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My Fair Lady
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My Fair Lady (1964) More at IMDbPro »

Photos (See all 183 | slideshow) Videos (see all 7)
My Fair Lady -- Eliza sings The Rain in Spain
My Fair Lady -- Clip: Eliza works on her pronunciation with help from professor Higgins
My Fair Lady -- A misogynistic and snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.
My Fair Lady -- Clip: Eliza sings Wouldn't it be Loverly
My Fair Lady -- Clip: Eliza finds a friend in Mrs. Higgins


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7.9/10   63,001 votes »
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Down 36% in popularity this week. See why on IMDbPro.
Alan Jay Lerner (book)
George Bernard Shaw (from a play by)
View company contact information for My Fair Lady on IMDbPro.
Release Date:
25 December 1964 (USA) See more »
The loverliest motion picture of them all! See more »
A misogynistic and snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society. Full summary » | Full synopsis »
Plot Keywords:
Won 8 Oscars. Another 17 wins & 10 nominations See more »
User Reviews:
Existential Cotton Candy: Vacuous See more (253 total) »


  (in credits order) (verified as complete)

Audrey Hepburn ... Eliza Doolittle

Rex Harrison ... Professor Henry Higgins

Stanley Holloway ... Alfred P. Doolittle

Wilfrid Hyde-White ... Colonel Hugh Pickering

Gladys Cooper ... Mrs. Higgins

Jeremy Brett ... Freddy Eynsford-Hill

Theodore Bikel ... Zoltan Karpathy
Mona Washbourne ... Mrs. Pearce
Isobel Elsom ... Mrs. Eynsford-Hill
John Holland ... Butler
rest of cast listed alphabetically:
Elizabeth Aimers ... Cockney (uncredited)
Helen Albrecht ... Ascot Extra (uncredited)
John Alderson ... Jamie - Doolittle's crony (uncredited)
Mary Alexander ... Cockney (uncredited)
LaWana Backer ... Ad Lib at Church (uncredited)
Frank Baker ... Elegant Bystander (uncredited)
Lois Battle ... Second Maid (uncredited)
Brittania Beatey ... Daughter of Elegant Bystander (uncredited)
William Beckley ... Footman (uncredited)
Marjorie Bennett ... Cockney with Pipe (uncredited)

Oscar Beregi Jr. ... Greek Ambassador (uncredited)

Betty Blythe ... Lady at Ball (uncredited)
Diana Bourbon ... Ascot Extra (uncredited)
Iris Bristol ... Flower Girl (uncredited)
Tex Brodus ... Ascot Extra (uncredited)
Sue Bronson ... Toff (uncredited)
Meg Brown ... Ad Lib at Church (uncredited)
Buddy Bryant ... Prince of Transylvania (uncredited)
Walter Burke ... Bystander Who Warns Eliza (uncredited)
Bea Marie Busch ... Cockney (uncredited)
Colin Campbell ... Ascot Gavotte (uncredited)
Jeannie Carson ... Ad Lib at Church (uncredited)
Paulle Clark ... Ad Lib at Ascot (uncredited)
Natalie Core ... Ascot Extra (uncredited)
Tom Cound ... Footman (uncredited)
Jennifer Crier ... Mrs. Higgins' Maid (uncredited)
Maurice Dallimore ... Selsey Man (uncredited)
Allison Daniell ... Ad Lib at Ascot (uncredited)

Henry Daniell ... Ambassador (uncredited)
Donna Day ... Cockney (uncredited)
Roy Dean ... Footman (uncredited)
Thomas Dick ... Cockney (uncredited)
Brendan Dillon ... Leading Man (uncredited)
Anne Dore ... Ad Lib at Church (uncredited)
Pauline Drake ... Ad Lib at Church (uncredited)
Harvey B. Dunn ... Ascot Extra (uncredited)
Sandy Edmundson ... Toff (uncredited)
Joe Evans ... Cockney (uncredited)
Kai Farelli ... Juggler (uncredited)
Ray Foster ... Cockney (uncredited)
Raymond Foster ... Cockney (uncredited)
Raymond Foster ... Undtermined Role (uncredited)
Stanley Fraser ... Ad Lib at Church (uncredited)
Charles Fredericks ... King George V in Fantasy Sequence (uncredited)
Lea Genovese ... Toff (uncredited)
Ayllene Gibbons ... Fat Woman at Pub (uncredited)
Jack Goldie ... Ad Lib at Church (uncredited)
Jack Greening ... George (uncredited)
Beatrice Grenough ... Grand Lady (uncredited)
Clive Halliday ... Costermonger (uncredited)
Sam Harris ... Guest at Ball (uncredited)
Marjory Hawtrey ... Ad Lib at Ascot (uncredited)
Eric Heath ... Costermonger (uncredited)
Monika Henreid ... Ad Lib at Church (uncredited)

William Hoehne Jr. ... Blond haired ensemble dancer (uncredited)
Eugene Hoffman ... Juggler (uncredited)
Samuel Holmes ... Cockney (uncredited)
Jimmie Horan ... (uncredited)
Clyde Howdy ... Ad Lib at Church (uncredited)
Kendrick Huxham ... Elegant Bystander (uncredited)
Lillian Kemble-Cooper ... Lady Ambassador (uncredited)
Phyllis Kennedy ... Cockney (uncredited)
Colin Kenny ... Ad Lib at Church (uncredited)
Goldie Kleban ... Cockney (uncredited)
Peter Ladefoged ... Voice of Linguistics Lesson (uncredited)
Alma Lawton ... Flower Girl (uncredited)
Queenie Leonard ... Cockney Bystander (uncredited)
William Linkie ... Cockney (uncredited)
Moyna MacGill ... Lady Boxington (uncredited)
Laurie Main ... Hoxton Man Not Hoston (uncredited)
Sidney Marion ... Ad Lib at Church (uncredited)
Eric Martin ... Ad Lib at Church (uncredited)
Owen McGiveney ... Man at Coffee Stand (uncredited)
John McLiam ... Harry (uncredited)
Shirley Melline ... Ad Lib at Church (uncredited)
Carol Merrill ... Toff (uncredited)
Gigi Michel ... Toff (uncredited)
Lenore Miller ... Cockney (uncredited)
John Mitchum ... Ad Lib at Church (uncredited)
Barbara Morrison ... Ascot Extra (uncredited)
Marlene Morrow ... Toff (uncredited)

Alan Napier ... Gentleman Escorting Eliza to the Queen (uncredited)
Nick Navarro ... Dancer (uncredited)
James O'Hara ... Costermonger (uncredited)
Patrick O'Moore ... Man (uncredited)
Richard Peel ... Costermonger (uncredited)
George Pelling ... Ad Lib at Church (uncredited)

Barbara Pepper ... Doolittle's Dance Partner (uncredited)
Hilda Plowright ... Bystander (uncredited)
Frank Radcliffe ... Cockney (uncredited)
Jack Raine ... Extra (uncredited)
Olive Reeves-Smith ... Mrs. Hopkins (uncredited)
Christopher Riordan ... Suitor at Ball (uncredited)
David Robel ... Cockney (uncredited)
Dinah Anne Rogers ... First Maid (uncredited)
Victor Rogers ... Policeman (uncredited)
Corinne Ross ... Cockney (uncredited)
Baroness Rothschild ... Queen of Transylvania (uncredited)
Wendy Russell ... Ad Lib at Church (uncredited)
Kenny Salvatt ... Racegoer in 'Ascot Gavotte' Sequence (uncredited)
Miriam Schiller ... Landlady (uncredited)
Buddy Shea ... Ad Lib at Church (uncredited)
Orville Sherman ... Ascot Extra (uncredited)
Jacqueline Squire ... Parlor Maid (uncredited)
Michael St. Clair ... Bartender (uncredited)
Geoffrey Steele ... Taxi Driver (uncredited)
Sandy Steffens ... Toff (uncredited)
Grady Sutton ... Ascot Extra / Guest at Ball (uncredited)
Henry Sweetman ... Cockney (uncredited)
William Taylor ... Cockney (uncredited)
Joy Tierney ... Cockney (uncredited)
Arthur Tovey ... Singer (uncredited)
Gwendolyn Watts ... Cook (uncredited)
Ron Whelan ... Algernon / Bartender (uncredited)
Elzada Wilson ... Ad Lib at Church (uncredited)
Nick Wolcum ... Ad Lib at Church (uncredited)
James Wood ... Cockney (uncredited)
Ben Wright ... Footman at Ball (uncredited)
Ben Wrigley ... Costermonger (uncredited)

Directed by
George Cukor 
Writing credits
Alan Jay Lerner (book of musical play)

George Bernard Shaw (from a play by) (as Bernard Shaw)

Alan Jay Lerner (screenplay)

Produced by
Jack L. Warner .... producer
Original Music by
André Previn (uncredited)
Cinematography by
Harry Stradling Sr. (director of photography) (as Harry Stradling)
Film Editing by
William H. Ziegler (film editor) (as William Ziegler)
Production Design by
Cecil Beaton 
Gene Allen (uncredited)
Art Direction by
Gene Allen 
Cecil Beaton (uncredited)
Malcolm C. Bert (uncredited)
Set Decoration by
George James Hopkins 
Costume Design by
Cecil Beaton (costumes)
Michael Neuwirth (uncredited)
Makeup Department
Gordon Bau .... makeup supervisor
Jean Burt Reilly .... supervising hair stylist
Dean Cole .... hair stylist (uncredited)
Frank McCoy .... makeup artist (uncredited)
Robert J. Schiffer .... makeup artist (uncredited)
Marvin G. Westmore .... makeup artist (uncredited)
Production Management
Sergei Petschnikoff .... unit manager
Rudi Fehr .... post-production supervisor (uncredited)
Second Unit Director or Assistant Director
David Hall .... assistant director
Art Department
Cecil Beaton .... scenery designer
Sound Department
Francis J. Scheid .... sound
Murray Spivack .... sound
George Groves .... sound recordist: studio (uncredited)
Camera and Electrical Department
Gerald Perry Finnerman .... camera operator (uncredited)
Frank Flanagan .... gaffer (uncredited)
Michael A. Jones .... rigging gaffer (uncredited)
Doug Mathias .... electrical rigging (uncredited)
Wally Meinardus .... camera operator (uncredited)
George R. Schrader .... grip (uncredited)
Chris Schweibert .... color technician (uncredited)
Chris Schwiebert .... color technician (uncredited)
Roger Shearman .... first assistant camera (uncredited)
Mel Traxel .... still photographer (uncredited)
Robert Willoughby .... still photographer (uncredited)
Casting Department
Robert Lennard .... casting: British (uncredited)
Costume and Wardrobe Department
Eleanor Abbey .... costumer (uncredited)
Dave Berman .... assistant costume designer (uncredited)
Geoffrey Brown .... costumer (uncredited)
Norma Brown .... costumer (uncredited)
Betty Huff .... costumer (uncredited)
Joan Joseff .... costume jeweller (uncredited)
Anne Laune .... costumer (uncredited)
Bob Richards .... costumer (uncredited)
Gerda Robinson .... costume design coordinator (uncredited)
Joe Wiatt .... costumer (uncredited)
Music Department
Alexander Courage .... orchestrator
Robert Franklyn .... orchestrator
Alan Jay Lerner .... lyrics by
Frederick Loewe .... additional music
Frederick Loewe .... music by
André Previn .... music conductor (as Andre Previn)
André Previn .... music supervisor (as Andre Previn)
Robert Tucker .... vocal arrangements
Albert Woodbury .... orchestrations (as Al Woodbury)
Uan Rasey .... musician: trumpet soloist (uncredited)
Other crew
Herman Levin .... stage producer: musical play
Hermes Pan .... choreographer
Leah Barnes .... milliner (uncredited)
Max Bercutt .... unit publicist (uncredited)
Carl Combs .... unit publicist (uncredited)
Wayne Fitzgerald .... title designer (uncredited)
Peter Ladefoged .... advisor: phonetics (uncredited)
Mort Lichter .... unit publicist (uncredited)
Sergei Petschnikoff .... production administrator (uncredited)
Susan Seton .... dialogue director (uncredited)
Crew verified as complete

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
170 min
Color (Technicolor)
Aspect Ratio:
2.20 : 1 See more »
Sound Mix:

Did You Know?

Jeremy Brett during his stint on this film was never able to visit the beach or stay out too long in the sun because the producers wanted him to remain pale like his character in the film.See more »
Continuity: When Higgins comes home after the Grand Ball, he takes off his shoes as clearly seen in a shot in which he is sitting and lifts both feet off the floor. Later near the end of the song, he performs a similar move and his shoes are back on.See more »
[first lines]
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Mrs. Eynsford-Hill:Don't just stand there, Freddy, go and find a cab.
Freddy Eynsford-Hill:All right, I'll get it, I'll get it.
See more »
Movie Connections:
The Flower MarketSee more »


How much sex, violence, and profanity are in this movie?
Did Audrey Hepburn do her own singing?
Is 'My Fair Lady' based on a book?
See more »
42 out of 56 people found the following review useful.
Existential Cotton Candy: Vacuous, 5 July 2015
Author: Archangel Michael from United States

Spoilers Ahead:

Now, what do we call someone who judges other human souls by what clothes they wear, whether their subjects and verbs agree, who they know and what their houses look like? That is right: a shallow, pretentious, snobby philistine. What bothers me is I have to explain this. See, I do not care how many books they put behind him it no more makes him an intellectual then rows of pizza boxes behind me transform me into spaghetti. The man is an misogynistic, pedantic, arrogant fool. Two openly women hating songs that if released today would result in the studio be sued into penury. Gee, think of all the losers who would fail his criteria: Gandhi, Christ, Buddha, Beethoven, Einstein, Edison, you know a bunch of losers according to Higgins. Did everyone enjoy seeing Eliza stalked by that fop in the top hat to the tune: On The Street Where I Get Arrested? There also is the hilarious song about abandoning your wife and children, and being a worthless, drunken bum your whole life. See, words mean things, occasionally get the wax out of your ears and open the dictionary. I swear these imbeciles would adore We Stole Your Money, Idiots, if it came with a catchy tune with lots of woodwinds.

You are kidding me; those painted up fossils, barely conscious, dressed up like draperies with bad hats; those are your paragons you aspire to be? Please, pick other role modes. Did you hear their conversation, how stimulating!! They are and they always shall be the vapid, brainless fops and dames who evoke laughter in all who behold them. I have a brother like this; I do not speak to him, what an embarrassment! Life is not a game of dress up; please, grow the hell up and accomplish something of merit. No, Eliza if we dropped you in that lap of luxury you lust for you would be bored out your mind in two hours. As Arthur Schopenhauer teaches life is a pendulum between need and boredom. All wealth is internal; it cannot be made material and then interiorized, please. No, It Wouldn't Be Lovely. The movie is worthwhile, it teaches one great lesson: How Not To Be.

Look at our teacher, tied to his mom's apron, apparently still breast feeding, lecturing others about his vapid norms of compensation so he can feel better about being such an effeminate, little boy. This is your model: who would heed a word this fool babbled? What because he is wealthy? The intelligence to have or make money is quite separate from knowing what is of value and what is worthless, that is the purview of philosophy. The movie is long beyond belief; it feels like a whole day. You will be submerged in the world of vacuous, superficial snobs who aspire to speak as if they have suffered massive strokes and dress like lampshades. My header captures them quintessentially; existential cotton candy, it evaporates in your mouth. There is nothing there but an empty stage show of compensation for internal poverty.

If you enjoy having an emaciated, bad acting, sack of bones screech out her vowels whilst an effeminate, pedantic, pretentious mama's boy trains her to resemble a walking drapery; hey, congratulations you have found your movie. Believe it or not existential moral evaluation of other human beings should be predicated upon their deeds not their dress or speech. Q.E.D.

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Discuss this movie with other users on IMDb message board for My Fair Lady (1964)
Recent Posts (updated daily)User
Dis anyone else ever notice.... dish55
Higgins needs to get his ass kicked... tangojazz
The remake has been shelved GinaRenee
Use of blur Frances_Kubelik
Reuse of Prof. Higgins' home set vsv818
Gladys Cooper: elena-28
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