6.6/10
475
24 user 13 critic

Night Must Fall (1964)

A psychotic killer gets in the good graces of his aging invalid employer, and worms his way into the affection of her beautiful daughter, with unpleasant results for all.

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Writers:

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1 nomination. See more awards »
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Cast

Complete credited cast:
...
Mona Washbourne ...
...
...
Michael Medwin ...
Derek
Joe Gladwin ...
Dodge
Martin Wyldeck ...
John Gill ...
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Storyline

Danny is a working-class psychopath who moves in with a wealthy widow to redecorate her house. He plays "games" with her while sleeping with her daughter and maid. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

"I am a private person...I live in my mind..." See more »

Genres:

Crime | Thriller

Certificate:

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Details

Country:

Language:

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Release Date:

18 March 1964 (USA)  »

Also Known As:

Al caer la noche  »

Company Credits

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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?

Connections

Version of Night Must Fall (1937) See more »

Soundtracks

African Village
(uncredited)
Music by Charles Williams
Chappell Recorded Music Library
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User Reviews

 
The great Albert Finney and his mysterious hat-box!
15 June 2005 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

To start with a little off-topic note: in 2003, Tim Burton made the film "Big Fish" which stars Ewan McGregor as a younger version of Albert Finney. When you actually see "Night Must Fall", which was shot around the time when Finney was in his late 30's, it becomes obvious how good this casting choice was! From multiple camera angles, McGregor really looks a lot like the young Finney and the facial expressions are almost exact. "Night Must Fall" itself is a truly interesting and involving thriller and I wonder why on earth it's so underrated! This is a remake of a 1930's thriller that stars Finney as a dangerous, yet very charismatic psychopath who systematically works his way up in a high-society family as a pageboy. After a while, the elderly lady and her daughter grow really fond of him but his mind and intentions are still disturbed. The film has a terrific opening sequence (the frightening image of Danny getting rid of his murder victim) and an extremely suspenseful finale! Everything in between is a bit too talky and – at times – somewhat dull, but you keep watching since Finney's performance is so outstanding. Especially the scenes in which he relives his vile crimes up in his room (forcefully holding the hat-box that contains grim trophies) are very tense and unsettling. Reisz' directing is well-handled but it merely is Freddie Francis' imaginative photography that makes this film so dreamy and beautiful. Francis unquestionably was Britain's best cinematographer of that time and he also directed a couple of entertaining horror films ("Trog", "The Creeping Flesh", "Tales that Witness Madness…")


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