Davey Haggart is quite certain of his paternity (even if nobody else is) and determined to emulate his father, a notorious rogue and highwayman. This includes breaking a man out of Stirling... See full summary »
Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the ... See full summary »
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Victor Marswell runs a big game trapping company in Kenya. Eloise Kelly is ditched there, and an immediate attraction happens between them. Then Mr. and Mrs. Nordley show up for their ... See full summary »
The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by
In order to defuse the tension prior to shooting (due mainly to the isolated location the stars would be working in together), John Huston made each lead actor a gold-encrusted pistol with bullets--one with each actor's name on it. This way, when the actors wanted to kill one another, they would use the designated bullet. This proved to be successful. No problems among the cast arose. See more »
When Miss Fellowes runs into the ocean to yell for her niece to get out, her skirt is completely wet. In the next scene, when she's back on the beach, it's dry. See more »
John Huston's film version of the Tennessee Williams play is one of his most underrated. As happened too often, Williams found his play diluted and compromised on its way to the big screen. However, enough of his memorable characters and beautiful dialogue remain to make this film well worth seeing. As the protagonist, a defrocked Episcopal priest at odds with his own sexual desires, Richard Burton gives a performance that is all over the place: witty at times, somnambulant at others, wildly over-the-top more often than not. But Williams always saved his best writing for the female characters in his plays and Ava Gardner and Deborah Kerr create indelible portraits of a pair of women handling the onset of middle-age in wildly differing ways. Gardner, worn-looking but still beautiful, simply gives the finest performance of her career. Sexy and very funny, she makes you wish she had gotten more juicy three-dimensional roles to play. Kerr is, in a word, magnificent--perhaps the best performance in an amazingly consistent career studded with fantastic performances. She deserved every award given that year (none of which, to my knowledge, she won). The atmospheric photography (in beautiful black & white), an evocative musical score, and a terrific supporting performance by Grayson Hall (a funny but scary picture of repressed homosexuality) are all plusses.
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