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The Naked Kiss (1964)

 -  Crime | Drama  -  29 October 1964 (USA)
7.4
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Ratings: 7.4/10 from 3,973 users  
Reviews: 120 user | 53 critic

Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »

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Title: The Naked Kiss (1964)

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Cast

Cast overview, first billed only:
...
Kelly
Anthony Eisley ...
Capt. Griff
...
J.L. Grant
Virginia Grey ...
Candy
...
Mac - Head Nurse
Marie Devereux ...
Buff
Karen Conrad ...
Dusty
Linda Francis ...
Rembrandt
Bill Sampson ...
Jerry
Sheila Mintz ...
Receptionist
Patricia Gayle ...
Nurse
Jean-Michel Michenaud ...
Kip (as Gerald Michenaud)
George Spell ...
Tim
Christopher Barry ...
Peanuts
Patty Robinson ...
Angel Face
Edit

Storyline

Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she spends a romantic afternoon. The woman, traumatized by an experience in the past called "The Naked Kiss" by psychiatrists, finally, finds a job as a nurser in a Hospital for handicapped children, experience that allows her to find a sensitive side in caring and patiently love each one of her little patients. Apparently, Kelly will find happiness in Grant, her fiancé and Griff's partner, but she will be the witness of a shocking event that will threaten this happiness and even her mental health. Written by Alejandro Frias

Plot Summary | Add Synopsis

Plot Keywords:

police | love | kiss | children | hospital | See more »

Taglines:

Candy's Place--where all kinds of men find all kinds of sweets! See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 October 1964 (USA)  »

Also Known As:

The Iron Kiss  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Two of the posters on the wall of the children's ward are from Howard Pyle's "Book of Pirates", one of 'William "Captain" Kidd overseeing a treasure burial' and the other depicting pirates burying a treasure. See more »

Goofs

When Kelly approaches the porch of the house with the room for rent, she picks up the newspaper and hands it to the landlady who has opened the door. The newspaper, as picked up by Kelly, is snugly rolled up and bound with a rubber band. But in the next frame, taken from inside as we see landlady and Kelly come through the door, the newspaper in the landlady's hand is not a rolled up paper, but one that is simply folded in half. See more »

Quotes

Mac, Head Nurse: [Referring to Kelly, who, in spite of her shady background, has quickly landed a job at the local children's hospital] She came out of the clouds one night, without a single reference. I hired her on the spot.
Capt. Griff: [Suspiciously] I thought orthopedics called for specialized training?
Mac, Head Nurse: Oh, it does! Some people are born to write books, symphonies; paint pictures, build bridges. But Kelly... She was born to handle children with crutches and babies in braces.
Capt. Griff: [Still not convinced] Sounds like one of those ...
[...]
See more »

Crazy Credits

"Charlie" played by Himself Charlie is Madame Josephine's dressmaker's dummy which she has dressed as her fiance who was killed in World War II. See more »

Connections

Referenced in Nadja (1994) See more »

Soundtracks

Santa Lucia
(uncredited)
Music by Teodoro Cottrau
See more »

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User Reviews

 
the feminist macabre
25 December 2004 | by (United States) – See all my reviews

I began looking into Sam Fuller after seeing a documentary about him on TV in which Scorsese, Tarantino, and Tim Robbins discussed his films. Scorsese also mentions Fuller in his "Personal Journey" film retrospective, in which he sites "The Naked Kiss" as a major influence. From what I've read, the studios found the material in "The Naked Kiss" to be a tad on the heinous side, and re-edited Fuller's film to the point where he didn't even want his name in the credits. His name is very much in the credits however, for soon after the film opens with a prostitute beating a man unconscious with the heel of her shoe, Fuller is named writer, director, and producer. I suspect that the discomfited staggering between camp, noir, and grotesque melodrama, might be more a result of studio tampering than Fuller's misdirection. It is also difficult to discern just what sort of censorship the studios achieved, for whatever they did was austerely permeated by social taboos the likes of abortion, prostitution, child molestation, and murder. These issues are treated by Fuller in a way that is decisively an ideological digression from noir, despite the film's sporadic use of noir's aesthetic. In noir, women are the enigmatic femme fatales: deceptive, seductive, fatal, and the primary antagonism of all men. It appears to be precisely the opposite in "The Naked Kiss." Fuller's protagonist, Kelly, an ex-hooker, tells a cop that you can always tell when a man is "a pervert" from his "naked kiss." Throughout the film, as Kelly encounters women dealing with abortion, prostitution, and pretty much just general depravity, Fuller shows men reinforcing and furthering their depravity, then condemning it when need be. The character of Griff, the cop, is the essence of this. To Fuller, there is a perversity in the way men treat women in American society, and it is reflected in the title of the film itself.


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