An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »
A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920's style flapper gowns, holding them one at a time, shaking ... See full summary »
Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine ... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes ... See full summary »
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by
The bedroom in which the biker "Scorpio" (Bruce Byron) is seen, beginning with the "You Look like An Angel" sequence, was that person's actual apartment in Manhattan, which was full of Siamese cats. Kenneth Anger just brought in some lights and filmed whatever was there, just as it was. Byron owned a little black-and-white TV set which was switched on while Anger was filming, and the Marlon Brando motorcycle-gang movie The Wild One (1953) was actually playing on the television at the time, something that Anger has called a "magical coincidence." He filmed some images of the movie playing on the television, and later cut them into his own film. See more »
I saw this movie in a community college film study class filled with dopey surfers, jocks, and hicks. Our professor was from a more cultured area and decided we needed to experience experimental, underground film-work that helped shape the way we view films today. The lights went out. The projector went on. We were brutally raped by images that we'd never seen before, only heard about. Many of the students were offended by it and didn't return to the class. The few of us who stuck around afterward learned about Kenneth Anger, what he was trying to say and the way he used film as a tool of expression rather than a story telling medium. This movie I will never forget as it reached out and smacked the viewer in the face and still does even by today's standards.
21 of 31 people found this review helpful.
Was this review helpful to you?