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The Night of the Iguana (1964)

 -  Drama  -  6 August 1964 (USA)
7.8
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Ratings: 7.8/10 from 7,431 users  
Reviews: 75 user | 41 critic

A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

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Title: The Night of the Iguana (1964)

The Night of the Iguana (1964) on IMDb 7.8/10

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Won 1 Oscar. Another 2 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Charlotte Goodall
Skip Ward ...
Hank Prosner (as James Ward)
...
Cyril Delevanti ...
Nonno
Mary Boylan ...
Miss Peebles
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Storyline

The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

hotel | bus | mexico | guide | church | See All (70) »

Taglines:

One man... three women... one night See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 August 1964 (USA)  »

Also Known As:

La noche de la iguana  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Ava Gardner kept changing one of her lines in the film from "In a pig's eye, you are!" to "In a pig's ass, you are!", much to the delight of the rest of the cast and crew, including director John Huston. See more »

Goofs

The apostrophe in St. Jame's Church is misspelled. See more »

Quotes

Maxine Faulk: [to Miss Fellowes] Well, if you're not going to eat him, I'd better go see about food for dinner.
See more »

Connections

Referenced in Mystery Science Theater 3000: The Undead (1997) See more »

Soundtracks

Mxican Hat Dance
("Jarabe Tapatio") (uncredited)
Traditional Mexican folk dance
Heard on record played during fight in the beach bar between Hank and the beach boys.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The best film of the Our Century
14 April 2006 | by (United States) – See all my reviews

This film, all and all, only gets better with each viewing. I first saw it as a child, and thought it odd and amusing. Yet even then I sensed something magical was going on in it, though I lacked then the adult realism to penetrate the world of Tennessee Williams. Subsequent viewings have only reinforced my feeling that this film may be the greatest film of the twentieth century. I say that not because it is an epic, or because William's play is so grand, but just because this play seems to so perfectly capture the age in which we live. We live, just as the Reverend Shannon does, torn between the desire to believe in an absolute, and the perils of such belief, between a reductionist 'realism' and an equally reductionist indulgence. The actors Kerr, Gardener, and especially Richard Burton, have sensed this, and their roles are so nuanced as to make one believe that what one is seeing is REALITY and not a theatrical performance. The emotional climax of the film comes at the moment when the old poet completes his poem and asks over and over again, in a paroxysm of painful joy---"Is it good? is it good?"---- Then he dies. Only the genius of Tennessee Williams come make such melodrama seem utterly convincing. For the artist who wrote this play has been complimented by the artists who directed and acted it. Great art leaves everything opened but nothing settled--- creating the sense that justice has been fully achieved. Here, all too rarely for the art of cinema, both grace and justice have indeed been fully achieved.


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