An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this ... See full summary »

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Cast

Uncredited cast:
Ernie Allo ...
Joker (uncredited)
Bruce Byron ...
Scorpio (uncredited)
Frank Carifi ...
Leo (uncredited)
Steve Crandell ...
Blondie (uncredited)
Johnny Dodds ...
Kid (uncredited)
Bill Dorfman ...
Back (uncredited)
...
Jesus Christ (archive footage) (uncredited)
John Palone ...
Pinstripe (uncredited)
Barry Rubin ...
Fall Guy (uncredited)
Johnny Sapienza ...
Taurus (uncredited)
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Storyline

An army of gay/nazi bikers make their engines roar and ride the way to pain/pleasure as sexual and sadistic symbols are intercut into the dazing chaos and rhythmic experiences of this underground film by cult director Anger. Written by <cl_navarro@infonie.fr>

Plot Summary | Add Synopsis

Genres:

Short | Music

Parents Guide:

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Details

Country:

Language:

Release Date:

10 October 1969 (Denmark)  »

Also Known As:

Scorpio rising  »

Box Office

Budget:

$16,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Kenneth Anger has said that "Scorpio Rising" was "the closest I've ever come to a documentary, but I was just filming what was happening." See more »

Connections

Referenced in Rescued from the Closet (2001) See more »

Soundtracks

(You're The) Devil in Disguise
(uncredited)
Written by Bernie Baum, Bill Giant and Florence Kaye
Performed by Elvis Presley
See more »

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User Reviews

 
One of the best experimental films ever shot
28 March 2006 | by (United States) – See all my reviews

Kenneth Anger's "Scorpio Rising", set to the tune of thirteen 1960's pop songs, ranks as one of the best films ever shot in the experimental genres, which to some people might translate as the best pile of dog poop ever made, but in terms of visual imagery, context, and use of music, it ranks up there as one of the most important films of the 60's. Kenneth Anger's trademarks (outsider as protagonist, homosexual iconography, pop culture looked at in a different light) are at their most poignant here with most memorable scenes set to 'Blue Velvet", "I Will Follow Him", and "Wipe Out". Also classic is the use of clips from Cecil B. DeMille's "King of Kings" of Jesus and his disciples walking superimposed between shots of gay bikers. A classic piece of Americana.


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