Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the ... See full summary »
This pseudo-biographical movie depicts 5 years from 1885 on in the life of the Viennan psychologist Freud (1856-1939). At this time, most of his colleagues refuse to cure hysteric patients,... See full summary »
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
A network of older spies from the West recruits a young intelligence officer with a photographic memory to accompany them on a mission inside Russia. They must recover a letter written by ... See full summary »
The Rev. T. Lawrence Shannon has been living in Mexico for two years, working as a tourist guide for a cut-rate travel agency. Shannon lost his church and was defrocked after taking liberties with one of his parishioners. He's now accompanying a group of middle-aged ladies from Texas whose leader, Judith Fellowes, is keeping a close eye on her teenage ward, Charlotte Goodall, who definitely has an interest in the former priest. After Charlotte and Shannon spend the night together, Fellowes is out to have him fired and to keep her from communicating with his employer, Shannon strands them at a remote hotel run by his good friend Maxine Faulk. It's the arrival of Hannah Jelkes and her elderly grandfather that has the greatest impact however. Her approach to life and love forces Shannon to deal with his demons and re-evaluate his life. Written by
This movie put Puerto Vallarta, Mexico, on the map - it didn't even have scheduled air service before John Huston shot the film there. Elizabeth Taylor's appearance on the set and her ensuing scandalous affair with Richard Burton made headlines around the world. Now it's a top resort destination with thousands of hotel rooms and is a popular cruise ship port. See more »
The apostrophe in St. Jame's Church is misspelled. See more »
T. Lawrence Shannon:
I thought you were sexless. But you've just become a woman. And do you know how I know that? Because *you* like *me* tied up! All women, whether they wish to admit it or not, would like to get men into a tied-up situation.
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Watched this film recently for the seventh or eighth time -it' always a delight. Classic Burton hamming it up just enough. . . calm, cool Kerr proping up "Shannon's" sanity. . . free-spirited Gardner charging around trying to keep her sanity and reaching out for Shannon. . .Lyon, the "precocious" seductress. . . all were amazingly believable. I didn't have a problem with the black and white, in fact, I think it added to impact of the film, leaving it up to the actors to pull out the heart of William's magnificent play without the benefit of color, although I'm not sure color would have made any difference anyway. The final dialogue between Kerr and Burton was spellbinding: the meeting of two souls, if only for the moment.
Kerr, Burton, and Gardner were at their finest in this film.
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