Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for ... See full summary »
Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
For three days in 1971, former US soldiers who were in Vietnam testify in Detroit about their war experiences. Nearly 30 speak, describing atrocities personally committed or witnessed, ... See full summary »
More than two dozen men and women of various backgrounds, ages, and races talk to the camera about being gay. Their stories are arranged in loose chronology: early years, fitting in (which ... See full summary »
Featuring never-before-seen footage, this documentary delivers a startling new look at the Peoples Temple, headed by preacher Jim Jones who, in 1978, led more than 900 members to Guyana, where he orchestrated a mass suicide via tainted punch.
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. ... See full summary »
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator. Written by
Excellent introduction to Roy Cohn, Joe McCarthy, and McCarthyism.
Roy Cohn keeps popping up in American culture, from his fictionalized roles in "ANGELS IN America"-- as interpreted by Al Pacino (actor), Tony Kushner (playwrite), and Mike Nichols (director) --and Kurt Vonnegut's "JAILBIRD," to his actual deeds as documented by the likes of Emile de Antonio here in "POINT OF ORDER." Although there have been some attempts to put Cohn in perspective-- Frank Pierson's awful HBO film, "CITIZEN COHN," comes to mind (with James Woods' cartoon performance), I believe we've yet to see anything approaching a definitive look at him and his legacy.
As for McCarthy and McCarthyism, "POINT OF ORDER" stands as an excellent non-fiction introduction to the beginning of their ends. It's great drama, and it's full of truth. And that is all. "POINT OF ORDER" is where one can start, yet not where one may find real answers.
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