Pompous phonetics professor Henry Higgins is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond -- one that is threatened by an aristocratic suitor. Written by
At $17 million, this was the most expensive Warner Brothers film produced at the time. Nevertheless, it went on to become one of the biggest grossing films of 1964. See more »
When Higgins first asks Eliza to recite the verse, "In Hertford, Hereford..." and he makes the mirror rotate, you can see the camera and the crew at times as it is reflected in the mirror. See more »
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Don't just stand there, Freddy, go and find a cab.
All right, I'll get it, I'll get it.
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In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more »
A professor of phonetics, Henry Higgins (Rex Harrison) wagers that he can pass cockney street urchin Eliza Doolittle (Audrey Hepburn) off as a sophisticated lady. Higgins is a confirmed bachelor, and misanthropic, especially when it comes to women, and his interest in Eliza is purely professional. However, while she is the one who is supposed to be changing, he seems to be changing too, and falling for Eliza...
Wonderful musical. You won't hear me say that often, as I generally dislike musicals. My Fair Lady is different, however. The music blends seamlessly into the dialogue, the music advances the plot, rather than just acts as padding and the music is good, giving the movie a suitable lightness and energy.
Good plot too and some great performances from Audrey Hepburn (though that's a given) and Rex Harrison.
Won the 1965 Best Picture Oscar.
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