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The Naked Kiss (1964)

Not Rated  |   |  Crime, Drama  |  29 October 1964 (USA)
7.4
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Ratings: 7.4/10 from 4,342 users  
Reviews: 136 user | 56 critic

Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »

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Cast

Cast overview, first billed only:
...
Anthony Eisley ...
...
Virginia Grey ...
...
Mac - Head Nurse
Marie Devereux ...
Karen Conrad ...
Dusty
Linda Francis ...
Rembrandt
Bill Sampson ...
Jerry
Sheila Mintz ...
Receptionist
Patricia Gayle ...
Nurse
Jean-Michel Michenaud ...
Kip (as Gerald Michenaud)
George Spell ...
Tim
Christopher Barry ...
Peanuts
Patty Robinson ...
Angel Face
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Storyline

Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she spends a romantic afternoon. The woman, traumatized by an experience in the past called "The Naked Kiss" by psychiatrists, finally, finds a job as a nurser in a Hospital for handicapped children, experience that allows her to find a sensitive side in caring and patiently love each one of her little patients. Apparently, Kelly will find happiness in Grant, her fiancé and Griff's partner, but she will be the witness of a shocking event that will threaten this happiness and even her mental health. Written by Alejandro Frias

Plot Summary | Add Synopsis

Plot Keywords:

police | love | kiss | children | hospital | See All (240) »

Taglines:

Candy's Place--where all kinds of men find all kinds of sweets! See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

29 October 1964 (USA)  »

Also Known As:

The Iron Kiss  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film is listed among The 100 Most Amusingly Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »

Goofs

When Kelly approaches the porch of the house with the room for rent, she picks up the newspaper and hands it to the landlady who has opened the door. The newspaper, as picked up by Kelly, is snugly rolled up and bound with a rubber band. But in the next frame, taken from inside as we see landlady and Kelly come through the door, the newspaper in the landlady's hand is not a rolled up paper, but one that is simply folded in half. See more »

Quotes

J.L. Grant: Now you know why I can never marry a normal woman. That's why I love you. You understand my sickness. You been conditioned to people like me. You live in my world, and it will be an EXCITING world!
J.L. Grant: [Now on his knees] My darling... our marriage... will be a paradise... because we're BOTH abnormal.
See more »

Crazy Credits

"Charlie" played by Himself Charlie is Madame Josephine's dressmaker's dummy which she has dressed as her fiance who was killed in World War II. See more »

Connections

Referenced in Nadja (1994) See more »

Soundtracks

Little Child (Mon enfant)
(uncredited)
Traditional
Sung by Constance Towers and the children
See more »

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User Reviews

 
the feminist macabre
25 December 2004 | by (United States) – See all my reviews

I began looking into Sam Fuller after seeing a documentary about him on TV in which Scorsese, Tarantino, and Tim Robbins discussed his films. Scorsese also mentions Fuller in his "Personal Journey" film retrospective, in which he sites "The Naked Kiss" as a major influence. From what I've read, the studios found the material in "The Naked Kiss" to be a tad on the heinous side, and re-edited Fuller's film to the point where he didn't even want his name in the credits. His name is very much in the credits however, for soon after the film opens with a prostitute beating a man unconscious with the heel of her shoe, Fuller is named writer, director, and producer. I suspect that the discomfited staggering between camp, noir, and grotesque melodrama, might be more a result of studio tampering than Fuller's misdirection. It is also difficult to discern just what sort of censorship the studios achieved, for whatever they did was austerely permeated by social taboos the likes of abortion, prostitution, child molestation, and murder. These issues are treated by Fuller in a way that is decisively an ideological digression from noir, despite the film's sporadic use of noir's aesthetic. In noir, women are the enigmatic femme fatales: deceptive, seductive, fatal, and the primary antagonism of all men. It appears to be precisely the opposite in "The Naked Kiss." Fuller's protagonist, Kelly, an ex-hooker, tells a cop that you can always tell when a man is "a pervert" from his "naked kiss." Throughout the film, as Kelly encounters women dealing with abortion, prostitution, and pretty much just general depravity, Fuller shows men reinforcing and furthering their depravity, then condemning it when need be. The character of Griff, the cop, is the essence of this. To Fuller, there is a perversity in the way men treat women in American society, and it is reflected in the title of the film itself.


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