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Scorpio Rising (1964)

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Ratings: 7.1/10 from 2,737 users  
Reviews: 20 user | 31 critic

An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »

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Cast

Uncredited cast:
Ernie Allo ...
Joker (uncredited)
Bruce Byron ...
Scorpio (uncredited)
Frank Carifi ...
Leo (uncredited)
Steve Crandell ...
Blondie (uncredited)
Johnny Dodds ...
Kid (uncredited)
Bill Dorfman ...
Back (uncredited)
...
Jesus Christ (archive footage) (uncredited)
John Palone ...
Pinstripe (uncredited)
Barry Rubin ...
Fall Guy (uncredited)
Johnny Sapienza ...
Taurus (uncredited)
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Storyline

An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by <cl_navarro@infonie.fr>

Plot Summary | Add Synopsis

Genres:

Short

Parents Guide:

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Details

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Release Date:

10 October 1969 (Denmark)  »

Also Known As:

Scorpio rising  »

Box Office

Budget:

$16,000 (estimated)
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Company Credits

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Technical Specs

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Sound Mix:

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

According to Kenneth Anger, Scorpio is the zodiac sign that rules both the sex organs and machinery, so it seemed like a good choice for the title. "Rising" implies the astrological term "ascendant." See more »

Connections

Referenced in Blue Velvet (1986) See more »

Soundtracks

He's a Rebel
(uncredited)
Written by Gene Pitney
Performed by The Crystals
See more »

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User Reviews

 
Blue Velvet Underground
27 January 2012 | by (Dallas, Texas) – See all my reviews

One of Kenneth Anger's most popular and thematically accessible short films, "Scorpio Rising" consists of a series of montage images overlain by thirteen pop songs of the early 1960s. The film expresses nonconformist themes that herald the onset of the American counterculture movement. As the visuals focus on a group of New York City motorcyclists, viewers perceive a bohemian lifestyle, a nihilistic subtext, elements of erotica, and an amusing sense of irony from the juxtaposition of images and music.

There is no plot, no dialogue, no sets, no acting. Anger simply records on camera what he finds as he happens onto these bikers, who are not actors. Sans music, the film could easily be thought of as a polished home movie. It conveys a sense of realism and frankness. Cinematography is somewhat grainy; colors are muted. There are many close-up camera shots, and quite a few extreme close-ups.

The music gives thematic depth to the images and imposes varying moods and feelings, not the least of which is nostalgia, along with melancholy, lost childhood, rebellion, humor, and just a hint of fatalism. Probably one of the better sequences is the Bobby Vinton recording of "Blue Velvet" recorded over images of a couple of young guys who don their biker uniforms. A sequence or two in the middle seems either unnecessary or out of place. Editing is a bit fast and erratic in the second half.

Prospective viewers should expect the unexpected, given that "Scorpio Rising" is a 1960s underground film. It is definitely different. This is one of several that Anger made, all experimental. In retrospect, he can be thought of as a poetic visionary whose cultural influence is still being felt in the 21st century, especially in cinema.


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