A writer accepts a bet that he cannot spend the night alone in a haunted castle on All Soul's Eve. Once night falls at the castle, several who had been murdered therein return to life, ... See full summary »
In a 15th-century feudal village, a woman is accused of witchcraft and put to death. Her beautiful older daughter knows the real reason for the execution lies in the lord's sexual desire ... See full summary »
This shockumentary takes us on visits to a restaurant that serves up delicious dog meat dishes, mud-wrestling clubs, a chastity belt store. We get to see bizarre funeral rites, snake ... See full summary »
In the 22nd Century, Ray Peterson, reporter for the Interplanetary News, is assigned to write a story aboard a space station. Tension mounts between Peterson and the station commander, who ... See full summary »
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In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Dalila Di Lazzaro
Ganor, the leader of the Desert People, murders Sandor, the Sultan of Baghdad, and imprisons his eventual heirs, Daykor and Soraya, thus becoming the sole power in the country. Anthar, a young rebel, manages to get Soraya free. Eventually, she is captured by Akrim, a slave merchant, who sells her to Kamal, a wealthy Sheik. Soraya refuses to be the Sheik's girl, and plunges from a tower into the river - where she would have drowned if Anthar would not appear to save her once more. Together they go to Baghdad, where Anthar gets Daykor out of prison. But Ganor captures Anthar, and sets him to fight a rhinoceros to get rid of the freedom fighter. Daykor and Soraya return to Baghdad at the head of the revolted people, and after a siege, they take the city and joining with Anthar, will finally prevail over the tyrant. Written by
More an Arabian Nights adventure than a "Hercules" movie, this minor entry in the Sword-and-Sandal cycle lacks the verve, polish, and tongue-in-cheek humor needed to lift it above the level of the "forgettable." While the casting of Kirk Morris might lead one to expect generous servings of "beefcake," his initial appearance is the only scene in which he appears completely bare-chested. After that he's usually seen in a bolero jacket which shows off his arms and stomach but which, unfortunately, makes him look more like a comic side-kick than a two-fisted hero. Also, despite expectations to the contrary, Morris is not subjected to one of those torturous tests-of-strength which showcases his musculature in a bondage situation replete with homoerotic imagery. Instead, he's simply thrown into a pit with an irritated rhino -- a sequence which must have seemed better on paper than it proves to be on film. While not a bad movie -- it's passably entertaining in a Saturday matinée sort of way -- fans of this genre in general and of Kirk Morris in particular are advised to look for their satisfaction elsewhere.
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