| Photos (See all 12 | slideshow) | Videos (see all 2) |
| Richard Burton | ... | Rev. Dr. T. Lawrence Shannon | |
| Ava Gardner | ... | Maxine Faulk | |
| Deborah Kerr | ... | Hannah Jelkes | |
| Sue Lyon | ... | Charlotte Goodall | |
| Skip Ward | ... | Hank Prosner (as James Ward) | |
| Grayson Hall | ... | Judith Fellowes | |
| Cyril Delevanti | ... | Nonno | |
| Mary Boylan | ... | Miss Peebles | |
| rest of cast listed alphabetically: | |||
| Fidelmar Durán | ... | Pepe (uncredited) | |
| Emilio Fernández | ... | Barkeeper (uncredited) | |
| Eloise Hardt | ... | Teacher (uncredited) | |
| Gladys Hill | ... | Miss Dexter (uncredited) | |
| Barbara Joyce | ... | Teacher (uncredited) | |
| C.G. Kim | ... | Chang (uncredited) | |
| Roberto Leyva | ... | Pedro (uncredited) | |
| Billie Matticks | ... | Miss Throxton (uncredited) | |
| Betty Proctor | ... | Teacher (uncredited) | |
| Liz Rubey | ... | Teacher (uncredited) | |
| Bernice Starr | ... | Teacher (uncredited) | |
| Dorthy Vance | ... | Teacher (uncredited) | |
| Thelda Victor | ... | Teacher (uncredited) | |
Directed by | |||
| John Huston | |||
Writing credits | ||
| Tennessee Williams | (play) | |
| Anthony Veiller | (screenplay) and | |
| John Huston | (screenplay) | |
Produced by | |||
| Ray Stark | .... | producer | |
| Sandy Whitelaw | .... | associate producer (as Alexander Whitelaw) | |
| Emilio Fernández | .... | associate producer (uncredited) | |
Original Music by | |||
| Benjamin Frankel | |||
Cinematography by | |||
| Gabriel Figueroa | (director of photography) | ||
Film Editing by | |||
| Ralph Kemplen | |||
Art Direction by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Agnes Flanagan | .... | hair stylist | |
| Sydney Guilaroff | .... | hair styles creator | |
| Eric Allwright | .... | makeup artist (uncredited) | |
| Jack Obringer | .... | makeup artist (uncredited) | |
Production Management | |||
| Clarence Eurist | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Shaw | .... | assistant director | |
| Jaime Contreras | .... | second assistant director (uncredited) | |
| Terry Morse Jr. | .... | second assistant director (uncredited) | |
Sound Department | |||
| Basil Fenton-Smith | .... | sound | |
| Van Allen James | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Manuel González | .... | camera operator (uncredited) | |
Music Department | |||
| Benjamin Frankel | .... | conductor | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Gladys Hill | .... | associate: Mr. Huston | |
| Abe Steinberg | .... | production executive | |
| Joseph P. Sinda | .... | assistant: Richard Burton (uncredited) | |
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| Religulous | Black Snake Moan | The Best of Youth | Day of the Wacko | Driving Lessons |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
First, you must understand the nature of Night of the Iguana. The story centers on Shannon (Burton), a life-long preacher caught in a philosophical crisis. His humanity clashes with his theology and leaves havoc in its wake. Removed from his position in a quiet Texas community after an affair with an underage girl, he takes a job in Puerto Vallarta as the tour guide for a rickety bus full of pious old women and one manipulative nymph (Lyon). Shannon is tortured by the girl's advances and finally gives in--only to be found out by her bullish chaperone. To save his job, Shannon hijacks the bus and takes the ladies to a remote motel high on the mountain, run by his ex-flame, Maxine (Gardner). Max is a bawdy, hard-drinking, hard-loving gal, not too keen on the new arrivals. She harbors an unrequited love for Shannon, however, so relents. Within moments of the troop's arrival, two stragglers also enter: Hannah (Kerr) is a penniless watercolor painter who, with her aged grandfather, Nonno--a supposedly renowned oral poet--travels from place to place selling their wares. They wearily hike up the mountain and plead for board, offering to paint or recite poetry to earn their keep.
As the characters struggle with their passions, their pride, and their self-definition, egos break and walls come down, exposing the underbelly of the human situation. They grapple with the questions and desires that plague us all. Who am I? Do my actions define me or do my thoughts? Why am I here? The answers come in ten-fold, and in a poignant moment, Kerr reveals our purpose on Earth: To connect with each other. To help each other through each day. To meet, to see, hear, and feel, and share what we have experienced. This is the meaning of life. Totall riveting. Especially if you travel to Puerto Vallarta and put these questions to the test.