A small-time Jewish racketeer, just out of prison, finds himself in a quandary. Returning to his old neighborhood, he finds that the streets that he and his friends once controlled have now... See full summary »
Interview with Jason Holliday aka Aaron Payne, house boy, would be cabaret performer, and self proclaimed hustler giving one man's gin-soaked pill-popped, view of what it was like to be ... See full summary »
Set ten years after the most peaceful revolution in United States history, a revolution in which a socialist government gains power, this films presents a dystopia in which the issues of ... See full summary »
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by ... See full summary »
Ross McElwee Jr.
Stan works in drudgery at a slaughterhouse. His personal life is drab. Dissatisfaction and ennui keep him unresponsive to the needs of his adoring wife, and he must struggle against ... See full summary »
Henry G. Sanders,
Marnie just graduated from college, drinks likes she's still in school, and is looking for a temporary job but a permanent boyfriend. She loves a guy who doesn't love her (?), ping-pongs ... See full summary »
Based on an actual strike against the Empire Zinc Mine in New Mexico, the film deals with the prejudice against the Mexican-American workers, who struck to attain wage parity with Anglo ... See full summary »
Born in Birmingham, Duff Anderson, the father of a male toddler, who lives with a nanny, re-locates to a small town to work on the railroad. He meets with and is attracted to Josie much to the chagrin of her preacher father. The marriage does take place nevertheless, both re-locate to live in their own house and he gets a job in a mill. He decides not to bring his son to live with them. Challenges arise when the Mill Foreman finds out that Duff is attempting to unionize the workers, forcing Duff to quit, and look for work elsewhere. Unable to reconcile himself to working on a daily wage of $2.50 picking cotton nor even as a waiter, he gets a job at a garage. He is enraged at a customer for belittling him and Josie, and is let go. Unemployed, unable to support his wife and son, he gets abusive and leaves - perhaps never to return. Written by
I've seen this movie twice and it touches me in a way that compels me to see it again and again. This film touches so many elements of poor southern existence that it feels more current than films made today. Though forty-one years later, with elements of the situational context dated, the film is eerily current. For example, with cotton-picking, day-working and railways section gangs replaced by newer working-class occupations, there remains a race-based hierarchy to life. NBAM brings to mind scenes from Crash minus the shock required for contemporary senses. I can only imagine what it was like to see this film when it was in the theater. As with so many genre-shifting and defing movies, watch it and the DVD extras section.
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