's nominations were showered on "My Fair Lady" and "Mary Poppins," while more serious fare such as this film was overlooked. While "Lady" clunks along today as a leaden stage-bound adaptation and "Poppins" does not seem quite as charming as it did, "Seance on a Wet Afternoon" and the two brilliant performances at its center remain as riveting as they were 40 years ago. Fortunately, the Academy has shown some maturity in recent years, and films such as this are more often recognized, which raises their profiles and brings them to the attention of viewers who might otherwise miss them. Without any recognition other than recommendations from those few who have seen this character-driven suspense gem, "Seance" has been little seen and remains a cinematic jewel that awaits discovery and its deserved place among British film classics.

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