When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Mike works on a boat in Acapulco. When the bratty daughter of the boat owner gets him fired, Mike must find new work. Little boy Rauol helps him get a job as a lifeguard and singer at a ... See full summary »
Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
Michael D. Moore
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Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate dad runs him off the road when he flirts with his daughter. He's forced to hook up with a traveling carnival until his bike can be fixed. The carnival is run by a tough old broad, a broken-down drunk and his nubile daughter. Along the way, Charlie (who's got a chip on his shoulder about being an orphan) somehow learns about family values from this vaguely dysfunctional one. A scheming rival carny shows up, based on the legend of Colonel Tom Parker, Elvis Presley's real-life manager. Written by
According to a fan magazine of the era, Mae West refused role of older carnival owner (ultimately played by Barbara Stanwyck) when studio refused to rewrite script so she would appear as one of Elvis Presley's love interests. See more »
When Freddy takes Charlie's challenge to hit the target twice in a row at the dunk tank Freddy disputes the first throw so they start again. On the first throw of the re-start you hear the sound of a hit and the girl is dunked but you can see that the ball never really hits the target. See more »
I never thought I'd be running off with the circus.
Let's get one thing straight. This is not a circus. This is a carnival. There's a big difference.
I guess you're right. I guess a circus has elephants.
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Welcome to 1964. Elvis is still stuck in movie limbo, the Beatles are ready to conquer America, and this movie pops up. Elvis has one of his better roles since Flaming Star, as he plays a angry young man named Charlie Rogers, who is not that likable at all. After Charlie gets sprung for getting in a fight with some college students, he heads down the road to nowhere for the next gig. That's when he meets Maggie, Cathy, and Joe. Joe runs him off the road and destroys the Big E's guitar and 'cycle in the process. Maggie offers him a job as a roustabout in her carnival until his bike is repaired.
Elvis sheds the family friendly 60s image for this role. He is a cross between likable and a jerk. He has the benefit of working with a fine supporting cast. Barbara Stanwyck shines as Maggie, who lives and breathes the carnival life (She also keeps this film from being just average). Joan Freeman is great as Cathy, a love interest that plays much harder to get than any other Elvis movie femme fatale. Even Billy Barty shows up in a short role. Steve Brodie and Iris Adrian show up again to reprise their loud, annoying husband/wife roles (they just have different names and backgrounds in this one).
The King manages to belt out 11 forgettable songs that include his better than average take on "Little Egypt". This film also shows an era when the carnival was a profitable business (I laughed at seeing an orchestra pit inside a carnival tent). The 'Wall of Death' scene was also the basis of the Irish film, Eat The Peach. All in all, a better than average performance for Elvis in a standard formula film.
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