Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ...
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Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the police captain of the town, with whom she spends a romantic afternoon. Kelly finds a job as a nurse in a hospital for handicapped children. The work helps her find her sensitive side in the caring and helping of her young patients. Kelly's path towards happiness is thrown amiss, when she witness of a shocking event, which threatens not just her happiness, but, her mental health, as well. Written by
Reference is made to Kelly as 'Captain Bligh' in the children's ward. William Bligh was a British navigator in the eighteenth century, most renowned as the captain of the HMS Bounty during the mutiny. It should be noted that he was not a tyrant, as depicted in many films. See more »
When Kelly approaches the porch of the house with the room for rent, she picks up the newspaper and hands it to the landlady who has opened the door. The newspaper, as picked up by Kelly, is snugly rolled up and bound with a rubber band. But in the next frame, taken from inside as we see landlady and Kelly come through the door, the newspaper in the landlady's hand is not a rolled up paper, but one that is simply folded in half. See more »
[Referring to the offer to work at Candy's club as a prostitute, which Kelly seeks to talk her out of]
Friend said I could make 300 dollars a week.
All right, go ahead. You know what's different about the first night? Nothing. Nothing... except it lasts forever, that's all. You'll be sleeping on the skin of a nightmare for the rest of your life. Oh, you're a beautiful girl, Buff. Young... Oh, they'll outbid each other for you. You'll get clothes, compliments, cash... And you'll meet men *you* ...
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"Charlie" played by Himself Charlie is Madame Josephine's dressmaker's dummy which she has dressed as her fiance who was killed in World War II. See more »
This is the second Fuller film that I've seen (the other one was "Shock Corridor"). I can't say that I was bored, but I really don't see why these films are held in such high esteem by some people (including famous film-makers like Scorsese). "The Naked Kiss" is certainly a good-looking film. The black and white cinematography is excellent, as you would expect from those involved. But stylistically, the film is kind of a mess -- a weird mixture of soap opera, film noir, 1960's-style psychological drama, and kinky shocker. For fans of the latter, that infamous opening scene certainly promises a lot more than the rest of the film delivers. As it seems to belong to no particular genre, perhaps Fuller's work could be considered a genre in itself. As has been pointed out elsewhere, if watched in the right company it can be a real camp hoot. But honestly, I think this film is far too flawed to be called a masterpiece, as some people have. The acting is fairly nasty, the script not much better. And that horrendous scene where our heroine sings that sickeningly sweet, cloying, endless song with the kids at the hospital! Good Lord, it's one of the most embarrassingly awful things I've ever seen on film! It seemed to induce actual physical pain, I kid you not! The subject of child abuse, which occurs in the film, was fairly progressive for its time, I'll grant, but hardly unique. If you can, see an even earlier film (1961) called "The Mark," with Stuart Whitman, Maria Schell and Rod Steiger. While staying in the confines of early '60s constrictions, it addressed the subject in a much more powerful and direct manner, to greater effect. I guess I'd have to consider Fuller one of those "cult film" figures. Either you get it, or you don't.
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