An Italian official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released--but then ... See full summary »
1944. Primo Arcovazzi a fanatic member of Brigate Nere (fascist organization) is in charge to bring an opponent to the regime, Prof. George Wilson, from Abruzzo to Roma. He accepted the ... See full summary »
Hossien stars as a leather-clad killer, drawn into a tragic kidnap/murder plot by his former flame Michelle Mercier. An almost totally visual film with perhaps not more than two dozen lines... See full summary »
Django is on the trail of some renegade outlaws who raped and killed his wife. En route, he rescues a horse thief from an impromptu hanging. He discovers the man knows who committed the murder. The men team up and head west for revenge.
After the Civil War ends, two soldiers return home with a cache of stolen money. They are caught by Union troops. One escapes, but the other is sent to prison for five years. When he gets ... See full summary »
A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young ... See full summary »
Finito in prigione per avere ucciso, per legittima difesa, tre uomini mentre giocava a campana, Ringo viene liberato per infiltrarsi tra i banditi capeggiati da Sancho che, dopo una rapina ... See full summary »
Lorella De Luca
This is the film that Jolly Films of Rome and the other producing companies were putting their hopes and money into while tossing a bone to an unknown director named Sergio Leone, giving him film ends and minimal financing to shoot a movie called The Magnificent Stranger which featured a little-known American TV actor named Clint Eastwood. BULLETS DON'T ARGUE starred Rod Cameron, a bigger name, as Pat Garrett, with Horst Frank and Angel Aranda as Billy and George Clanton, thus mixing two old west legends into a very typically American spaghetti western. It kind of reminded me of the Budd Boetticher/Randolph Scott westerns of the late fifties, with Cameron as the stoic, older authority figure bringing in the wild, younger outlaws, and is pretty darned good, doing what it sets out to do. Oddly enough the highlight of Morricone's score is the song Lonesome Billy, about the elder of the outlaw brothers. BTW I think this is the film that did so poorly at the Italian box office that it prompted Variety to report that spaghetti westerns were dead, a week or so before the Leone/Eastwood film, retitled A FISTFUL OF DOLLARS, turned the film world on its ear.
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