An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »
A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920's style flapper gowns, holding them one at a time, shaking ... See full summary »
A solitary flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a phone off the hook: discordant images a woman sees as she comes home. She naps and, ... See full summary »
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes ... See full summary »
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by
When Jonas Mekas, Alfred Leslie, etc sat down to compose the mainfesto of "The New American Cinema" in 1961, the amount of films made under this artistic statement doubled. Out of this period, we see the creation of some of the greatest underground films the world has seen. Taylor Meed's The Flower Thief, Bruce Conner's A Movie and Report, and most importantly Kenneth Anger's Scorpio Rising.
Scorpio Rising's devices are fundementally simple-didactic montage, ironic sountracks, and archival footage. What seperates SR from the realm of mediocre is its deep underooted message of sexual perversion, S&M, and the cruelty of sexuality to a point of Nazist ideology. Scenes such as young man with a smile on his face being "raped" by leather clad bikers is a point of sadio-estasy. To say that SR is not a 22 min. perversion is to ignore its fundemental principles and the principles of its filmmaker Kenneth Anger. Anger has emerged himselfin both the terror of the haunte monde of Hollywood in the 30's (hence the birth of his hugely read Hollywood Babylon- a study as perverse as SR) and the drug and sexually illusioned world of the 50's/60's lower bohemia.
Scorpio Rising is a film of a generation. As Allen Ginsberg put it: "a generation starved on madness". It's signifigance ranks up there with Keroauc, Ginsberg, and Burroughs. Anger's film is a portrait of a world so far from our 90's train of thought- yet so strikingly fimiliar.
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