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The Night of the Iguana (1964)

Approved  |   |  Drama  |  6 August 1964 (USA)
7.8
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Ratings: 7.8/10 from 7,792 users  
Reviews: 75 user | 41 critic

A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

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Title: The Night of the Iguana (1964)

The Night of the Iguana (1964) on IMDb 7.8/10

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Won 1 Oscar. Another 2 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Charlotte Goodall
Skip Ward ...
Hank Prosner (as James Ward)
...
Cyril Delevanti ...
Nonno
Mary Boylan ...
Miss Peebles
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Storyline

The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by garykmcd

Plot Summary | Plot Synopsis

Plot Keywords:

hotel | bus | mexico | guide | church | See All (166) »

Taglines:

Man And Woman - Love And Lust - Ruin And Redemption - One Night They All Meet. See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 August 1964 (USA)  »

Also Known As:

La noche de la iguana  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Nearly half the film's $3 million budget was used to pay the three major star's salaries: Richard Burton ($750,000), Ava Gardner ($400,000) and Deborah Kerr ($250,000). See more »

Goofs

The Church schedules Morning Prayer and Holy Communion as a single early service, with "Sermon" as a separate service later. In 1964 the Episcopal Church used the 1928 Prayer Book, which had Morning Prayer as one service and Holy Communion as another service. A sermon wouldn't be a stand-alone event, either service could include one. See more »

Quotes

Judith Fellowes: [Yelling at Shannon] You thought you outwitted me, didn't you, having your paramour here cancel my call.
Maxine Faulk: Miss Fellowes, honey, if paramour means what I think it does you're gambling with your front teeth.
See more »

Connections

Referenced in John Huston: The Man, the Movies, the Maverick (1988) See more »

Soundtracks

Mxican Hat Dance
("Jarabe Tapatio") (uncredited)
Traditional Mexican folk dance
Heard on record played during fight in the beach bar between Hank and the beach boys.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Long Day's Journey Into Night
27 June 2006 | by (Dallas, Texas) – See all my reviews

A motley group of weary travelers converge on a rundown seaside resort in Mexico, and ruminate on the vicissitudes of life and on each other, in this Tennessee Williams play converted to film by Director John Huston.

The plot begins with the travails of the good Rev. T. Lawrence Shannon (Richard Burton) who, after having lost his temper in a pulpit tirade, takes a lowly job as a Mexican tour guide, driving a decrepit old tour bus. On his current assignment he hauls around a bunch of moribund old church hags, led by the humorless and rather butch Miss Fellowes (Grayson Hall). She constantly nags and pecks, hovering over our good reverend, like some bird that can't quite kill its stubborn prey, as characterized in this verbal outburst directed at Shannon. "Now you listen to me. We girls have worked and slaved all year at Baptist female college for this Mexican tour, and the tour is a cheat. For days we've been hauled in that stifling bus over the byways, off the highways, shook up and bumped up ...". It's enough to drive a tour guide to drink.

They arrive at the "resort", greeted by the effervescent manager, Maxine Faulk (Ava Gardner), saucy, sultry, and just as outspoken as Miss Fellowes, but much more worldly wise. Maxine gets assistance from two youthful Mexican beach boys who shake their maracas but never speak.

Into this sociological stew comes two proud guests, a wheelchair bound, senile old man (Cyril Delevanti) who writes poetry, and his New England, spinster granddaughter, Hannah Jelkes (Deborah Kerr), a sketch artist who peddles the two's artistry in lieu of payment, since they are penniless.

The characters in this film are all rather worn and beaten, physically tired from the Mexican heat, and mentally drained from life's burdens, as desperate as a captured lizard at the end of its rope. And therein lies the film's theme: to accept one's station in life regardless of circumstances, to cease struggling, to endure the hardships, and be on the "realistic level".

Although Burton does a fairly good job in the lead role, he's rather too Shakespearean, too theatrical, to be convincing as a priest, defrocked or otherwise. I would like to have seen what actor Maximilian Schell could have done with this role. Otherwise, the casting is great. Grayson Hall, Ava Gardner, and Deborah Kerr are all terrific in their parts.

As you would expect for a Tennessee Williams' creation, the film is very talky. The B&W cinematography is fine, but it would have been even better in color. The vegetation is lush; and we hear the sounds of tropical birds and the ocean surf. All of which makes for a tropical paradise, human iguanas notwithstanding.

"The Night Of The Iguana" is a high quality cinematic production that has a lot to say about the human condition, via the dialogue's subtext. The film's scenery, even in B&W, is beautiful. The acting is very good. The costumes are interesting. And John Huston's direction is flawless.


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