My Fair Lady (1964)

Director:

George Cukor

Writers:

Alan Jay Lerner (book)
George Bernard Shaw (play)

Release Date:

25 December 1964 (USA)

Genre:

Drama | Family | Musical | Romance

Tagline:

The loverliest motion picture of them all!

Plot:

A misogynistic and snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

Plot Keywords:

Snob | Linguistics | Socialite | Male Female Relationship | Star

Awards:

Won 8 Oscars. Another 12 wins & 10 nominations

Cast

Audrey Hepburn	...	Eliza Doolittle
Rex Harrison	...	Professor Henry Higgins
Stanley Holloway	...	Alfred P. Doolittle
Wilfrid Hyde-White	...	Colonel Hugh Pickering
Gladys Cooper	...	Mrs. Higgins
Jeremy Brett	...	Freddy Eynsford-Hill
Theodore Bikel	...	Zoltan Karpathy
Mona Washbourne	...	Mrs. Pearce
Isobel Elsom	...	Mrs. Eynsford-Hill
John Holland	...	Butler

Runtime:

170 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

70 mm 6-Track (RCA Sound Recording) (70 mm prints) | 4-Track Stereo (35 mm magnetic prints) | DTS (re-release) | Dolby Digital (re-release) | Mono (16 mm prints) | Mono (35 mm optical prints)

Certification:

Canada:PG (video rating) | South Korea:All | Brazil:Livre | USA:G (re-rating) (1970) | USA:Approved (PCA #20570) (original rating) | Iceland:L | Argentina:Atp | Australia:G | Chile:TE | Finland:S | Sweden:Btl | UK:U | West Germany:12

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros.-First National Pictures

Trivia:

Amusement park trams were rented to carry ballroom scene extras across the studio lot, in order to prevent their makeup and costumes from getting dirty or damaged.

Goofs:

Revealing mistakes: In almost the final scene, when Higgins goes to open the door with the key, he inserts the key, but doesn't turn it before opening the door.

Quotes:

Landlady: ...and what things does she want? Her bird cage and her Chinese fan. But she says, never mind about sending any clothes.

Movie Connections:

Referenced in "Murphy Brown: My Fair Miller (#8.14)" (1996)

Soundtrack:

Why Can't the English?

My Fair Movie

Very few movies are letter-perfect. Not perfect in the sense that goofs and gaffes don't exist here and there, but perfect as in pure entertainment. Especially in long movies, the squirm element is always a threat. "My Fair Lady", bringing the most tuneful of Broadway scores to the big screen (really big, at the time) was as perfect as movie entertainment could be. The old furors over Audrey Hepburn seem silly in hindsight. Hepburn replaced Julie Andrews, a wonderful singer-actress who had created the role, not only on Broadway but in London. But Andrews was not a familiar face to movie-goers and no one knew if she'd hold an audience in the movies as in the live theaters. Too, Hepburn was an inspired choice, since her background probably would make Eliza Doolittle's transformation from flower-selling gutter-snipe into a lady of quality more believable (Hepburn's mother was a baroness). As far as her singing voice, the new DVDs of "MFL" have her acting to her own recordings of a few of the songs, and while it's not bad, at this level of film-making expense and prestige, "not bad" is no good.

Surrounding her are a magnificent cast. Stage and screen pros Rex Harrison (Henry Higgins) and Stanley Holloway (Doolittle) were carried over from Broadway (after some initial and rather foolish questions about both). Joining them were veteran droll actor Wilfred Hyde-White as Col. Pickering and an amazingly youthful Jeremy Brett ("Sherlock Holmes") as Freddy.

The book and lyrics were by Alan Jay Lerner and the music by Frederick Loewe ("Brigadoon", "Camelot", "Gigi", etc.) based on George B. Shaw's best play. A fully "integrated" musical where the songs advance the story or reveal character, the nonpareil line-up of songs include "I've Grown Accustomed to Her Face", "The Rain in Spain", "I Could Have Danced All Night" and "On the Street Where You Live".

Because of its theatrical origins there is an unavoidable stage-bound look to some scenes. But the designers have done their best to keep this from being a detriment. The interiors look like real houses, the Covent Garden set is a masterpiece of openness. Only the Ascot scene retains its staginess, but its black and white palate and stylized look adds variety to the movie.

The restored DVD version looks great. I saw a print of this movie in a revival theater in the early 1980s; it was blurry and broken and the colors were faded and inaccurate. Yet the designers used a rich tapestry of colors and wood tones, giving every corner of the movie's wide screen something worth seeing. "MFL" was a spectacle well worth the struggle and expense of restoration.

Everything about "MFL" was first-class, the cast, script, costuming, sets, music. For someone who enjoys musical there's not a dull moment.