An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain. Written by
Andrew Hyatt <email@example.com>
Gian Maria Volonté reportedly did not get along with Sergio Leone, who found Volonté's theatrical acting style and arrogant on-set manner tiresome. Volonté tried to become friendly with Clint Eastwood, but the language barrier and political differences (Eastwood was a conservative Republican, while Volonté was a committed leftist) prevented their striking up a rapport. See more »
At the end, when Silvanito shoots Esteban Rojo, the sound of the rifle being fired is heard, but Silvanito is not actually pulling the trigger. See more »
I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him. Now if you apologize, like I know you're going to, I might convince him that you really didn't mean it.
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A classic. The first, or one of the first, films to introduce the concept of the Western antihero. Sergio Leone pioneered a lot of things here. The brightness, the oppressive sunlight. The ugly brutality of Western gunfights, that had always been cleaned up in Hollywood. I understand that Leone's occasional framing of the shooter and his victims in the same shot was not allowed at the time in American films. I thought, upon seeing this film years ago, that some characters (Eastwood) spoke in English, and other characters in Italian. Who knows, maybe some spoke Spanish or German. Must make for an interesting acting job. I rarely notice a movie's music, but the original score by Ennio Morricone was so fitting. Probably the best match of film and music up to that time, and only bested by Hugh Montenegro(?) in "The Good, the Bad, and the Ugly". A very good movie. Grade: A
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