An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »
A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920's style flapper gowns, holding them one at a time, shaking ... See full summary »
Pierrot waxes romantic, entranced by the moon. Harlequin appears and bullies him, then uses a magic lantern to project an image of Columbine. Pierrot tries to court the illusory Columbine ... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
A man fondles objects, looks at himself in the mirror, poses in different clothes, smiles and makes faces at the camera while his voice on the soundtrack speaks of his despair, makes ... See full summary »
An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by
Kenneth Anger's "Scorpio Rising", set to the tune of thirteen 1960's pop songs, ranks as one of the best films ever shot in the experimental genres, which to some people might translate as the best pile of dog poop ever made, but in terms of visual imagery, context, and use of music, it ranks up there as one of the most important films of the 60's. Kenneth Anger's trademarks (outsider as protagonist, homosexual iconography, pop culture looked at in a different light) are at their most poignant here with most memorable scenes set to 'Blue Velvet", "I Will Follow Him", and "Wipe Out". Also classic is the use of clips from Cecil B. DeMille's "King of Kings" of Jesus and his disciples walking superimposed between shots of gay bikers. A classic piece of Americana.
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