Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops... See full summary »
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
Gloriously witty adaptation of the Broadway musical about Professor Henry Higgins, who takes a bet from Colonel Pickering that he can transform unrefined, dirty Cockney flower girl Eliza Doolittle into a lady, and fool everyone into thinking she really is one, too! He does, and thus young aristocrat Freddy Eynsford-Hill falls madly in love with her. But when Higgins takes all the credit and forgets to acknowledge her efforts, Eliza angrily leaves him for Freddy, and suddenly Higgins realizes he's grown accustomed to her face and can't really live without it. Written by
According to one of Rex Harrison's biographers, Alexander Walker, the song "I've Grown Accustomed to Her Face" held special memories for the actor, as during the original Broadway run he used to sing the song to his third wife Kay Kendall, who would stand in the wings watching his performance. Harrison later admitted that when he sang the song in the film he was thinking all the time about Kendall, who had died a few years before from leukemia. See more »
Higgins arm on the back of the chair during 'Let A Woman In Your Life'. See more »
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Don't just stand there, Freddy, go and find a cab.
All right, I'll get it, I'll get it.
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In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more »
The character of Henry Higgins is greatly misunderstood by many and so is the film.
I have read in a great many places (including the IMDb) that Henry Higgins is a misogynist. It has also been said that the film is a misogynist's fairy tale. Anyone saying this has clearly not watched this film too closely.
First, Higgins is not a misogynist. A misogynist hates women. What Higgins is, in reality, is a misanthrope. A misanthrope basically dislikes and distrusts everyone! Watch the film and you'll notice that Higgins treats everyone with the same disregard-Col. Pickering, Eliza's father, his own mother-everyone receives his rather cynical disdain. Some of the minor characters come off being treated worse than the principals do. It's simply more noticeable with Eliza because it's more frequent, it's newer with Eliza because the other principal characters have known Higgins longer and thus take it in stride. The myth that Higgins is a misogynist is perpetuated by the song, "Why Can't A Woman Be More Like a Man?".
Second, it can hardly be called a misogynist's fairy tale. If that were the case, I doubt Alfred Doolittle would have cause to sing, "Get Me To the Church On Time", as he'd hardly be getting married. His life is just as "ruined" as Eliza's by his encounters with Higgins, just as altered as her life has been.
This is a great musical, a good movie and it was even better as the original play by Shaw. Well worth seeing. Recommended.
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