Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for ...
See full summary »
Produced at the height of the Vietnam War, Emile de Antonio's Oscar-nominated 1968 documentary chronicles the war's historical roots. With palpable outrage, De Antonio (Point of Order, ... See full summary »
Emile de Antonio
Harry S. Ashmore,
The highlights of a 12-hour interview with Aaron Payne, alias Jason Holliday, a former houseboy, would-be cabaret performer, and self-proclaimed hustler who, while drinking and smoking ... See full summary »
Director Hans-Jurgen Syberberg examines the rise and fall of the Third Reich in this brooding seven-hour masterpiece, which incorporates puppetry, rear-screen projection, and a Wagnerian ... See full summary »
The world famous violinist Holger Brandt comes back to his family after a tour. He and his wife have been married for many years, but their love has gone. Their young daughter gets a new ... See full summary »
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator. Written by
A chilling example how telling a lie often and loudly makes it appear true. Demagogary exposed.
I saw this in 1964 when it was originally released. I waited so long to see it again. Like most good documentaries it focuses on a small theme. The power of this movie comes mainly from its inherent defense against accusations of biased reporting of events, peoples' facial expressions and appearances, words taken out of context and revisionist history. This power was due entirely to the fact that there was no script, no actors, no makeup artists, no retakes and special effects. This movie was cinema veritae. Joe McCarthy, Roy Cohn, Ray Welsch and all the others shown were themselves speaking their thoughts and feelings without varnish.
For those who wondered how Hitler ascended to power, between McCarthy and J. Edgar Hoover, it could have happened here, Those of us who understand this have a special obligation to protect this country for those who don't see, can't see or don't care. Freedom is very vulnerable. The movie demonstrated this.
11 of 14 people found this review helpful.
Was this review helpful to you?