| Cast overview, first billed only: | |||
| Vincent Price | ... | ||
| Hazel Court | ... |
Juliana
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| Jane Asher | ... |
Francesca
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David Weston | ... |
Gino
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| Nigel Green | ... |
Ludovico
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Patrick Magee | ... |
Alfredo
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Paul Whitsun-Jones | ... |
Scarlatti
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Skip Martin | ... |
Hop Toad
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| Robert Brown | ... |
Guard
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Julian Burton | ... |
Señor Veronese
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David Davies | ... |
Lead Villager
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Gaye Brown | ... |
Señora Escobar
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Verina Greenlaw | ... |
Esmeralda
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Doreen Dawn | ... |
Anna-Marie
(as Doreen Dawne)
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Brian Hewlett | ... |
Senor Lampredi
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The evil Prince Prospero is riding through the Catania village when he sees that the peasants are dying of Red Death plague. Prospero asks to burn down the village and he is offended by the villagers Gino and his father-in-law Ludovico. He decides to kill them, but Gino's wife, the young and beautiful Francesca, begs for the lives of her husband and her father and Prospero brings them alive to his castle expecting to corrupt Francesca. Propero worships Satan and invites his noble friends to stay in his castle that is a shelter of depravity against the plague. When Prospero invites his guests to attend a masked ball, he sees a red hooded stranger and he believes that Satan himself has attended his party. But soon he learns who his mysterious guest is. Written by Claudio Carvalho, Rio de Janeiro, Brazil
One of my favorite horror movies of all time -- and one of Roger Corman's best films, if not his best. The plot adaption from the original Poe story is fantastic, expanding on the plot to make it into a full length film without taking it out of the bounds of Poe's vision. The cast is great too. Price adds a sadistic, morbid class to the film, perfectly believable as the devil-worshipping Prospero. It reminded me of the days when he used to appear in history/literature films, like Elizabeth and Essex or the Three Musketeers. Jane Asher is great as the distressed peasant with a good heart, slowly being corroded by Prospero.
The wardrobe is another plus -- the ballroom outfits and masquerade attire does have one glaring mistake, but is fitting overall. The final scene is absolutely great film-making. The low budget of the film doesn't impede a true romantically creepy climax.
Unique and done very well.