An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's "Winter" movement of "The Four Seasons" plays. Heavy red filters... See full summary »
A Slavonic Mass by Leos Janácek plays as historical figures, biblical characters, and mythical creatures gather in the pleasure dome. Aphrodite, Lilith, Isis, Kali, Astarte, Nero, Pan, and ... See full summary »
Samson De Brier,
A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920's style flapper gowns, holding them one at a time, shaking ... See full summary »
Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine ... See full summary »
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by
Bruce Byron worked as a motorcycle messenger in Manhattan. His zodiac sign was Scorpio, and so he called himself that, as well as carrying at all times the scorpion amulet which he is seen kissing and holding in the film. The honorable discharge certificate from the United States Marine Corps, on the wall above his bed, was his own, as were all the pictures of James Dean and Marlon Brando, of whom he was a big fan. He is seen reading the Sunday comics section from a newspaper, which really was his favorite thing to read. The newspaper clipping near his bed, with the headline "CYCLE HITS HOLE & KILLS TWO," was about an accident in Times Square that had killed one of his friends. Another friend, who worked in a medical-products factory in New Jersey, had supplied him with the pure methamphetamine powder which he snorts from his fingers during the "Heat Wave" sequence. See more »
I saw this movie in a community college film study class filled with dopey surfers, jocks, and hicks. Our professor was from a more cultured area and decided we needed to experience experimental, underground film-work that helped shape the way we view films today. The lights went out. The projector went on. We were brutally raped by images that we'd never seen before, only heard about. Many of the students were offended by it and didn't return to the class. The few of us who stuck around afterward learned about Kenneth Anger, what he was trying to say and the way he used film as a tool of expression rather than a story telling medium. This movie I will never forget as it reached out and smacked the viewer in the face and still does even by today's standards.
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