| Jean Gabin | ... | Monsieur | |
| Liselotte Pulver | ... | Elizabeth Bernadac | |
| Mireille Darc | ... | Suzanne | |
| Henri Crémieux | ... | Le beau-père | |
| Berthe Granval | ... | Nathalie Bernadac (as Berthe Grandval) | |
| Jean-Paul Moulinot | ... | Me Flamand, le notaire | |
| Jean-Pierre Darras | ... | José | |
| Peter Vogel | ... | Michel Corbeil | |
| Heinz Blau | ... | Alain Bernadac | |
| Maryse Martin | ... | Justine | |
| Andrex | ... | Antoine | |
| Alain Bouvette | ... | Marc | |
| Jean Lefebvre | ... | Le detective privé | |
| Gabrielle Dorziat | ... | La belle-mère | |
| Marina Berti | ... | Madame Danoni | |
| Claudio Gora | ... | Danon | |
| Philippe Noiret | ... | Edmond Bernadac | |
| Gaby Morlay | ... | Madame Bernadac mère | |
| Max Elder | ... | Le valet de chambre | |
| Armand Meffre | ... | Le patron du bistrot | |
| Jean Champion | ... | Le patron de l'hôtel | |
| Pierre Moncorbier | ... | Le serrurier (as Moncorbier) | |
| Angela Minervini | ... | La serveuse du snack | |
| Christian Brocard | ... | Un client sans-gêne | |
| André Dalibert | ... | Le tailleur | |
| Paul Faivre | ... | Le curé | |
| Michel Nastorg | ... | Le docteur | |
| Raoul Henry | ... | L'invité Bretteville | |
| René Fleur | ... | Le décorateur | |
| rest of cast listed alphabetically: | |||
| Marc Arian | ... | Un client (uncredited) | |
| Jean Blancheur | ... | Un consommateur (uncredited) | |
| Georgette Peyron | ... | La serveuse du restaurant (uncredited) | |
| Marcel Pérès | ... | Le jardinier (uncredited) | |
Directed by | |||
| Jean-Paul Le Chanois | |||
Writing credits | ||
| Claude Gével | (based on the play by) | |
| Georges Darrier | (adaptation) (as Georges Derrick) & | |
| Pascal Jardin | (adaptation) | |
| Pascal Jardin | (dialogue) | |
Produced by | |||
| Raymond Danon | .... | producer | |
Original Music by | |||
| Georges Van Parys | |||
Cinematography by | |||
| Louis Page | |||
Film Editing by | |||
| Emma Le Chanois | |||
Production Design by | |||
| Jean Mandaroux | |||
Costume Design by | |||
| Marie Martine | |||
Makeup Department | |||
| Yvonne Fortuna | .... | key makeup artist | |
| Yvonne Gasperina | .... | key makeup artist | |
Production Management | |||
| Pierre Cottance | .... | general unit manager | |
| Claude Huyard | .... | assistant unit manager | |
| Guy Lacourt | .... | production manager | |
| Rudy Jean Le Roy | .... | unit manager (as Rudy Le Roy) | |
| Jacques Schaeffer | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Jean Michaud | .... | assistant director | |
| Philippe Monnier | .... | assistant director | |
| Jean Mylonas | .... | assistant director | |
Art Department | |||
| Henri Berger | .... | property master | |
| Jacques Charron | .... | set dresser | |
| Jacques D'Ovidio | .... | assistant set decorator | |
| Jacques Dugied | .... | assistant set decorator | |
| Guy Maugin | .... | set dresser | |
| André Pierdel | .... | property master (as Pierdel) | |
Sound Department | |||
| Marcel Corvaisier | .... | sound assistant | |
| Vartan Karakeusian | .... | sound assistant | |
| Jean Rieul | .... | sound | |
Camera and Electrical Department | |||
| Marc Champion | .... | camera operator | |
| Pierre Charvein | .... | first assistant camera | |
| Marcel Dolé | .... | still photographer | |
| Maurice Kaminsky | .... | second assistant camera | |
Costume and Wardrobe Department | |||
| Dora Balabanov | .... | costumer | |
| Micheline Bonnet | .... | costumer | |
Editorial Department | |||
| Sophie Coussein | .... | assistant editor | |
Other crew | |||
| Fanchette Brie | .... | production secretary | |
| Maurice Cadaze | .... | administrator | |
| Fernande Desgranges | .... | handbags and gloves | |
| Christiane Grémillon | .... | script supervisor | |
| Odette Keyzin-Alfonsi | .... | fashion consultant | |
| Paulette Laubie | .... | jewels | |
| Gilbert Orcel | .... | hats | |
| Daniel Ceccaldi | .... | voice dubbing: L'écrivain Michel Corbeil (uncredited) | |
|
|
|
|
|
| The Rules of the Game | Madame Bovary | Potiche | 8 Women | Mr. Klein |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Jean Gabin had been one of France's biggest stars during the 1930s with several films for great directors such as Marcel Carne', Julien Duvivier and Jean Renoir; his later output wasn't anywhere near this level and apart from the odd title - Max Ophuls' LE PLAISIR (1952), Jacques Becker's TOUCHEZ PAS AU GRISBI (1954) or Renoir's own FRENCH CANCAN (1954), to mention the ones I've watched myself - the majority of these could be deemed fillers.
Still, a good many of them have turned up from time to time on TV: I've missed a few and watched others - but, then, I'm most interested in the ones which fall into the thriller genre. This promised to be one such title and, sure enough, the first half is interesting as it deals with banker Gabin about to commit suicide after the death of his faithless wife but being dissuaded by a chance meeting with former maid Mireille Darc, who has herself fallen on hard times and become a hooker! As he had left a suicide note, his relatives eye his wealth greedily and even insinuate themselves in his vacant household (since Gabin finds it convenient to appear dead to the world!); however, he hitches up with Darc's criminal associates and decides to break into his own house (unbeknownst to the rest of the gang - in fact, he's only referred to as "Monsieur", hence the film's title) and rob the safe!!
The second half, however, in which Gabin and Darc ostensibly present themselves to a rich household in the countryside as servants (in preparation for another heist) turns the film into a pleasant - and typically French - comedy of sexual manners, with Gabin covering up the female owner's escapades from husband Philippe Noiret (one of my favorite bits during this section is when Gabin is asked to pick her up from one such tryst after her car has broken down, and an old vicar turns up and helpfully - but cluelessly - suggests to them what might be wrong with the vehicle), while their son falls for Darc (whom Gabin is passing off as his own daughter!). While all this is undeniably entertaining, it jars with the earlier section as Gabin's accomplices are unaccountably removed from the picture - so that his decision to remain in Noiret's employ (other than the fact that he is being paid for his services and, being thought dead by his relatives and colleagues, won't be missed) is never explained!
Even if older and plumper, Gabin's quietly authoritative screen presence is unmistakable - and the film also benefits from having the gorgeous Darc (best known for playing the female lead in Jean-Luc Godard's masterpiece WEEK-END [1967]) on board, as well as a cheerful score by Georges Van Parys.