Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
Mike works on a boat in Acapulco. When the bratty daughter of the boat owner gets him fired, Mike must find new work. Little boy Rauol helps him get a job as a lifeguard and singer at a ... See full summary »
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
Tulsa is a specialist in the US Army stationed in Germany. He loves to sing and has dreams to run his own nightclub when he leaves the army....but dreams don't come cheap. Tulsa places a ... See full summary »
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about ... See full summary »
Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
Michael D. Moore
Chad Gates has just gotten out of the Army, and is happy to be back in Hawaii with his surf-board, his beach buddies, and his girlfriend. His father wants him to go to work at the Great ... See full summary »
Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate dad runs him off the road when he flirts with his daughter. He's forced to hook up with a traveling carnival until his bike can be fixed. The carnival is run by a tough old broad, a broken-down drunk and his nubile daughter. Along the way, Charlie (who's got a chip on his shoulder about being an orphan) somehow learns about family values from this vaguely dysfunctional one. A scheming rival carny shows up, based on the legend of Colonel Tom Parker, Elvis Presley's real-life manager. Written by
In the closing scene Elvis lifts a child into the arms of "The Strongman" portrayed by Richard Kiel ( "Jaws" of James Bond fame). See more »
When Freddy takes Charlie's challenge to hit the target twice in a row at the dunk tank Freddy disputes the first throw so they start again. On the first throw of the re-start you hear the sound of a hit and the girl is dunked but you can see that the ball never really hits the target. See more »
Once again, this is an above-average Elvis Presley star vehicle but which, at the end of the day, offers nothing really new; still, I feel that the star’s own performance here is near the best that I’ve seen him give as he is well up to the challenge of playing a relatively complex character: alternately selfish, cocky, rebellious but, eventually, compassionate and even shrewd.
Presley, however, is let down by the plot which, as I said, is not only formulaic and, therefore, entirely predictable but rather sentimental as well, what with Barbara Stanwyck’s carny show forever on the brink of foreclosure; one other definite thorn in the film’s side is the one-dimensional nature of Leif Erickon’s grumpy characterization. On the other hand, Stanwyck’s participation adds undeniable distinction to the film (her role had previously been offered to Mae West!) and lovely Joan Freeman projects the right mix of independence and vulnerability as the heroine.
At least, the vivid carnival setting does provide plenty of opportunity for color, action, thrills, romance, comedy (courtesy of Sue Ane Langdon as a flirtatious fortune-teller) and, of course, songs which are not too bad – “Poison Ivy League”, “One Track Heart” and, especially, the Jerry Leiber-Mike Stoller penned “Little Egypt” – though, again, Elvis has certainly sung better ones in his Fifties heyday.
For the record, an uncredited Raquel Welch can be glimpsed among the college kids in the film’s very first sequence and, unless they didn’t hit it off here, it seems rather strange now that they were never paired together when she became a star in her own right a couple of years later!
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