Alison Crawford lives a comfortable life with her husband Eric and their two children. Alison is blind and she knows that her illness is not physical but psychosomatic. She had a fall at ... See full summary »

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Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Complete credited cast:
...
Eric Crawford (as Curt Jurgens)
...
Alison Crawford
...
Robin
...
Paul
Beatrix Lehmann ...
Mrs. Crawford
Elspeth March ...
Mme. Valadier
Gladys Spencer
Peter Porteous
Michael McStay
Sandra Leo ...
Susan
Shelley Crowhurst ...
Jean
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Storyline

Alison Crawford lives a comfortable life with her husband Eric and their two children. Alison is blind and she knows that her illness is not physical but psychosomatic. She had a fall at their second home and woke up unable to see. She has no recollection of losing consciousness or what may have happened immediately prior to that. Her vivacious younger sister Robin accompanies her to their country home where they are soon joined by Eric and a family friend, Paul. Eric and Robin had long ago had a fling but she was quite young at the time and he settled on the older Alison. As memories return to her, Alison recalls what is she saw the night she went blind. Written by garykmcd

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The screen prowls the lonely place where lust hides!

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Drama | Mystery

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Release Date:

29 April 1964 (USA)  »

Also Known As:

Das Verlangen  »

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(Westrex Recording System)
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Trivia

Originally announced as Dana Wynter vehicle (Patricia Neal role). See more »

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User Reviews

 
A fairly sophisticated and stylish melodrama for grown-ups...
14 March 2010 | by (las vegas, nv) – See all my reviews

Françoise des Ligneris's novel "Psyche '59" becomes a fine dramatic vehicle for the always-sympathetic Patricia Neal, here playing the wife of a wealthy businessman who is suffering from 'hysterical blindness' after a mysterious fall; when sister Samantha Eggar comes to live with her after a failed attempt at marriage, years-old tensions (both resentful and sexual) between Eggar and brother-in-law Curt Jurgens rise to the surface. As photographed in glossy black-and-white by the esteemed Walter Lassally, the picture is a shiny, classy piece of goods, yet director Alexander Singer takes an awfully long time to warm up. The plot (or rather, the point inherent to the plot) doesn't make itself known for at least an hour into the proceedings, while the pretty images and visual tricks eventually become a nuisance. Singer doesn't appear to wrap things up cohesively with his finale, yet it's actually his best bit: Neal's mental handicap and Eggar's need to be the proverbial thorn in the rosebush are dealt with in solely visual terms, and the silent emotions released are triumphant. A near-miss, but worthwhile for fans of psychological melodramas verging on soap opera. **1/2 from ****


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