An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain. Written by
Andrew Hyatt <firstname.lastname@example.org>
Prior to this picture, in American films, whenever a person was shot, one camera was focused on the shooter, who fired his weapon, and a split second later, the director quickly cut to the victim who could be seen being hit and falling to the ground or whatever. Clint Eastwood knew this had always been the way such scenes were shot in the States, but didn't bother to tell Sergio Leone. Leone shot the first scene involving any kind of major violence in this picture, with the camera shooting from over Eastwood's shoulder, as though the viewer was right there watching. See more »
When the large barrel rolls down the ramp, it rolls on two large rails. Right afterwards Joe crawls down the ramp, and no rails are visible. The large rails re-appear when his captors come into the room right after he exits. See more »
You see, I understand you men were just playin' around, but the mule, he just doesn't get it. Course, if you were to all apologize...
I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him. Now if you apologize, like I know you're going to, I might convince him that you really didn't mean it.
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A western classic and the movie that launched the careers of Sergio Leone and Clint Eastwood.
'A Fistful Of Dollars' is a wonderful movie which, despite having an enormous following of fans around the world, sometimes gets unfairly dismissed in my opinion. For two reasons - firstly because the second and third movie in Leone/Eastwood "Man With No Name" trilogy ('For A Few Dollars More' and 'The Good, The Bad and The Ugly') are so damn good it's easy to overlook this one. Despite being made on a much tighter budget and being less ambitious than the sequels to follow, it's still one of the greatest westerns ever made in my opinion. The second reason is the Yojimbo thing. Now movie buffs frequently slam 'A Fistful Of Dollars' as being a rip off of Kurosawa's 'Yojimbo', which I think is extremely misleading. I'm not disputing that Leone was familiar with Kurosawa (I have no idea one way or the other), but one name I rarely hear ANYONE mention is Dashiel Hammett. Hammett's hard boiled crime classic 'Red Harvest' was published THIRTY YEARS before 'Yojimbo' and features the same central premise of an anti-hero playing two rival groups off against each other. So if anyone deserves acknowledgement as uncredited inspiration for Leone (AND Kurosawa) it's Hammett. Anyway, this is an absolutely brilliant movie and it launched Clint Eastwood, a popular TV actor, into being a major movie star, and likewise put Sergio Leone on the map. I can't recommend 'A Fistful Of Dollars' highly enough, it's pure entertainment, and very, very cool!
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