An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain. Written by
Andrew Hyatt <firstname.lastname@example.org>
When Ramon and his men are killing the Baxter men running from the house fire, Ramon has 9-10 men. Yet in the final gun battle there's a total of only 6. Five men on the street, and one above. See more »
I'm alive, and I want to remain with the living, understand? And when I'm dead, I want to remain with the dead. And I would be unhappy if somebody living forces me to remain with the living.
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The first of Sergio Leone's "spaghetti westerns" is now overshadowed by its superior successors, but remains an exciting introduction to this peculiar genre. Clint Eastwood redefined the notion of a hero in this film, a man who seems to operate by a code but doesn't feel the need to explain it. Although the U.S. advertising campaign billed Eastwood's character as "The Man With No Name," a name is one thing he does have - Joe - but almost everything else about him is a mystery except for his deadly proficiency with a gun. Leone's style would be more pronounced in later films, but this one provided the template. Eastwood is superb, of course, as is Gian Maria Volante (billed as Johnny Wells) as his deadly opponent, Ramon Rojo. If it's slow moving at times, the music of Ennio Morricone always takes up the slack.
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