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Bullets Don't Argue (1964)
"Le pistole non discutono" (original title)

5.6
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Ratings: 5.6/10 from 98 users  
Reviews: 4 user | 3 critic

On his own wedding day, sheriff Pat Garrett must leave and try to arrest two bank robbers.

Director:

(as Fred Wilson, Manfred Riegert)
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Title: Bullets Don't Argue (1964)

Bullets Don't Argue (1964) on IMDb 5.6/10

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Cast

Cast overview, first billed only:
Rod Cameron ...
Horst Frank ...
Ángel Aranda ...
George Clanton
Vivi Bach ...
Agnes Goddard
Luis Durán ...
Mike Goddard
Kai Fischer ...
Helen
Mimmo Palmara ...
Santero (as Dick Palmer)
Hans Nielsen ...
Rev. Alvarez
Julio Pérez Tabernero ...
Comisario
Gonzalo Esquiroz ...
Comisario
Rafael Vaquero ...
Comisario
Simón Arriaga ...
Santero Henchman
Andrea Aureli ...
Manuel (as Andrew Ray)
Juan Cortés ...
Banker
Giulia Rubini ...
Martha Coogan (as Judy Robbins)
Edit

Storyline

On his own wedding day, sheriff Pat Garrett must leave and try to arrest two bank robbers.

Add Full Plot | Add Synopsis

Genres:

Western

Certificate:

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Details

Country:

| |

Language:

Release Date:

23 October 1964 (West Germany)  »

Also Known As:

Bullets Don't Argue  »

Box Office

Gross:

ESP 28,842,058 (Spain)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Soundtracks

Lonesome Billy
Performed by Peter Tevis
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User Reviews

 
Good but not great early spaghetti...
25 March 2006 | by (Santa Rosa, California, USA) – See all my reviews

This is the film that Jolly Films of Rome and the other producing companies were putting their hopes and money into while tossing a bone to an unknown director named Sergio Leone, giving him film ends and minimal financing to shoot a movie called The Magnificent Stranger which featured a little-known American TV actor named Clint Eastwood. BULLETS DON'T ARGUE starred Rod Cameron, a bigger name, as Pat Garrett, with Horst Frank and Angel Aranda as Billy and George Clanton, thus mixing two old west legends into a very typically American spaghetti western. It kind of reminded me of the Budd Boetticher/Randolph Scott westerns of the late fifties, with Cameron as the stoic, older authority figure bringing in the wild, younger outlaws, and is pretty darned good, doing what it sets out to do. Oddly enough the highlight of Morricone's score is the song Lonesome Billy, about the elder of the outlaw brothers. BTW I think this is the film that did so poorly at the Italian box office that it prompted Variety to report that spaghetti westerns were dead, a week or so before the Leone/Eastwood film, retitled A FISTFUL OF DOLLARS, turned the film world on its ear.


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