| Photos (See all 27 | slideshow) | Videos (see all 2) |
| Catherine Deneuve | ... | Geneviève Emery | |
| Nino Castelnuovo | ... | Guy Foucher | |
| Anne Vernon | ... | Madame Emery | |
| Marc Michel | ... | Roland Cassard | |
| Ellen Farner | ... | Madeleine | |
| Mireille Perrey | ... | Tante Élise | |
| Jean Champion | ... | Aubin (as J. Champion) | |
| Pierre Caden | ... | Bernard (as P. Caden) | |
| Jean-Pierre Dorat | ... | Jean (as J.P. Dorat) | |
| Bernard Fradet | ... | Gas Station Apprentice (as B. Fradet) | |
| Michel Benoist | ... | Umbrella Buyer (as M. Benoist) | |
| Philippe Dumat | ... | Garage Customer in 1957 (as P. Dumat) | |
| Dorothée Blanck | ... | Girl in Cafe (as D. Blank) | |
| Jane Carat | ... | Ginny (as J. Carat) | |
| Harald Wolff | ... | Monsieur Dubourg | |
| Danielle Licari | ... | Geneviève Emery (singing voice) (as D. Licari) | |
| José Bartel | ... | Guy Foucher (singing voice) (as J. Bartel) | |
| Christiane Legrand | ... | Madame Emery (singing voice) (as C. Legrand) | |
| Georges Blaness | ... | Roland Cassard (singing voice) (as G. Blanes) | |
| Claudine Meunier | ... | Madeleine (singing voice) (as C. Meunier) | |
| Claire Leclerc | ... | Tante Élise (singing voice) (as C. Leclerc) | |
| rest of cast listed alphabetically: | |||
| Patrick Bricard | ... | Waiter (uncredited) | |
| Jacques Camelinat | ... | Garage Customer in 1959 (uncredited) | |
| François Charet | ... | Mechanic in 1959 (uncredited) | |
| Jean-Pierre Chizat | ... | Pierre - Mechanic (uncredited) | |
| Jacques Demy | ... | Le client égaré / Le serveur (singing voice) (uncredited) | |
| Bernard Garnier | ... | Mechanic in 1959 (uncredited) | |
| Gisèle Grandpré | ... | Madame Germaine (uncredited) | |
| Hervé Legrand | ... | François Foucher (uncredited) | |
| Michel Legrand | ... | Jean (singing voice) (uncredited) | |
| Myriam Michelson | ... | Girl in Cafe (uncredited) | |
| Paul Pavel | ... | First Removal Man (uncredited) | |
| Roger Perrinoz | ... | Cafe Owner (uncredited) | |
| Rosalie Varda | ... | Françoise Cassard (uncredited) | |
Directed by | |||
| Jacques Demy | |||
Writing credits | ||
| Jacques Demy | (scenario and dialogue) | |
Produced by | |||
| Mag Bodard | .... | producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Jean Rabier | |||
Film Editing by | |||
| Anne-Marie Cotret | (as A.M. Cotret) | ||
| Monique Teisseire | (as M. Teisseire) | ||
Production Design by | |||
| Bernard Evein | |||
Costume Design by | |||
| Jacqueline Moreau | (as J. Moreau) | ||
Makeup Department | |||
| Christine Fornelli | .... | makeup artist (as C. Fornelli) | |
Production Management | |||
| Philippe Dussart | .... | production manager | |
| Maurice Urbain | .... | unit manager (as M. Urbain) | |
Second Unit Director or Assistant Director | |||
| André Flédérick | .... | second assistant director (as A. Flederick) | |
| Klaus Müller-Laue | .... | assistant director (as K. Muller-Laue) | |
| Jean-Paul Savignac | .... | assistant director (as J.P. Savignac) | |
Art Department | |||
| Maurice Bourbotte | .... | upholsterer (uncredited) | |
| Joseph Gerhard | .... | props (uncredited) | |
| Claude Pignot | .... | assistant set decorator (uncredited) | |
Sound Department | |||
| François Musy | .... | stereo sound consultant: Dolby (1992 remastered version) | |
Camera and Electrical Department | |||
| Jean-Paul Lemaître | .... | camera operator (as J.P. Lemaitre) | |
| Leo Weisse | .... | still photographer (as L. Weisse) | |
| Pierre Willemin | .... | camera operator (as P. Willemin) | |
| Roger Delattre | .... | chief electrician (uncredited) | |
| Bernard Largemain | .... | key grip (uncredited) | |
Costume and Wardrobe Department | |||
| Real | .... | dresses: Catherine Deneuve | |
| Agnès Soulet | .... | costumer (uncredited) | |
Editorial Department | |||
| Gisèle Chézeau | .... | assistant editor (uncredited) | |
Music Department | |||
| Michel Legrand | .... | conductor | |
| Francis Lemarque | .... | music publisher | |
Other crew | |||
| Annie Maurel | .... | script (as A. Maurel) | |
| Charles Chieusse | .... | location manager (uncredited) | |
| Jeanne Marie Olivier | .... | production secretary (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This must be amongst the most distinctive, idiosyncratic and exquisite films I have seen in a long while. There is nothing particularly new about the plot, which is a straightforward and uncomplicated love story divided into three acts, but the beauty of this film is in the telling of it.
All the dialogue in this film is sung, which at first is a little unsettling, but it actually takes very little time to adjust to. The verse/chorus format of popular music and the musical genre is eschewed for an approach more resembling a modern opera, as the characters croon their lines to each other over a continuous score. This gives the most banal of lines a rhythm and cadence of their own. Because of this I found the French a lot easier to understand than with more naturalistic films, which was fairly handy for me as the print I was watching was with Dutch subtitles! I must confess, I did find that the music (written by Michel Legrand) began to grate towards the end of the 87 minute running time but even so there is still much to admire here. Visually it's stunning, with a bold and vibrant colour palette of almost hallucinogenic intensity and sumptuous costume and set design (that wallpaper!). The opening credit sequence sets the mood perfectly: a birds eye view of the inhabitants of Cherbourg in the rain beneath their umbrellas as they walk across the frame is reduced to a colourful abstraction. Catherine Deneuve is predictably gorgeous and the first act of the young couples courtship is one of the most beautifully pure pieces of cinema I can think of. It reminded me a bit of 'Jacques Brel is Alive and Well and Living in Paris', a film which I saw in television a long time ago and would do absolutely anything to get hold of a copy. 'Les Parapluies de Cherbourg' is a wonderful, sincere and uplifting film that everyone should go and see at least once, and preferably on a big screen. Once seen, never forgotten.