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Anthar l'invincibile (1964)

3.8
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Ratings: 3.8/10 from 183 users  
Reviews: 5 user | 3 critic

The son of Hercules is pitted against a ruthless desert warrior.

Director:

(as Anthony Dawson)

Writers:

(screenplay), (story), 4 more credits »
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Title: Anthar l'invincibile (1964)

Anthar l'invincibile (1964) on IMDb 3.8/10

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Edit

Cast

Cast overview, first billed only:
Kirk Morris ...
Anthar
Michèle Girardon ...
Princess Soraya
Renato Baldini ...
Kamal
Mario Feliciani ...
Ganor
José Jaspe ...
Akrim
Manuel Gallardo ...
Prince Daikor
Nadine Verdier ...
Slave Girl
Aldo Cecconi ...
Abdul
Malika Kamal ...
Slave Girl
Roberto Dell'Acqua ...
Aimu the Mute
Howard Ross ...
Hasien
Pietro Tordi ...
Bidder
Ugo Sasso ...
Murad
Giacomo Furia ...
Salene
Laura Nucci ...
Adonna
Edit

Storyline

The son of Hercules is pitted against a ruthless desert warrior.

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »
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Details

Country:

| |

Language:

Release Date:

27 June 1964 (Italy)  »

Also Known As:

Devil of the Desert Against the Son of Hercules  »

Box Office

Gross:

ESP 16,929,249 (Spain)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Goofs

Gainor has a chamber of mirrors millennia before the development of the technology to produce flat glass and silvering. See more »

Quotes

Princess Soraya: Anthar, should the fact that I'm a princess keep me from falling in love?
See more »

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User Reviews

 
Forgettable
20 November 2010 | by (Minneapolis) – See all my reviews

More an Arabian Nights adventure than a "Hercules" movie, this minor entry in the Sword-and-Sandal cycle lacks the verve, polish, and tongue-in-cheek humor needed to lift it above the level of the "forgettable." While the casting of Kirk Morris might lead one to expect generous servings of "beefcake," his initial appearance is the only scene in which he appears completely bare-chested. After that he's usually seen in a bolero jacket which shows off his arms and stomach but which, unfortunately, makes him look more like a comic side-kick than a two-fisted hero. Also, despite expectations to the contrary, Morris is not subjected to one of those torturous tests-of-strength which showcases his musculature in a bondage situation replete with homoerotic imagery. Instead, he's simply thrown into a pit with an irritated rhino -- a sequence which must have seemed better on paper than it proves to be on film. While not a bad movie -- it's passably entertaining in a Saturday matinée sort of way -- fans of this genre in general and of Kirk Morris in particular are advised to look for their satisfaction elsewhere.


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