Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for ... See full summary »
A group of seven-year-old British children from widely ranging backgrounds are interviewed about a range of subjects. Director Michael Apted plans to reinterview them at seven-year ... See full summary »
Director Michael Apted revisits the same group of British-born children after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the ... See full summary »
Dramatization of the trial of Christian anti-war activists, known collectively as the "Plowshares Eight". In September 1980, they broke into a General Electric weapons plant in King of ... See full summary »
Emile de Antonio
The definitive documentary on the New York School Painters. Featuring footage of all the major figures of the New York Art Scene between 1940-1970, showing many of the artists before they became famous.
Emile de Antonio
Willem de Kooning
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator. Written by
"Point of Order" is an example of a modern-day Eisenstein. It took material from the recesses of American history, recombined and made a film with complete sense, albeit weighted against McCarthy. It is an excellent piece of work but then it shows quite well how evidence reassembled can make someone seem guilty. That is the virtuosity of the filmmaker.
Unlike one of the reviewers, I think that McCarthy was a monster, a publicity-seeking man out of control who thought absolutely nothing about the lives he ruined or attempted to ruin, however, falsely but I'm begging the issue here. The film is marvelously well put together and de Antonio possesses remarkable technique to make things seem "alive". Again it's easy to see things in black and white ideologically but the film within itself is impeccable.
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