An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ...
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A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and ... See full summary »
Samson De Brier,
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters... See full summary »
Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine ... See full summary »
A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920's style flapper gowns, holding them one at a time, shaking ... See full summary »
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by
Kenneth Anger's "Scorpio Rising", set to the tune of thirteen 1960's pop songs, ranks as one of the best films ever shot in the experimental genres, which to some people might translate as the best pile of dog poop ever made, but in terms of visual imagery, context, and use of music, it ranks up there as one of the most important films of the 60's. Kenneth Anger's trademarks (outsider as protagonist, homosexual iconography, pop culture looked at in a different light) are at their most poignant here with most memorable scenes set to 'Blue Velvet", "I Will Follow Him", and "Wipe Out". Also classic is the use of clips from Cecil B. DeMille's "King of Kings" of Jesus and his disciples walking superimposed between shots of gay bikers. A classic piece of Americana.
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