An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain. Written by
Andrew Hyatt <email@example.com>
According to "Once Upon a Time in the Italian West" by Howard Hughes, Sergio Leone spotted a tree, while on location, that he thought would be perfect for the hanging tree at the beginning of the film, so the tree was dug up and relocated. See more »
Joe walks into a room with five bad guys, and starts shooting. Only four gunshots are heard, but when the smoke clears all five baddies are down. See more »
Every town has a boss.
Yes, but when there are two around, I'd say there is one too many!
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The first of Sergio Leone's "spaghetti westerns" is now overshadowed by its superior successors, but remains an exciting introduction to this peculiar genre. Clint Eastwood redefined the notion of a hero in this film, a man who seems to operate by a code but doesn't feel the need to explain it. Although the U.S. advertising campaign billed Eastwood's character as "The Man With No Name," a name is one thing he does have - Joe - but almost everything else about him is a mystery except for his deadly proficiency with a gun. Leone's style would be more pronounced in later films, but this one provided the template. Eastwood is superb, of course, as is Gian Maria Volante (billed as Johnny Wells) as his deadly opponent, Ramon Rojo. If it's slow moving at times, the music of Ennio Morricone always takes up the slack.
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